This documentary is essential for any fan of James Dean. I agree that the quality is low budget and it would have been nice to have had some interviews with people who knew him in Fairmount. However, at least one other documentary (and some of the books written about Dean) has interviewed those who knew him growing up and they really don't have a heckuva lot to contribute (at least as far as they're willing to reveal).
What is essential about The First American Teenager is that it's the only documentary that interviews Sal Mineo (who is sipping a can of beer), Natalie Wood, and Nicholas Ray (director of Rebel Without a Cause). As such, this documentary has unique footage. Some of these same interviews have been excerpted in later Dean documentaries.
I have to disagree that using '70s rock music is a nice touch, and I say this as someone who happens to enjoy the music in question. My gripe is that this is the only Dean documentary that I'm aware of that so obviously tried to generate audience interest in Dean by pandering to contemporary tastes. This goes against the grain of what has kept Dean relevant to every generation since his death: the timelessness of his impact, various personas, and universal message (he remains as great an icon in Japan, for instance, as anywhere else).
Watching this documentary today is to realize how badly this music dates it. Playing Elton John's "Funeral for a Friend" is fair enough but the use of Bowie's "Rebel, Rebel" and Bad Company's "Movin' On" are anachronistic distractions that appear to have done nothing to popularize this rather obscure documentary. It's not even available on DVD, as contrasted with the numerous other Dean documentaries that are, including the one by PBS' American Masters series, none of which felt compelled to apologize for the fact that Dean lived and died during the Fifties which, by the way, is when rock 'n' roll came of age.
What is essential about The First American Teenager is that it's the only documentary that interviews Sal Mineo (who is sipping a can of beer), Natalie Wood, and Nicholas Ray (director of Rebel Without a Cause). As such, this documentary has unique footage. Some of these same interviews have been excerpted in later Dean documentaries.
I have to disagree that using '70s rock music is a nice touch, and I say this as someone who happens to enjoy the music in question. My gripe is that this is the only Dean documentary that I'm aware of that so obviously tried to generate audience interest in Dean by pandering to contemporary tastes. This goes against the grain of what has kept Dean relevant to every generation since his death: the timelessness of his impact, various personas, and universal message (he remains as great an icon in Japan, for instance, as anywhere else).
Watching this documentary today is to realize how badly this music dates it. Playing Elton John's "Funeral for a Friend" is fair enough but the use of Bowie's "Rebel, Rebel" and Bad Company's "Movin' On" are anachronistic distractions that appear to have done nothing to popularize this rather obscure documentary. It's not even available on DVD, as contrasted with the numerous other Dean documentaries that are, including the one by PBS' American Masters series, none of which felt compelled to apologize for the fact that Dean lived and died during the Fifties which, by the way, is when rock 'n' roll came of age.
