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| Al Pacino | ... | Officer Frank Serpico | |
| John Randolph | ... | Chief Sidney Green | |
| Jack Kehoe | ... | Tom Keough | |
| Biff McGuire | ... | Capt. Insp. McClain | |
| Barbara Eda-Young | ... | Laurie | |
| Cornelia Sharpe | ... | Leslie Lane | |
| Tony Roberts | ... | Bob Blair | |
| John Medici | ... | Pasquale | |
| Allan Rich | ... | Dist. Atty. Herman Tauber | |
| Norman Ornellas | ... | Don Rubello | |
| Edward Grover | ... | Insp. Lombardo (as Ed Grover) | |
| Albert Henderson | ... | Peluce (as Al Henderson) | |
| Hank Garrett | ... | Malone | |
| Damien Leake | ... | Joey | |
| Joseph Bova | ... | Potts (as Joe Bova) | |
| Gene Gross | ... | Capt. Tolkin | |
| John Stewart | ... | Waterman | |
| Woodie King Jr. | ... | Larry (as Woodie King) | |
| James Tolkan | ... | Lt. Steiger (as James Tolkin) | |
| Ed Crowley | ... | Barto | |
| Bernard Barrow | ... | Insp. Roy Palmer | |
| Sal Carollo | ... | Mr. Serpico | |
| Mildred Clinton | ... | Mrs. Serpico | |
| Nathan George | ... | Lt. Nate Smith | |
| Gus Fleming | ... | Dr. Metz | |
| Richard Foronjy | ... | Rudy Corsaro | |
| Alan North | ... | Brown | |
| Lewis J. Stadlen | ... | Jerry Berman | |
| John McQuade | ... | Insp. Kellogg | |
| Ted Beniades | ... | Al Sarno | |
| John Lehne | ... | Insp. Gilbert | |
| M. Emmet Walsh | ... | Chief Gallagher | |
| George Ede | ... | Deputy Chief Insp. Daley | |
| Charles White | ... | Commissioner Delaney | |
| rest of cast listed alphabetically: | |||
| F. Murray Abraham | ... | Detective partner (uncredited) | |
| Don Billett | ... | Detective threatening Serpico (uncredited) | |
| Raleigh Bond | ... | (uncredited) | |
| John Brandon | ... | Police lieutenant (uncredited) | |
| James Bulleit | ... | Det. Styles (uncredited) | |
| Roy Cheverie | ... | Cop (uncredited) | |
| Sam Coppola | ... | Cop (uncredited) | |
| Marjorie Eliot | ... | Rape Victim (uncredited) | |
| René Enríquez | ... | Cervantes teacher (uncredited) | |
| Frank Gio | ... | Police lieutenant (uncredited) | |
| Trent Gough | ... | Cop (uncredited) | |
| Paul E. Guskin | ... | Police Academy classmate (uncredited) | |
| Judd Hirsch | ... | Cop (uncredited) | |
| Richard Kuss | ... | Detective (uncredited) | |
| Tony Lo Bianco | ... | Cop (uncredited) | |
| George Loros | ... | Det. Glover (uncredited) | |
| Kenneth McMillan | ... | Charlie (uncredited) | |
| Stephen Pearlman | ... | Desk sergeant (uncredited) | |
| Tim Pelt | ... | Black hood (uncredited) | |
| William Pelt | ... | Black hood (uncredited) | |
| Jay Rasumny | ... | Television cameraman (uncredited) | |
| Jaime Sánchez | ... | Cop (uncredited) | |
| Franklin Scott | ... | Black prisoner (uncredited) | |
| Tom Signorelli | ... | Bookmaker (uncredited) | |
| Ben Slack | ... | Detective sitting at desk (uncredited) | |
| Tracey Walter | ... | Street Urchin (uncredited) | |
| Mary Louise Weller | ... | Lisa - girl at party (uncredited) | |
Directed by | |||
| Sidney Lumet | |||
Writing credits | ||
| Peter Maas | (book) | |
| Waldo Salt | (screenplay) and | |
| Norman Wexler | (screenplay) | |
Produced by | |||
| Martin Bregman | .... | producer | |
| Dino De Laurentiis | .... | executive producer | |
| Roger M. Rothstein | .... | associate producer | |
Original Music by | |||
| Mikis Theodorakis | |||
Cinematography by | |||
| Arthur J. Ornitz | |||
Film Editing by | |||
| Dede Allen | |||
| Richard Marks | (co-editor) | ||
Casting by | |||
| Michael Chinich | |||
| Shirley Rich | |||
Production Design by | |||
| Charles Bailey | |||
Art Direction by | |||
| Douglas Higgins | |||
Set Decoration by | |||
| Thomas H. Wright | |||
Costume Design by | |||
| Anna Hill Johnstone | |||
Makeup Department | |||
| Philip Leto | .... | hair stylist (as Phillip Leto) | |
| Reginald Tackley | .... | makeup artist (as Redge Tackley) | |
| Michael R. Thomas | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Martin Danzig | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Burtt Harris | .... | assistant director | |
| Alan Hopkins | .... | assistant director | |
Art Department | |||
| Leslie Bloom | .... | set dresser (as Les Bloom) | |
| Joseph M. Caracciolo | .... | property master (as Joe Caracciolo) | |
| Jack Hughes | .... | scenic artist | |
Sound Department | |||
| Edward Beyer | .... | sound editor | |
| Richard P. Cirincione | .... | sound editor | |
| Jack Fitzstephens | .... | sound editor (as John J. Fitzstephens) | |
| Robert M. Reitano | .... | sound editor (as Robert Reitano) | |
| Robert Rogow | .... | boom operator | |
| James Sabat | .... | sound mixer (as James J. Sabat) | |
| Dick Vorisek | .... | sound re-recordist (as Richard Vorisek) | |
| Maurice Schell | .... | assistant sound editor (uncredited) | |
| Maurice Schell | .... | foley editor (uncredited) | |
Stunts | |||
| Frank Orsatti | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Lou Barlia | .... | camera operator (as Louis Barlia) | |
| Charles Kolb | .... | key grip | |
| Willie Meyerhoff | .... | gaffer (as Willy Meyerhoff) | |
| Joseph Di Pasquale | .... | first assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| Clifford Capone | .... | wardrobe (as Clifford C. Capone) | |
Editorial Department | |||
| Ronald Roose | .... | assistant editor | |
| Angelo Corrao | .... | assistant editor (uncredited) | |
Music Department | |||
| Bob James | .... | conductor | |
| Bob James | .... | music arranger | |
Transportation Department | |||
| Raymond Hartwick | .... | transportation gaffer | |
Other crew | |||
| B.J. Bjorkman | .... | script supervisor (as B.J. Bachman) | |
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The movie tells the true story of Frank 'Paco' Serpico who was about the only honest cop of the entire New York police department at his time. The movie provides a realistic view in the corrupt and tough world of the New York police and tells the story of Serpico in an intriguing and realistic, perhaps maybe even documentary like way.
"Serpico" is a movie with a typical fantastic '70's atmosphere and it's a movie that still holds up today. This is mainly thanks to the fantastic story of the movie and the way it is told. Yep, they really don't make movies like this anymore. I think "Serpico" may already be regarded as a 'classic'.
Actually the story itself or concept isn't that terribly original compared to many other movies from the same period. Still this movie distinct itself from most of those movies, thanks to the perfect directing from Sidney Lumet. Also Pacino's acting and the fact that his movie is based on a true story makes this movie better than most others. Lumet and Pacino continued working together and later made the even better "Dog Day Afternoon" together.
But fair is fair, even though Pacino is fantastic, this is far from his best role. The 'explosion' he later used for his characters in movies is still missing here and it seems like he's holding back. I also think that his Oscar nomination he deserved for this movie was also a bit too much credit for him. Pacino was just a young beginning actor at the time (He had just done his first big role and movie; "The Godfather".) and he obviously had still a lot of learning to do.
The rest of the cast consists out of unknown actors (with the exception of apparently Oscar winner F. Murray Abraham in one of his first small movie roles, to be honest I didn't even noticed him.) but for a movie like this a cast with unknown actors work really well. It keeps the focus on the movie's its intriguing story better.
Apparently there is a lot of hate for it but I really liked the musical score by Mikis Theodorakis. It was really fitting with the movie its atmosphere.
All in all this is a already 'classic' typical '70's cop flick in the style of, for instance "The French Connection" and is an absolute must see.
9/10