Dirty Harry (1971)

User Rating:

7.9/10   

Director:

Don Siegel

Writers:

Harry Julian Fink (screenplay) &
Rita M. Fink (screenplay) ...

Release Date:

23 joulukuu 1971 (USA)

Genre:

Action | Crime | Thriller

Tagline:

You don't assign him to murder cases, You just turn him loose.

Plot:

A San Francisco cop with little regard for rules (but who always gets results) tries to track down a serial killer who snipes at random victims.

Plot Keywords:

Dirty Harry | Ransom | Sniper | Police | City

Awards:

1 nomination

Cast

Clint Eastwood	...	Police Inspector Harry Callahan
Harry Guardino	...	Police Lt. Al Bressler
Reni Santoni	...	Police Inspector Chico Gonzalez
John Vernon	...	The Mayor
Andrew Robinson	...	Scorpio Killer (as Andy Robinson)
John Larch	...	The Chief
John Mitchum	...	Police Inspector Frank DiGiorgio
Mae Mercer	...	Mrs. Russell
Lyn Edgington	...	Norma
Ruth Kobart	...	Bus Driver
Woodrow Parfrey	...	Mr. Jaffe
Josef Sommer	...	Dist. Atty. William T. Rothko
William Paterson	...	Judge Bannerman
James Nolan	...	Liquor Store Owner
Maurice Argent	...	Sid Kleinman (as Maurice S. Argent)

Also Known As:

Dead Right (USA) (original script title)

Runtime:

102 min | Portugal:99 min (cut version)

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono

Certification:

Canada:13+ (Québec) | Canada:PG (Manitoba) | Canada:R (Nova Scotia/Ontario) | Iceland:16 | UK:X (original rating) | Finland:K-16 (1972) (cut) (re-rating after appeal) | Netherlands:12 (TV rating) | Netherlands:16 | France:-12 | UK:15 (2008) | Ireland:15 (re-rating) (2008) | Ireland:18 | Finland:K-15 (DVD rating) | Argentina:18 | Peru:18 | Norway:15 (DVD rating) | Brazil:14 | Australia:MA | Australia:R (original rating) | Finland:(Banned) (1972) | Italy:VM14 | New Zealand:R16 | Norway:16 (cut) | Norway:18 | Singapore:M18 | South Korea:18 | Spain:18 | Sweden:15 | UK:18 | USA:R | West Germany:16

Filming Locations:

Bank of America Building - 555 California Street, San Francisco, California, USA

Company:

Malpaso Company, The

Trivia:

Clint Eastwood performed all his own stunts, including the stunt where he jumps onto the roof of the hijacked school bus from a bridge. His face is clearly visible throughout the shot.

Goofs:

Incorrectly regarded as goofs: At the end of the bank robbery Harry delivers his famous line which includes "Did I fire 5 times or 6"? Some viewers have suggested that Harry fired only 4 times, but in actuality you only see Harry fire 4 times - if you listen carefully you hear 6 shots.

Quotes:

[first lines]
Harry Callahan: Jesus.

Movie Connections:

Referenced in Ferris Bueller's Day Off (1986)

Something wild about Harry

Don Siegel's highly polished .44 magnum-opus, with Clint Eastwood as the daddy (or should that be mutha?) of all maverick cops. Given an A-picture budget by Warners, Siegel delivered a tremendously taut thriller, as provocatively amoral as anything he had done in his 20-year career of expert B-pics like The Killers.

Dirty Harry also gave Eastwood a definitive Hollywood identity after leaving spaghetti westerns behind. It may lack the humour of Siegel and Eastwood's first collaboration, Coogan's Bluff, but it packs a much more uneasy political punch.

Inspector Harry Callaghan is the taciturn, laconic spokesman of Nixon's Silent Majority, elevated to iconic status. His dialogue with criminals is delivered behind the barrel of a devastatingly phallic Magnum hand-gun. "Feel lucky, punk?" he taunts one wounded miscreant in a famous line he repeats at the end of the film.

There's just enough moral ambiguity about Harry in this film to escape it being an endorsement of vigilantism – but if it poses resonating questions about how a liberal society can be held hostage by those outside the law, it also contrives a worryingly two-dimensional picture of psycho-killer Scorpio (Andy Robinson) - and of Harry, himself – with which to frame those questions.

Made by the veteran director in the same year as Hollywood-new wave young gun William Friedkin shot The French Connection, it's just as coolly authoritative and exciting. Siegel uses Bruce Surtees' always serviceable photography of San Francisco locations with flair (years before, he had shot the low-budget but excellent The Line-Up there). The swooping helicopter shot out of the baseball stadium, as if to rush the audience away (either as witnesses or as voyeurs) as Eastwood presses his foot on Scorpio's wounded leg, shows Siegel's smooth mastery of the medium.

Siegel made the insouciant Charley Varrick with Walter Matthau next, after which his career went into slow decline.