| Photos (see all 69 | slideshow) | Videos (see all 15 NEW) |
| Jack Nicholson | ... | J.J. Gittes | |
| Faye Dunaway | ... | Evelyn Mulwray | |
| John Huston | ... | Noah Cross | |
| Perry Lopez | ... | Escobar | |
| John Hillerman | ... | Yelburton | |
| Darrell Zwerling | ... | Hollis Mulwray | |
| Diane Ladd | ... | Ida Sessions | |
| Roy Jenson | ... | Mulvihill | |
| Roman Polanski | ... | Man with Knife | |
| Richard Bakalyan | ... | Loach (as Dick Bakalyan) | |
| Joe Mantell | ... | Walsh | |
| Bruce Glover | ... | Duffy | |
| Nandu Hinds | ... | Sophie | |
| James O'Rear | ... | Lawyer | |
| James Hong | ... | Evelyn's Butler | |
| Beulah Quo | ... | Maid | |
| Jerry Fujikawa | ... | Gardener | |
| Belinda Palmer | ... | Katherine | |
| Roy Roberts | ... | Mayor Bagby | |
| Noble Willingham | ... | Councilman | |
| Elliott Montgomery | ... | Councilman | |
| Rance Howard | ... | Irate Farmer | |
| George Justin | ... | Barber | |
| C.O. Erickson | ... | Customer (as Doc Erickson) | |
| Fritzi Burr | ... | Mulwray's Secretary | |
| Charles Knapp | ... | Mortician | |
| Claudio Martínez | ... | Boy on Horseback | |
| Federico Roberto | ... | Cross' Butler | |
| Allan Warnick | ... | Clerk | |
| John Holland | ... | Farmer in the Valley | |
| Jesse Vint | ... | Farmer in the Valley | |
| Jim Burk | ... | Farmer in the Valley (as Jim Burke) | |
| Denny Arnold | ... | Farmer in the Valley | |
| Burt Young | ... | Curly | |
| Elizabeth Harding | ... | Curly's Wife | |
| John Rogers | ... | Mr. Palmer | |
| Cecil Elliott | ... | Emma Dill | |
| Paul Jenkins | ... | Policeman | |
| Lee de Broux | ... | Policeman (as Lee DeBroux) | |
| Bob Golden | ... | Policeman | |
| rest of cast listed alphabetically: | |||
| Richard Warren | ... | Driver (uncredited) | |
Directed by | |||
| Roman Polanski | |||
Writing credits | ||
| Robert Towne | (written by) | |
| Roman Polanski | uncredited | |
Produced by | |||
| C.O. Erickson | .... | associate producer | |
| Robert Evans | .... | producer | |
Original Music by | |||
| Jerry Goldsmith | |||
Cinematography by | |||
| John A. Alonzo | |||
Film Editing by | |||
| Sam O'Steen | |||
Casting by | |||
| Jane Feinberg | |||
| Mike Fenton | |||
Production Design by | |||
| Richard Sylbert | |||
Art Direction by | |||
| W. Stewart Campbell | |||
Set Decoration by | |||
| Ruby R. Levitt | (as Ruby Levitt) | ||
Costume Design by | |||
| Anthea Sylbert | |||
Makeup Department | |||
| Hank Edds | .... | makeup artist | |
| Susan Germaine | .... | hair stylist | |
| Lee Harman | .... | makeup artist | |
| Vivienne Walker | .... | hair stylist | |
Production Management | |||
| C.O. Erickson | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Michael Ader | .... | second assistant director | |
| Hawk Koch | .... | assistant director (as Howard W. Koch Jr.) | |
| Lee Rafner | .... | second assistant director (uncredited) | |
Art Department | |||
| Bill MacSems | .... | property master | |
| Gabe Resh | .... | set designer | |
| Robert Resh | .... | set designer | |
| L. David Gordon | .... | draper (uncredited) | |
| Mike Reedy | .... | property maker (uncredited) | |
Sound Department | |||
| Clint Althouse | .... | boom operator (as Clint Althaus) | |
| Bob Cornett | .... | sound editor | |
| Charles Grenzbach | .... | sound re-recordist | |
| Larry Jost | .... | sound mixer | |
| Howard Beals | .... | sound editor (uncredited) | |
| David Dockendorf | .... | sound re-recording mixer (uncredited) | |
| Roger Sword | .... | sound editor (uncredited) | |
| John Wilkinson | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Logan Frazee | .... | special effects | |
Stunts | |||
| Jim Burk | .... | stunts | |
| Steven Burnett | .... | stunts (uncredited) | |
| Alan Gibbs | .... | stunts (uncredited) | |
| Hal Needham | .... | stunt coordinator (uncredited) | |
Camera and Electrical Department | |||
| Hugh K. Gagnier | .... | camera operator | |
| Earl Gilbert | .... | gaffer | |
| Bernie Schwartz | .... | key grip | |
Costume and Wardrobe Department | |||
| Richard Bruno | .... | wardrobe | |
| Jean Merrick | .... | wardrobe | |
Editorial Department | |||
| Florence Williamson | .... | assistant editor | |
Music Department | |||
| John C. Hammell | .... | music editor | |
| Arthur Morton | .... | orchestrator (uncredited) | |
| Uan Rasey | .... | musician: trumpet solo (uncredited) | |
Other crew | |||
| May Wale Brown | .... | script supervisor | |
| Gary Chazan | .... | assistant to producer | |
| Wayne Fitzgerald | .... | title designer | |
| Lee Sollenberger | .... | animal trainer (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| IMDb top 250 movies | IMDb Mystery section | IMDb USA section |
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Chinatown is a tremendous collaborative effort that produced one of the most memorable Hollywood pictures of the 1970's. Director Roman Polanski (his last film in America, and the first he made in America after the murder of Sharon Tate), stars Jack Nicholson & Faye Dunaway, and writer Robert Towne, all come together to create a detective story classic. At times it slows its pace down so the viewer can think along with Nicholson's character, to take in the environment as well as the situation he's in (i.e. when he goes to the empty reservoir, when he visits Noah Crosses house the first time). And the script has the perfect sense of drawing us into a story, fueled by curiosity, grit, and cynicism, and engages the viewer by its realistic dialog between the characters.
J.J. Gittes (Nicholson, in one of his best 70's performances) is in Los Angeles circa 1933 in the line of private investigator, usually dealing with people who may or may not believe that their significant other is having an affair. Evelyn Mulwray feels this may be the case with her husband Hollis, and Gittes decides to take the case. However, this draws him into a deeper case involving the city's loss of water once Hollis- a major player in the water supply controversy in the city- is found murdered. This eventually leads him to Noah Cross (John Huston), a big businessman and who also happens to be Evelyn's father. Intrigue starts to develop, as Jake's own life begins to be at risk.
As a intricate, detailed detective story the film is an above-average work, with Towne's script containing the maturity, and wicked sense of humor, of a James M. Cain or Raymond Chandler novel. When the thrills come they come as being striking. And when humanity and compassion get thrown into the mix, the film reaches a whole other plane of intelligence. The last third of the film could turn off some of the audience (depending on one's own level of belief), but it holds strong thanks to the performances. Nicholson doesn't over-step his bounds in any scene, finding the right notes in suggestive conversations. Dunaway is better than expected (though I'm not sure if it's an great performance). And Huston's Noah Cross is one of the more disturbing villains of that period in movies. Add to it some good cameos (Burt Young as a driver, Polanski playing the little guy in the infamous 'knife' scene), and a smooth soundtrack by Jerry Goldsmith, Chinatown comes out as strong piece of movie-making, and arguably one of the greatest in the crime/mystery genre.