After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Recent college graduate Benjamin Braddock is trapped into an affair with Mrs. Robinson, who happens to be the wife of his father's business partner and then finds himself falling in love with her daughter, Elaine.
Butch and Sundance are the two leaders of the Hole-in-the-Wall Gang. Butch is all ideas, Sundance is all action and skill. The west is becoming civilized and when Butch and Sundance rob a train once too often, a special posse begins trailing them no matter where they run. Over rock, through towns, across rivers, the group is always just behind them. When they finally escape through sheer luck, Butch has another idea, "Let's go to Bolivia". Based on the exploits of the historical characters. Written by
John Vogel <firstname.lastname@example.org>
This movie was filmed roughly the same time as Hello, Dolly! (1969), on the sound stage next door. Director George Roy Hill believed that the studio would allow him to film the New York scenes on "Dolly's" sets, since the two films' daily shooting schedules were totally different. After production started, though, the studio informed him that it wanted to keep the sets for "Dolly" a secret and so refused him permission. To work around this, Hill had Robert Redford, Paul Newman and Katharine Ross simply pose on the sets and took photos of them. He then inserted images of the three stars into a series of 300 actual period photos and spliced the two different sets (real and posed) together to form the New York montage. See more »
When they're eating at Etta's house, before and after Butch Cassidy shouts, "You probably inherited every penny you got!" you can see Butch's shadow on the set. See more »
I can remember seeing this movie, at the Colony Theater in Portsmouth Virginia, when it was first released. Since then, I've seen it at least 30 times, most recently last night. In my humble opinion, Paul Newman & Robert Redford made an excellent movie twosome 30 years ago [and expanded on it a few years later, in The Sting]. In reading the reviews submitted about this movie it makes me happy to see that most of the people agree with my opinion. How could you not like these characters, along with Etta, "those guys" following them and eventually Strother [who will always be remembered for his "what we have here is a failure to communicate" in Cool Hand Luke] Martin? Not to mention the scenes where Etta enters the picture, when Butch has to fight Logan, when they have to jump in the water and, of course, the ending sequence of events. I won't say "they don't make them like they used to", but this one is a keeper. And if you agree with my evaluation, and have a DVD player, watch the DVD that has interviews, etc., to give you an even better picture of this excellent movie.
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