In 1943, in the Russian front, the decorated leader Rolf Steiner is promoted to Sergeant after another successful mission. Meanwhile the upper-class and arrogant Prussian Captain Hauptmann ... See full summary »
The host of an investigative news show is convinced by the CIA that the friends he has invited to a weekend in the country are engaged in a conspiracy that threatens national security in ... See full summary »
Intent on seeing the Cahulawassee River before it's turned into one huge lake, outdoor fanatic Lewis Medlock takes his friends on a river-rafting trip they'll never forget into the dangerous American back-country.
Upon moving to Britain to get away from American violence, astrophysicist David Sumner and his wife Amy are bullied and taken advantage of by the locals hired to do construction. When David finally takes a stand it escalates quickly into a bloody battle as the locals assault his house. Written by
Andrew Hyatt <firstname.lastname@example.org>
Dustin Hoffman - not usually a fan of violent films - admitted that he only took the role in this movie for the money. See more »
When Amy fires the shotgun at the last attacker both the hammers are in the 'uncocked' position. She would need to pull the hammer of the relevant barrel backwards to cock the gun. See more »
David, give Niles to them. That's what they want. They just want him. Give them Niles, David!
They'll beat him to death.
I don't care! Get him out!
You really don't care, do you?
No, I don't.
No. I care. This is where I live. This is me. I will not allow violence against this house.
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In the same year as Clockwork Orange, at the height of the Vietnam War, Peckinpah tried to bring his message into the present. Behind the thin veneer of civilization lies a monster worse than the barbarians of the hill country. By refusing to meet each challenge and take the consequences, the protagonist, like Western Civilization, allows the conflict to escalate to the point where extreme horror appears justified. The inevitable march to the macabre resolution, leaves lots of room for speculation about who the villains are and how much of the world around us is our own doing. This movie, like its Kubrick contemporary, was major ratings controversy because the sex and violence was "disturbing" - unlike the real thing which seems like so much fun on TV.
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