When the "B's" went out of production low budget guerrilla Exploitation Grindhouse "C through Z's" took over. I can count probably just using the fingers of both hands how many of them are worth a look. Some Like It Violent is one of them.
The film stars Bob O'Connell as Johnny Scaro, Sharon Kent (who looks a bit like Kathryn Leigh Scott in a blonde wig) as Dolores, and Natara as prostitute Zelda. Scaro's blonde hooker uncredited starred as the lead in producer Barry Mahon's (Hot Skin, Cold Cash (1965)). That's it, the rest of the cast is lost to history and they probably didn't use their real names anyway.
O'Connell is a blast to watch, bug-eyed, and channeling Cagney in his crazed monologues about making on his own it in the streets. The opening sequence of Scaro chopping up the mannequins is reminiscent of Sam Fuller's intense opening sequence for The Naked Kiss. As with most all of these cheap productions, the whole range of acting ability and lack of it is apparent and, of course, the requisite T&A is displayed.
These bottom of the barrel exploitation films bridge some of the the gaps between B production Noirs and the Hollywood output of Neo Noirs that picked up again in the 70's. Needs a good restoration, worth seeking out, more than just a "skin flick" 6-7/10.
The film stars Bob O'Connell as Johnny Scaro, Sharon Kent (who looks a bit like Kathryn Leigh Scott in a blonde wig) as Dolores, and Natara as prostitute Zelda. Scaro's blonde hooker uncredited starred as the lead in producer Barry Mahon's (Hot Skin, Cold Cash (1965)). That's it, the rest of the cast is lost to history and they probably didn't use their real names anyway.
O'Connell is a blast to watch, bug-eyed, and channeling Cagney in his crazed monologues about making on his own it in the streets. The opening sequence of Scaro chopping up the mannequins is reminiscent of Sam Fuller's intense opening sequence for The Naked Kiss. As with most all of these cheap productions, the whole range of acting ability and lack of it is apparent and, of course, the requisite T&A is displayed.
These bottom of the barrel exploitation films bridge some of the the gaps between B production Noirs and the Hollywood output of Neo Noirs that picked up again in the 70's. Needs a good restoration, worth seeking out, more than just a "skin flick" 6-7/10.