Megastar Amitabh Bachchan has completed a “wondrous” 55 years in the world of Hindi cinema and to celebrate it he has given himself an AI spin. It was in 1969, when the cine icon stepped into the world of showbiz with ‘Saat Hindustani’ and since then he has captivated the audience with his impeccable performances on screen.
Amitabh took to X (formerly Twitter), where he dropped two AI images of himself.
The first picture has a camera lens in place of his spectacle lens. The second photo has a colourful camera reel like streamers with faces and eyes made on it.
“T 4924 – 55 years in the wondrous world of Cinema… and AI, gives me its interpretation… a presentation by Ef B… self made,” Big B wrote on Twitter.
Even though he started his acting career with ‘Saat Hindustani, Big B had first began his journey as a voice narrator in ‘Bhuvan Shome’ starring...
Amitabh took to X (formerly Twitter), where he dropped two AI images of himself.
The first picture has a camera lens in place of his spectacle lens. The second photo has a colourful camera reel like streamers with faces and eyes made on it.
“T 4924 – 55 years in the wondrous world of Cinema… and AI, gives me its interpretation… a presentation by Ef B… self made,” Big B wrote on Twitter.
Even though he started his acting career with ‘Saat Hindustani, Big B had first began his journey as a voice narrator in ‘Bhuvan Shome’ starring...
- 2/17/2024
- by Agency News Desk
- GlamSham
I noticed something curious. Director Siddharth Anand of the film ‘Fighter’ says that his film flopped because 90% of Indian moviegoers have never sat in an airplane! I was amazed, amused, but, most of all, I was worried. Worried, because this is how the maker of a Rs 400-crore film thinks!
My mind instantly went back to Shakti Samanta’s ‘An Evening In Paris’ (1967), where a bikini-clad Sharmila Tagore is sea skiing as Shammi Kapoor courts her hanging from a helicopter. After learning what Malhotra had said to explain why his film had failed, I wondered how many people hang from a helicopter to court a woman! I don’t know anybody who has done such a thing and still, ‘An Evening In Paris’ was a major hit! I can cite hundreds of such examples.
Of course, the audience must first identify with the subject of a film. The other factor...
My mind instantly went back to Shakti Samanta’s ‘An Evening In Paris’ (1967), where a bikini-clad Sharmila Tagore is sea skiing as Shammi Kapoor courts her hanging from a helicopter. After learning what Malhotra had said to explain why his film had failed, I wondered how many people hang from a helicopter to court a woman! I don’t know anybody who has done such a thing and still, ‘An Evening In Paris’ was a major hit! I can cite hundreds of such examples.
Of course, the audience must first identify with the subject of a film. The other factor...
- 2/11/2024
- by Agency News Desk
- GlamSham
The youngest of Bollywood’s famous Kapoor brothers, he did not have their one defining and enduring cinematic image – Raj’s naive "tramp" identity in the Charlie Chaplin tradition or Shammi’s Elvis-like jiving, rebellious "playboy" persona, but went to surpass both in sheer diversity of his acting.
With his copybook good looks, rakish smile, infectious charm, toothy grin and languid drawl, or the air of earnestness, playing romantic roles, be they of businessmen, police inspectors, college students, et al came naturally to him, but Shashi Kapoor went on to play more ‘common man’ roles, decadent princes, aging poets and even angels with the same charm and intensity.
Born on March 18, 1938 in the then Calcutta to Prithviraj Kapoor and Ramsarn ‘Rama’ Devi, Balbir Raj ‘Shashi’ Kapoor was destined to walk in his family’s footsteps on the silver screen.
Though he first appeared on screen as a child artiste in...
With his copybook good looks, rakish smile, infectious charm, toothy grin and languid drawl, or the air of earnestness, playing romantic roles, be they of businessmen, police inspectors, college students, et al came naturally to him, but Shashi Kapoor went on to play more ‘common man’ roles, decadent princes, aging poets and even angels with the same charm and intensity.
Born on March 18, 1938 in the then Calcutta to Prithviraj Kapoor and Ramsarn ‘Rama’ Devi, Balbir Raj ‘Shashi’ Kapoor was destined to walk in his family’s footsteps on the silver screen.
Though he first appeared on screen as a child artiste in...
- 3/18/2023
- by News Bureau
- GlamSham
New Delhi, Oct 4: Vivek Oberoi and Mallika Sherawat-starrer "Kismet Love Paisa Dilli" (Klpd) seeks inspiration from yesteryear actor Manoj Kumar's film's "Roti Kapada Aur Makaan".
"The title of a film is the closest interpretation of the story. If Steven Soderbergh can keep abstract name like 'Sex Lies and Video Tapes', Dibanker Banerjee as 'Love Sex Aur Dhoka' or Manoj Kumar as 'Roti Kapda Aur Makaan'.
"The title of a film is the closest interpretation of the story. If Steven Soderbergh can keep abstract name like 'Sex Lies and Video Tapes', Dibanker Banerjee as 'Love Sex Aur Dhoka' or Manoj Kumar as 'Roti Kapda Aur Makaan'.
- 10/4/2012
- by Amith Ostwal
- RealBollywood.com
This might be the most unusual combination in terms of inspiration, but it is true. The title of director Sanjay Khanduri’s film Kismet Love Paisa Dilli (Klpd) is inspired by veteran filmmaker Manoj Kumar’s hit film, Roti Kapada Aur Makaan.“Title of a film is closest interpretation of the story as per Director. If Steven Soderbergh can keep abstract name like Sex Lies And Video Tapes, Dibanker Banerji as Love Sex Aur Dhokha or Director-actor Manoj Kumar as Roti Kapda A Read More...
- 10/3/2012
- Bollywood Trade
This might be the most unusual combination in terms of inspiration, but it is true. The title of director Sanjay Khanduri's film Kismet Love Paisa Dilli (Klpd) is inspired by veteran filmmaker Manoj Kumar's hit film, Roti Kapada Aur Makaan. "Title of a film is closest interpretation of the story as per Director. If Steven Soderbergh can keep abstract name like Sex Lies And Video Tapes, Dibanker Banerji as Love Sex Aur Dhokha or Director-actor Manoj Kumar as Roti Kapda Aur Makaa...
- 10/3/2012
- GlamSham
Starring: Akshaye Khanna, Shriya Saran, Satish Kaushik, Mugdha Godse, Anu Kapoor
Directed by Rumi Jaffery
While credit must be given to writer-director Rumy Jaffery for focusing on the issue of corruption noble intentions don’t necessarily make a notable work of art. Certainly Gali Gali Chor Hai(Ggch) must have sounded amusing and topical on paper.It is a savagely stinging satire on the harassment of the average law-abiding middleclass man, played with arresting earnestness by Akshaye Khanna, in the hands of various touts, middlemen, law enforcers, goons and politicians all of whom infest the tranquil city of Bhopal with the destructive determination of termites eating into a ‘system’ that has long ceased to be if any consequence , moral or ethical.
While the script has some sparkling vignettes and scenes taken from the portrait of a common man trapped in the wheels of a fluctuating fortune, the treatment of the theme of corruption is staid,...
Directed by Rumi Jaffery
While credit must be given to writer-director Rumy Jaffery for focusing on the issue of corruption noble intentions don’t necessarily make a notable work of art. Certainly Gali Gali Chor Hai(Ggch) must have sounded amusing and topical on paper.It is a savagely stinging satire on the harassment of the average law-abiding middleclass man, played with arresting earnestness by Akshaye Khanna, in the hands of various touts, middlemen, law enforcers, goons and politicians all of whom infest the tranquil city of Bhopal with the destructive determination of termites eating into a ‘system’ that has long ceased to be if any consequence , moral or ethical.
While the script has some sparkling vignettes and scenes taken from the portrait of a common man trapped in the wheels of a fluctuating fortune, the treatment of the theme of corruption is staid,...
- 2/3/2012
- by Subhash K Jha
- Bollyspice
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