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The Last House on the Left (1972)
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Overview
User Rating:
Your Rating:
Director:
Writer:
Release Date:
30 elokuu 1972 (USA)
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Tagline:
To avoid fainting, keep repeating "It's only a movie...It's only a movie..." more
Plot:
A pair of teenage girls are headed to a rock concert for one's birthday. While trying to score marijuana in the city, the girls are kidnapped by a gang of psychotic convicts. full summary | add synopsis
User Reviews:
A VERY dark journey....
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Cast
(Complete credited cast)| Sandra Peabody | ... | Mari Collingwood (as Sandra Cassell) | |
| Lucy Grantham | ... | Phyllis Stone | |
| David Hess | ... | Krug Stillo (as David A. Hess) | |
| Fred J. Lincoln | ... | Fred 'Weasel' Podowski (as Fred Lincoln) | |
| Jeramie Rain | ... | Sadie | |
| Marc Sheffler | ... | Junior Stillo | |
| Richard Towers | ... | Dr. John Collingwood (as Gaylord St. James) | |
| Cynthia Carr | ... | Estelle Collingwood | |
| Ada Washington | ... | Ada, chicken coop truck driver | |
| Marshall Anker | ... | Sheriff | |
| Martin Kove | ... | Deputy | |
| Ray Edwards | ... | Postman |
Additional Details
Also Known As:
Grim Company (USA) (16mm release title)
Krug & Company (USA) (working title)
Krug and Company (Australia) (video title)
Last House on the Left (USA) (alternative title)
Night of Vengeance (USA) (working title)
Sex Crime of the Century (USA) (working title)
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Krug & Company (USA) (working title)
Krug and Company (Australia) (video title)
Last House on the Left (USA) (alternative title)
Night of Vengeance (USA) (working title)
Sex Crime of the Century (USA) (working title)
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Parents Guide:
Runtime:
84 min | Germany:64 min (heavily cut) | USA:91 min (original cut) | USA:82 min (R-rated version)
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Certification:
Norway:16 (DVD rating) (2005) (self applied) |
UK:18 (re-rating: 2002) (cut) |
UK:(Banned) (1984-2002) |
Australia:R (re-rating: 2004) |
UK:R (original rating: 1974) |
New Zealand:R18 (re-rating: 2004) |
Australia:Refused Classification (original rating: 1987) |
USA:Unrated (uncut) |
Germany:18 |
Sweden:15 (uncut) |
West Germany:18 (cut) |
UK:18 (re-rating: 2008) (uncut) |
Argentina:18 (re-rating) |
Argentina:X (original rating) |
Singapore:(Banned) |
Canada:R |
France:-16 |
Iceland:(Banned) |
Ireland:18 (cut UK version) |
Netherlands:16 |
New Zealand:(Banned) (original rating) |
Norway:(Banned) |
USA:R (heavily cut) |
West Germany:(Banned) |
Italy:VM18 |
Finland:K-18 (self applied) (2002) |
Germany:16 (heavily cut)
Filming Locations:
Company:
Fun Stuff
Trivia:
Wes Craven took Mari Collingwood's surname from his high school.
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Goofs:
Revealing mistakes: Mari breathes and moves when her parents find her body (the original intention was that she should still be alive at this point and would identify her attackers before dying).
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Quotes:
[first lines]
Postman: [to dog] Hello, Cassie! Hiya, girl! Hello there! Now, let's see.
[looks through mail]
Postman: Ah, it looks like Mari's getting cards from half the civilized world. Mari Collingwood. Mari Collingwood. Mari Collingwood. You'd think she's the only kid to reach the age of 17. Of course she is probably the prettiest piece I've ever seen.
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Postman: [to dog] Hello, Cassie! Hiya, girl! Hello there! Now, let's see.
[looks through mail]
Postman: Ah, it looks like Mari's getting cards from half the civilized world. Mari Collingwood. Mari Collingwood. Mari Collingwood. You'd think she's the only kid to reach the age of 17. Of course she is probably the prettiest piece I've ever seen.
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Movie Connections:
Spoofed in Nutcracker (2001)
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Soundtrack:
Wait for the Rain
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FAQ
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I remember, quite vividly, the ad campaign for "Last House on the Left". I clearly remember the eerie feeling I got when I saw the ads, either televised or printed. Yet, as eerie as they were, nothing in the ads ever prepared me for this movie. I felt helpless during the film because nothing I could do would help the characters on-screen. I was terrified by man's cruelty to man. I still continue to be haunted by this film. The feeling one experiences viewing this film can only be compared to what a jury feels when video evidence is presented. With that said, I have to admit this is a great film. To evoke such feelings in an audience using actors and actresses is a work of great talent. I can't say I've enjoyed most of Mr. Craven's works; but, this is undeniable a staple in cinema's history.