| Photos (see all 22 | slideshow) | Videos |
| Marilyn Burns | ... | Sally Hardesty | |
| Allen Danziger | ... | Jerry | |
| Paul A. Partain | ... | Franklin Hardesty | |
| William Vail | ... | Kirk | |
| Teri McMinn | ... | Pam (as Teri Mcminn) | |
| Edwin Neal | ... | Hitchhiker | |
| Jim Siedow | ... | Old Man | |
| Gunnar Hansen | ... | Leatherface | |
| John Dugan | ... | Grandfather | |
| Robert Courtin | ... | Window Washer | |
| William Creamer | ... | Bearded Man | |
| John Henry Faulk | ... | Storyteller | |
| Jerry Green | ... | Cowboy | |
| Ed Guinn | ... | Cattle Truck Driver | |
| Joe Bill Hogan | ... | Drunk | |
| Perry Lorenz | ... | Pick Up Driver | |
| John Larroquette | ... | Narrator (voice) |
Directed by | |||
| Tobe Hooper | |||
Writing credits | ||
| Kim Henkel | (story and screenplay) and | |
| Tobe Hooper | (story and screenplay) | |
Produced by | |||
| Kim Henkel | .... | associate producer | |
| Tobe Hooper | .... | producer | |
| Jay Parsley | .... | executive producer | |
| Richard Saenz | .... | associate producer | |
| Louis Peraino | .... | producer (uncredited) | |
Original Music by | |||
| Wayne Bell | (music score) | ||
| Tobe Hooper | (music score) | ||
Cinematography by | |||
| Daniel Pearl | |||
Film Editing by | |||
| J. Larry Carroll | (as Larry Carroll) | ||
| Sallye Richardson | |||
Production Design by | |||
| Robert A. Burns | (uncredited) | ||
Art Direction by | |||
| Robert A. Burns | |||
Makeup Department | |||
| W.E. Barnes | .... | makeup artist: grandfather | |
| Dorothy J. Pearl | .... | makeup artist (as Dorothy Pearl) | |
Production Management | |||
| Ronald M. Bozman | .... | production manager (as Ronald Bozman) | |
Second Unit Director or Assistant Director | |||
| Sallye Richardson | .... | assistant director | |
Sound Department | |||
| Wayne Bell | .... | boom operator | |
| Wayne Bell | .... | post-production sound | |
| Jay M. Harding | .... | dubbing mixer (as Jay Harding) | |
| Paul Harrison | .... | sound re-recordist | |
| Robert Knudson | .... | dubbing mixer (as Buzz Knudson) | |
| Ted Nicolaou | .... | location sound recordist | |
| Patrick Yacono | .... | sound re-recording mixer (restorated version) (uncredited) | |
Special Effects by | |||
| Dean W. Miller | .... | special effects | |
Stunts | |||
| Mary Church | .... | stunts | |
| Perry Lorenz | .... | stunt driver | |
Camera and Electrical Department | |||
| Tobe Hooper | .... | additional photographer | |
| Lynn Lockwood | .... | lighting (as Lynn Lochwood) | |
| J. Michael McClary | .... | camera assistant (as J. Michael Mcclary) | |
| Lou Perryman | .... | assistant camera | |
| Rod Ponton | .... | grip | |
| Lynn Scherwitz | .... | key grip (as Linn Scherwitz) | |
Other crew | |||
| George Baetz | .... | production assistant | |
| Jerry Bellnoski | .... | production assistant | |
| Mary Church | .... | script girl | |
| Jim Crow | .... | production assistant | |
| Paula Eaton | .... | production assistant | |
| Tom Foote | .... | production assistant | |
| Paulette Gochnour | .... | production assistant | |
| Charlie Loving | .... | production assistant | |
| Sally Nicolau | .... | production assistant | |
| N.C. Parsley | .... | production assistant | |
| Robert Pustejowski | .... | production assistant (as Robert Pustejovski) | |
| David Spaw | .... | production assistant | |
| Ray Spaw | .... | production assistant | |
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| The Texas Chainsaw Massacre | Halloween | The Texas Chainsaw Massacre: The Beginning | Friday the 13th | Psycho |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb USA section | Add this title to MyMovies |
The (original) Texas Chainsaw Massacre, is without a doubt in my mind, the most impressive horror film to date. No other horror film stays with you in the same way. You feel not only fearful for the characters, but at times feel afraid for your own safety. The natural lighting and loose, improvised acting style creates a strong sense of reality that no other horror film can possibly achieve. Under a thin layer of dated aesthetics (1973 style of dress) lies the most dangerous, horrifying and psychotic world ever committed to script or screen. As the first of its kind, this movie set the mold for the modern horror film, though none were ever to realize any comparable distinction. It gave birth to the "slasher" genre (for better or for worse) . It is also one of few timeless films that has managed to combine horror and avant-garde styles, successfully. Unlike its remake, this one is more of an exercise in minimalism and simplicity (think even Dogme). The expert subtlety of the filmmakers; Tobe Hooper (writer/director), Kim Henkel (co-writer) and Daniel Pearl (cinematographer) results more in
psychological terror than in gore. The air-tight script, jarring realism and attention to detail are unparalleled in practically any film, horror or otherwise. And last, but by far not the least Marylin Burns PHENOMENAL performance is the only in cinematic history (a close second by that of Shelly Duvall in The Shining) that evokes such a nature of desperate and primal fear. You truly believe in every single one of her screams that her life is hanging by a single, thin thread.