No one has answered this question yet.
No one has answered this question yet.
ACCURATE ANSWER: it is a Malaysian Eagle-owl, also known as Barred Eagle-Owl (I spent years poring down Google images until I finally found my answer. I posted it, long ago, at the trivia pages here. Please browse those for more answered questions, I shared a lot of exclusive info, and have a lot more I have reserved. And remember to YES the replies you enjoyed.)
There was only one owl used and his name was Merlin. (source: As told to another IMDB member by a "The Magician" crew member.)
There was only one owl used and his name was Merlin. (source: As told to another IMDB member by a "The Magician" crew member.)
Maybe not you, but Tony could.
Legally: It is not legal to own owls as pets in the United States or Canada, but it is legal to own them in the United Kingdom. However, a person like Tony could probably get special permits to own exotic animals that would normally not be allowed, like the tiger he uses. In the USA, owls are protected under various federal, state, and local laws, such as the Migratory Bird Treaty Act of 1918. In the United Kingdom, a snowy owl like Hedwig, who serves as Harry Potter's messenger/pet in the Harry Potter movie, can be bought for about 400 pounds (U.S. $576), as of 2007.
Practically: Owning an owl would be difficult and labor-intensive, and require a large cage the size of a large room. A normal bird cage, however large, would be cruel imprisonment. Owls are wild and have sharp, strong talons and beaks, and they know how to use them. This makes them dangerous. Leaving the owl uncaged as depicted in the show would be unwise. Cleaning owl feces from a cage the size of a room is a job better left to zookeepers. Because of these complications it would not be practical for most people, but an exotic animal handler like Tony could swing it, with some hired help.
All that said, obviously in the United Kingdom people are doing it, so ultimately the answer to this question is: "yes."
Legally: It is not legal to own owls as pets in the United States or Canada, but it is legal to own them in the United Kingdom. However, a person like Tony could probably get special permits to own exotic animals that would normally not be allowed, like the tiger he uses. In the USA, owls are protected under various federal, state, and local laws, such as the Migratory Bird Treaty Act of 1918. In the United Kingdom, a snowy owl like Hedwig, who serves as Harry Potter's messenger/pet in the Harry Potter movie, can be bought for about 400 pounds (U.S. $576), as of 2007.
Practically: Owning an owl would be difficult and labor-intensive, and require a large cage the size of a large room. A normal bird cage, however large, would be cruel imprisonment. Owls are wild and have sharp, strong talons and beaks, and they know how to use them. This makes them dangerous. Leaving the owl uncaged as depicted in the show would be unwise. Cleaning owl feces from a cage the size of a room is a job better left to zookeepers. Because of these complications it would not be practical for most people, but an exotic animal handler like Tony could swing it, with some hired help.
All that said, obviously in the United Kingdom people are doing it, so ultimately the answer to this question is: "yes."
It's a Boeing 720, a lighter, faster, but shorter-ranger version of the well-known 707 model. Establishing shots of the airplane on the runway show the single over-wing emergency exit of the 720 rather than the dual exits of the 707.
The plane is sometimes mistakenly assumed to be a 747 Jumbo Jet. However, the aircraft are completely different, as the 747 is a much larger wide-body airliner with passenger capacity starting at over 450 (fewer on planes that include more spacious first class seating) while the 720 is a narrow-body airliner with a standard capacity of 167 and has no first class.
The rear cargo ramp that Tony drives his Corvette onto does not actually exist on a 720. Those scenes were filmed in a military cargo plane that includes such a ramp, probably a Lockheed C-130.
Stock footage used in the takeoff scene in the pilot episode shows a two-engine aircraft, likely a 737.
The plane is sometimes mistakenly assumed to be a 747 Jumbo Jet. However, the aircraft are completely different, as the 747 is a much larger wide-body airliner with passenger capacity starting at over 450 (fewer on planes that include more spacious first class seating) while the 720 is a narrow-body airliner with a standard capacity of 167 and has no first class.
The rear cargo ramp that Tony drives his Corvette onto does not actually exist on a 720. Those scenes were filmed in a military cargo plane that includes such a ramp, probably a Lockheed C-130.
Stock footage used in the takeoff scene in the pilot episode shows a two-engine aircraft, likely a 737.
1974 White Sting-ray corvette with the following options: T-tops, power windows, car telephone, automatic transmission, tilt steering wheel, beige interior, 350ci engine.
The pilot used a 1973 (recognizable by its chrome rear bumper, which the 1974 did not have) with aluminum wheels that were not publically available until 1976.
Car phones have been available since 1946 (Motorola/Bell MITS service). This service was improved in 1962, and the 1960s also saw a competing technology called AMPS.
(source of information: Wikipedia.)
Todd Crespi was in a wheelchair because he was playing a disabled character. (The question likely should be worded "Why was Dennis Pomeroy in a wheelchair?") The answer: According to several interviews done with Todd in the teen magazines of the day, Dennis was meant to be what was generally at that time thought to be a conflicted character: a young genius who also happened to be disabled (as if one thing had anything to do with the other). There was never an explanation within the series as to what had caused Dennis to be paraplegic or what caused him to often slump to the left. Viewers who had seen the pilot of "The Magician" were already aware that Max Pomeroy's son was a very intelligent and resourceful kid who had built an impressive database of facts and photographs which chronicled his father's world-wide exploits. Additionally, we were meant to assume that he was indeed rather brainy because he played quite a lot of chess with himself as opponent (likely because he seemed to be left at home alone early and often) and also because his father, Tony and Jerry involved him in their intrigues. (Jerry even indicated that Dennis assisted him in checks on The Spirit jet in "The Manhunters"). Luckily for Tony and those he assisted, Dennis had unexplained free access to records via the Department Of Motor Vehicles and other sensitive government sources, while his dialog in various episodes indicated that he might have also acted as Max's researcher, as he was well-versed in the names, histories and illegal activities of the criminal element who peopled his father's investigations. ("The Vanishing Lady" also indicated that Dennis kept files on Tony's co-workers and associates, revealed when Tony tells Dennis to "search Julie's files" for information to assist in finding the kidnapped singer). The fan magazines of the day often described Dennis as a "crippled genius" whose function on the show, at least early on, was meant to include him assisting Tony with the invention of props and gadgets which got the illusionist out of trouble, both on stage and off, though this never actually happened within the series. Todd lamented in interviews that he was never able to effectively develop the character for lack of sufficient screen time.
In Fave Magazine (February 1974), Todd Crespi stated that Dennis was originally to be depicted using an electric wheelchair, which might better have illustrated the extent of his disability from the viewpoint of the writers and producers. However, he said that there was a level of difficulty in the operation of the controls to change the direction of the wheelchair and, as evidenced by the pilot and series, it was eventually decided to have him use a standard wheelchair instead. While there may be test footage of the use of the electric wheelchair lost to history, Dennis never actually used an electric wheelchair on screen.
As to why the producers included a disabled character in the main cast...? The series often showcased or featured emotionally or physically challenged characters in a sensitive and intelligent manner, so Dennis seemed to be a logical extension of that effort. Dennis helped to anchor the other main characters, allowing them a consistent touch-point for the sake of contact , as well as for the gathering of information and dissemination of details during their adventures. While Max Pomeroy rarely seemed to show interest in his son and tended to regard him more as his unwelcomed voice of reason, it was obvious that Tony and Jerry were quite fond of Dennis. (Note that it wasn't unusual for Tony to introduce Dennis to visitors, even when Max was present, and that Tony was often tactile with Dennis while Max never was). Also, the only indication the audience was ever given of Dennis' age was in the episode "Illusion In Terror," during which Jerry handed Dennis an alcoholic beverage (which he didn't drink), leaving viewers to assume that he was at least 21 years of age (the same age that Crespi was when he began to play the character). The Dennis Pomeroy character, though used less often as the first half of the series transpired, was, in retrospect, a genuine asset to the tales, not to mention being greatly missed by all of the Todd Crespi fans in the audience once he disappeared from the scripts.
#2: SHORT ANSWER: I had the pleasure of once interviewing Mr. Crespi. He gave me the answer to that, and I can tell you, it is quite different than the long-winded blurb above. If you open your eyes and look, it is the most logical conclusion you can come up with, and it has nothing to do with 'the character'. Think.
In Fave Magazine (February 1974), Todd Crespi stated that Dennis was originally to be depicted using an electric wheelchair, which might better have illustrated the extent of his disability from the viewpoint of the writers and producers. However, he said that there was a level of difficulty in the operation of the controls to change the direction of the wheelchair and, as evidenced by the pilot and series, it was eventually decided to have him use a standard wheelchair instead. While there may be test footage of the use of the electric wheelchair lost to history, Dennis never actually used an electric wheelchair on screen.
As to why the producers included a disabled character in the main cast...? The series often showcased or featured emotionally or physically challenged characters in a sensitive and intelligent manner, so Dennis seemed to be a logical extension of that effort. Dennis helped to anchor the other main characters, allowing them a consistent touch-point for the sake of contact , as well as for the gathering of information and dissemination of details during their adventures. While Max Pomeroy rarely seemed to show interest in his son and tended to regard him more as his unwelcomed voice of reason, it was obvious that Tony and Jerry were quite fond of Dennis. (Note that it wasn't unusual for Tony to introduce Dennis to visitors, even when Max was present, and that Tony was often tactile with Dennis while Max never was). Also, the only indication the audience was ever given of Dennis' age was in the episode "Illusion In Terror," during which Jerry handed Dennis an alcoholic beverage (which he didn't drink), leaving viewers to assume that he was at least 21 years of age (the same age that Crespi was when he began to play the character). The Dennis Pomeroy character, though used less often as the first half of the series transpired, was, in retrospect, a genuine asset to the tales, not to mention being greatly missed by all of the Todd Crespi fans in the audience once he disappeared from the scripts.
#2: SHORT ANSWER: I had the pleasure of once interviewing Mr. Crespi. He gave me the answer to that, and I can tell you, it is quite different than the long-winded blurb above. If you open your eyes and look, it is the most logical conclusion you can come up with, and it has nothing to do with 'the character'. Think.
Illusion of the Evil Spikes: swimming pool safe escape: The sequence is heavily edited. There's no way Bill Bixby got anywhere close to that water while locked in that safe. Had the sequence been legit, they certainly would have filmed it with no cuts.
Illusion in terror: vanish after walking through a door frame: done with the aid of camera framing.
Illusion in terror: vanish after walking through a door frame: done with the aid of camera framing.
Illusion of Terror: Linking rings. Commercial name: McAbee rings. Style: "The Magician" style.
Sawing a girl in a Train: Commercial name: Mark Wilson's train illusion. Style: Mark Wilson.
Silk to egg: Commercial name: Silk to egg. Style: Variation that plays off of Mark Wilson's usual presentation.
Dancing cane: Commercial name: Dancing cane. Style: Unknown.
Fire frame vanish: Commercial name: Unknown. Style: Unknown.
Sword suspension with rotation: Commercial name: Sword Suspension illusion. Style: unknown
Shrinking cards: Commercial name: Diminishing cards. Style: Uday. This item sells for about $5.00, compared to $40 for the more complex Al Baker style device.
Episode: Illusion of the evil spikes:
---Trick: Evil spikes. Commercial name: TABLE of death. Style: Andre Kole's (he is the creator and manufacturer).
---Trick: Swimming pool safe escape. Commercial name: not a commercial effect. Style:
Sawing a girl in a Train: Commercial name: Mark Wilson's train illusion. Style: Mark Wilson.
Silk to egg: Commercial name: Silk to egg. Style: Variation that plays off of Mark Wilson's usual presentation.
Dancing cane: Commercial name: Dancing cane. Style: Unknown.
Fire frame vanish: Commercial name: Unknown. Style: Unknown.
Sword suspension with rotation: Commercial name: Sword Suspension illusion. Style: unknown
Shrinking cards: Commercial name: Diminishing cards. Style: Uday. This item sells for about $5.00, compared to $40 for the more complex Al Baker style device.
Episode: Illusion of the evil spikes:
---Trick: Evil spikes. Commercial name: TABLE of death. Style: Andre Kole's (he is the creator and manufacturer).
---Trick: Swimming pool safe escape. Commercial name: not a commercial effect. Style:
This was called "THE magician MAGIC SET." The box featured: lettering similar to the TV show, Bill Bixby's name, the image of Tony Blake releasing doves from the ending credits of the show.
The kit was brand marked "TV Mystery Products, Inc., Schaumburg, Illinois."
Although he was involved in its creation, the kit did not feature Marshall Brodien's name nor image.
The kit contained: -Trick deck of cards -Book of 50 tricks -Deck of cards (with instructions for 15 tricks). 25 magic tricks as follows: -cups & balls -Something that looks like an eight ball -Chinese linking sticks -Enchanted jug that sticks to string -5 card card trick of some sort -Little red plastic multiplying billiard balls. -Multiplying sponge rabbits -magic wand -four ace trick -magic spot card -cut & restored rope trick -pocket to pocket trick -water mystery (a glass of water is turned upside down) -two card monte -Guess the number -Multiplying rice bowls -water poured into tube vanish -Can't make one out -guess the color cube inside the box: a cube with various colored spots on each side is loaded by the spectator into a box with any desired color facing up and the lid is placed on the box. By simply holding the box to his forehead, the magician is able to name the selected color. -Hankercheif vanish -Vanishing quarter: a half dollar or quarter dropped into a glass of water vanishes. -Three card monte -Glass suspension: two glasses are suspended mysteriously from a book. -Paddle trick: rabbit appears and vanishes from both sides of a paddle. -magic coin holder: a coin placed in this holder will vanish at will.
The kit contained: -Trick deck of cards -Book of 50 tricks -Deck of cards (with instructions for 15 tricks). 25 magic tricks as follows: -cups & balls -Something that looks like an eight ball -Chinese linking sticks -Enchanted jug that sticks to string -5 card card trick of some sort -Little red plastic multiplying billiard balls. -Multiplying sponge rabbits -magic wand -four ace trick -magic spot card -cut & restored rope trick -pocket to pocket trick -water mystery (a glass of water is turned upside down) -two card monte -Guess the number -Multiplying rice bowls -water poured into tube vanish -Can't make one out -guess the color cube inside the box: a cube with various colored spots on each side is loaded by the spectator into a box with any desired color facing up and the lid is placed on the box. By simply holding the box to his forehead, the magician is able to name the selected color. -Hankercheif vanish -Vanishing quarter: a half dollar or quarter dropped into a glass of water vanishes. -Three card monte -Glass suspension: two glasses are suspended mysteriously from a book. -Paddle trick: rabbit appears and vanishes from both sides of a paddle. -magic coin holder: a coin placed in this holder will vanish at will.
ANSWER: Kind of. He hosted several TV specials featuring magic. He starred in a good movie, "The Invasion of Johnson County" where he performed several bar tricks. These included: standing an egg on its end, belt loop challenge, floating two forks from the end of a toothpick, making five pat hands from 25 random cards, and picking five ears of corn that all have an even number of rows.
***Standing an egg on its end:
HOW: Before attracting attention, surreptitiously put some salt in one hand. Challenge the viewer that you can make an egg stand on its end without breaking the shell. Get permission to blow first and then blow on the end of the egg, and wet it with your lips as you do so. As a joke, stand the egg in your palm that has the salt, the salt will stick to the wetted end. When the viewer scoffs, carefully stand the egg on the table. The salt will form a base and the egg will stand upright. As the viewer gawks, casually drop your hands to your side, dropping the salt. After the viewer has gotten a good look, pick up the egg and casually pretend to brush it clean of any dirt (while actually brushing away the salt) so that you can clearly show the viewer that the shell is not broken. Now offer the egg to the viewer so that he may attempt the feat, but with the salt gone it won't work. Notice how much attention to detail was used in the presentation of this simple trick.
***Belt loop challenge: Coil your belt tightly, forming three folds that form loops near the center coil. Challenge the viewer to place a pencil through one of the loops such that when you use the ends of the belt to pull the coil straight the pencil catches the middle fold and prevents you from pulling the belt away. No matter where the viewer places the pencil, you are able to freely pull the belt away.
HOW: Take notice of where the viewer places the pencil, and then adjust your grip on the ends as you pull such that you grasp the proper ends. (More details later...I haven't learned this one yet. If you have info...please post or e-mail.)
***Floating two forks: I can suspend these two forks from the end of this toothpick, and the other end of the toothpick will only touch the rim of this glass. The forks won't touch the glass or the table, and I won't support them in any way.
HOW: Point the forks directly at each other, tines to tines. Interlock the tines of the forks in the same way you intertwine your fingers. The forks will form a single rigid stick, bent into a slight U or V shaped curve (I'll call it V) in the same direction as the curve of the tines. Wedge one end of the toothpick into the tines between the 2nd and 3rd tines, counting tines from the top of the assembly, inserting the toothpick starting from inside the V. It will be a tight fit and you will just be able to get the very tip of the toothpick in there. Use your finger on the stick of the toothpick for a trial balance. The handles of the forks will try to swing down toward the floor, twisting the tines, which will then try to twist the toothpick towards the floor. Your finger will prevent the toothpick from dropping and thusly suspend the entire assembly. Because the handles make a V shape, the center of balance is not at the tines (apex of V) as it would appear, but rather somewhere inside the V. That's the point where the toothpick needs to hit the rim of the glass. Make adjustments as best you can and then move to the glass. Ask no one to shake or even touch the table, and then place about the middle of the toothpick on the rim of the glass, with the forks outside the rim (i.e. not in the middle of the glass). Slide the toothpick on the rim of the glass until you sense the balance point (it will be between the middle of the toothpick and the tines, usually close to the tines, sometimes very close). When you find the balance point you may let the entire assembly hang freely. Then, for the coup-de-grace (i.e., the part that will really murder your audience) use a match or a burning toothpick to light the end of the toothpick inside the glass. It will burn up to the cold rim of the glass and then extinguish, leaving the new end of the toothpick hanging on the rim of the glass. It's great.
The balance is sometimes easy, sometimes more difficult. Obviously the point at which the toothpick rests on the rim of the glass is the key, but you can also adjust the angle that the forks form with the toothpick. This is especially critical if you use unmatched forks, or a fork and spoon (covered below).
A variation is to use a fork and spoon. Hold the spoon and fork point to point and then insert the bowl of the spoon into the tines. The first and last tines go inside the bowl of the spoon and the middle tines go outside the bowl. This forms a nicely rigid stick and inspires more confidence than do to the two forks. However since the fork and spoon are probably not the same weight or length the stick will probably try to tip to one side. Counteract this tendency by adjusting the point on the fork where insert the toothpick. Also adjust the angle between the fork and toothpick.
Another really great variation is to balance the assembly on a saltshaker instead of a glass. Start by jamming a toothpick straight down into a hole in the top of the saltshaker. Then balance the forks/toothpick assembly on the top point of the vertical toothpick in the same way that Bixby balanced it on the rim of the glass. Again the balance point will be between the middle of the horizontal toothpick and the tines. Once balanced, burn the horizontal toothpick but this time you will need to extinguish the flame before it burns too far, maybe with a drop of water. This is all tricky but the result of the point to point toothpicks holding the forks is truly astonishing.
***Forming five pat hands from 25 random cards: A pat hand is a hand dealt to you in five card draw poker that is so good that you keep it intact rather than draw any cards. The name comes from "staying pat" rather than accepting new cards. Commonly accepted pat hands are: a straight, flush, full house, straight flush, royal flush, or 4 of a kind. It seems incredible that you would be able to form five such hands from only 25 random cards, but according to Bixby it's possible 9 out of 10 tries.
***Choosing ears of corn that all have an even number of rows of kernels. All ears of corn have an even number of rows. Anywhere from 8 to about 22, although Bill mentions in the movie somewhere between 11 and 15. Here is an interesting article: http://www.foodreference.com/html/fcorn.html
***Standing an egg on its end:
HOW: Before attracting attention, surreptitiously put some salt in one hand. Challenge the viewer that you can make an egg stand on its end without breaking the shell. Get permission to blow first and then blow on the end of the egg, and wet it with your lips as you do so. As a joke, stand the egg in your palm that has the salt, the salt will stick to the wetted end. When the viewer scoffs, carefully stand the egg on the table. The salt will form a base and the egg will stand upright. As the viewer gawks, casually drop your hands to your side, dropping the salt. After the viewer has gotten a good look, pick up the egg and casually pretend to brush it clean of any dirt (while actually brushing away the salt) so that you can clearly show the viewer that the shell is not broken. Now offer the egg to the viewer so that he may attempt the feat, but with the salt gone it won't work. Notice how much attention to detail was used in the presentation of this simple trick.
***Belt loop challenge: Coil your belt tightly, forming three folds that form loops near the center coil. Challenge the viewer to place a pencil through one of the loops such that when you use the ends of the belt to pull the coil straight the pencil catches the middle fold and prevents you from pulling the belt away. No matter where the viewer places the pencil, you are able to freely pull the belt away.
HOW: Take notice of where the viewer places the pencil, and then adjust your grip on the ends as you pull such that you grasp the proper ends. (More details later...I haven't learned this one yet. If you have info...please post or e-mail.)
***Floating two forks: I can suspend these two forks from the end of this toothpick, and the other end of the toothpick will only touch the rim of this glass. The forks won't touch the glass or the table, and I won't support them in any way.
HOW: Point the forks directly at each other, tines to tines. Interlock the tines of the forks in the same way you intertwine your fingers. The forks will form a single rigid stick, bent into a slight U or V shaped curve (I'll call it V) in the same direction as the curve of the tines. Wedge one end of the toothpick into the tines between the 2nd and 3rd tines, counting tines from the top of the assembly, inserting the toothpick starting from inside the V. It will be a tight fit and you will just be able to get the very tip of the toothpick in there. Use your finger on the stick of the toothpick for a trial balance. The handles of the forks will try to swing down toward the floor, twisting the tines, which will then try to twist the toothpick towards the floor. Your finger will prevent the toothpick from dropping and thusly suspend the entire assembly. Because the handles make a V shape, the center of balance is not at the tines (apex of V) as it would appear, but rather somewhere inside the V. That's the point where the toothpick needs to hit the rim of the glass. Make adjustments as best you can and then move to the glass. Ask no one to shake or even touch the table, and then place about the middle of the toothpick on the rim of the glass, with the forks outside the rim (i.e. not in the middle of the glass). Slide the toothpick on the rim of the glass until you sense the balance point (it will be between the middle of the toothpick and the tines, usually close to the tines, sometimes very close). When you find the balance point you may let the entire assembly hang freely. Then, for the coup-de-grace (i.e., the part that will really murder your audience) use a match or a burning toothpick to light the end of the toothpick inside the glass. It will burn up to the cold rim of the glass and then extinguish, leaving the new end of the toothpick hanging on the rim of the glass. It's great.
The balance is sometimes easy, sometimes more difficult. Obviously the point at which the toothpick rests on the rim of the glass is the key, but you can also adjust the angle that the forks form with the toothpick. This is especially critical if you use unmatched forks, or a fork and spoon (covered below).
A variation is to use a fork and spoon. Hold the spoon and fork point to point and then insert the bowl of the spoon into the tines. The first and last tines go inside the bowl of the spoon and the middle tines go outside the bowl. This forms a nicely rigid stick and inspires more confidence than do to the two forks. However since the fork and spoon are probably not the same weight or length the stick will probably try to tip to one side. Counteract this tendency by adjusting the point on the fork where insert the toothpick. Also adjust the angle between the fork and toothpick.
Another really great variation is to balance the assembly on a saltshaker instead of a glass. Start by jamming a toothpick straight down into a hole in the top of the saltshaker. Then balance the forks/toothpick assembly on the top point of the vertical toothpick in the same way that Bixby balanced it on the rim of the glass. Again the balance point will be between the middle of the horizontal toothpick and the tines. Once balanced, burn the horizontal toothpick but this time you will need to extinguish the flame before it burns too far, maybe with a drop of water. This is all tricky but the result of the point to point toothpicks holding the forks is truly astonishing.
***Forming five pat hands from 25 random cards: A pat hand is a hand dealt to you in five card draw poker that is so good that you keep it intact rather than draw any cards. The name comes from "staying pat" rather than accepting new cards. Commonly accepted pat hands are: a straight, flush, full house, straight flush, royal flush, or 4 of a kind. It seems incredible that you would be able to form five such hands from only 25 random cards, but according to Bixby it's possible 9 out of 10 tries.
***Choosing ears of corn that all have an even number of rows of kernels. All ears of corn have an even number of rows. Anywhere from 8 to about 22, although Bill mentions in the movie somewhere between 11 and 15. Here is an interesting article: http://www.foodreference.com/html/fcorn.html
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- How many seasons does The Magician have?1 season
- How many episodes does The Magician have?22 episodes
- When did The Magician premiere?October 2, 1973
- When did The Magician end?April 15, 1974
- How long are episodes of The Magician?1 hour
- What is the IMDb rating of The Magician?7.4 out of 10
- Who stars in The Magician?
- Who created The Magician?
- Who wrote The Magician?
- Who directed The Magician?
- Who was the producer of The Magician?
- Who was the composer for The Magician?
- Who was the executive producer of The Magician?
- Who was the cinematographer for The Magician?
- What is the plot of The Magician?The cases of a stage magician/escape artist who moonlights as an amateur crimefighter.
- Who are the characters in The Magician?Anthony Blake, Anthony Dorian, Dominick, and Max Pomeroy
- What genre is The Magician?Adventure, Crime, and Mystery
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