| Videos |
| James Coburn | ... | Unteroffizier / Feldwebel Rolf Steiner | |
| Maximilian Schell | ... | Hauptmann Stransky | |
| James Mason | ... | Oberst Brandt | |
| David Warner | ... | Hauptmann Kiesel | |
| Klaus Löwitsch | ... | Unteroffizier Krüger | |
| Vadim Glowna | ... | Gefreiter Kern | |
| Roger Fritz | ... | Leutnant Triebig | |
| Dieter Schidor | ... | Anselm | |
| Burkhard Driest | ... | Schütze Maag | |
| Fred Stillkrauth | ... | Gefreiter Schnurrbart ('Private Mustache') (as Fred Stillkraut) | |
| Michael Nowka | ... | Dietz | |
| Véronique Vendell | ... | Marga | |
| Arthur Brauss | ... | Pg. Zoll | |
| Senta Berger | ... | Eva | |
| rest of cast listed alphabetically: | |||
| Robert Rietty | ... | German Officer (voice) | |
| Igor Galo | ... | Leutnant Meyer (uncredited) | |
| Ivica Pajer | ... | (uncredited) | |
| Nedim Prohic | ... | (uncredited) | |
| Slavko Stimac | ... | Michail (uncredited) | |
| Vladan Zivkovic | ... | (uncredited) | |
Directed by | |||
| Sam Peckinpah | |||
Writing credits(in alphabetical order) | ||
| Julius J. Epstein | writer (as Julius Epstein) | |
| James Hamilton | writer | |
| Willi Heinrich | novel "The Willing Flesh" | |
| Walter Kelley | writer | |
Produced by | |||
| Wolf C. Hartwig | .... | producer | |
| Arlene Sellers | .... | producer | |
| Alex Winitsky | .... | producer | |
Original Music by | |||
| Ernest Gold | |||
Cinematography by | |||
| John Coquillon | |||
Film Editing by | |||
| Michael Ellis | |||
| Murray Jordan | |||
| Tony Lawson | |||
Production Design by | |||
| Brian Ackland-Snow | |||
| Ted Haworth | |||
Art Direction by | |||
| Veljko Despotovic | |||
Art Department | |||
| Harold Michelson | .... | illustrator (uncredited) | |
Sound Department | |||
| David Hildyard | .... | sound mixer | |
| Rodney Holland | .... | sound editor | |
| Ray Merrin | .... | dubbing mixer | |
| Bill Rowe | .... | dubbing mixer | |
| Marton Jankov-Tomica | .... | boom operator (uncredited) | |
Stunts | |||
| Peter Brayham | .... | stunt coordinator | |
| Milan Mitic | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Tony Breeze | .... | assistant camera | |
| Dennis Fraser | .... | key grip | |
| Branko Knez | .... | assistant camera | |
| Lars Looschen | .... | still photographer | |
| Herbert Smith | .... | camera operator (as Herbie Smith) | |
Costume and Wardrobe Department | |||
| Josef Satzinger | .... | wardrobe supervisor (as Joseph Satzinger) | |
Editorial Department | |||
| George Akers | .... | assistant editor | |
| Pat Brennan | .... | assistant editor | |
| Ronny Reyer | .... | assistant editor | |
| Mark Winitsky | .... | apprentice editor (uncredited) | |
Music Department | |||
| Robin Clarke | .... | music editor | |
| Ernest Gold | .... | conductor | |
| Gerard Schurmann | .... | orchestrator | |
Other crew | |||
| Peter Brayham | .... | action arranger | |
| Marilyn Clarke | .... | production secretary | |
| Stipe Gurdulic | .... | technical services supervisor | |
| Katherine Haber | .... | production assistant to director | |
| Major A.D. Schrodek | .... | military consultant | |
| Claus von Trotha | .... | military consultant | |
| Trudy von Trotha | .... | script supervisor | |
Thanks | |||
| Ron Hosberle | .... | acknowledgment: archive still photographs provided by | |
| Tim Page | .... | acknowledgment: archive still photographs provided by | |
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| All Quiet on the Western Front | Capitaine Conan | Shock | Die Blechtrommel | Der Fangschuß |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb UK section | Add this title to MyMovies |
When Nazi Germany invaded The Soviet Union in 1941 it led to the worst carnage in human history . From June 1941 to the final battle of Berlin in April 1945 the conflict between the Nazis and red army cost the lives of 35 million people. IF you look upon the war between Hitler and Stalin as being separate from all the other campaigns of conflict in the second world war then the campaign in Eastern Europe is the bloodiest conflict in the history of mankind. Something that seems very unlikely to be exceeded . Alas however western film makers seem reluctant to acknowledge this . Off the top of my head I can think of only 3 American / European movies to be set on the Eastern front: ENEMY AT THE GATES , STALINGRAD and CROSS OF IRON.
I first saw CROSS OF IRON in 1983 and have seen it umpteen times since then. This is an intelligent anti war classic and I never get bored with it. James Coburn , star of many a forgettable lightweight caper movie is perfect as the cynical Sgt Steiner. For the first time in his career he shows he has presence and probably gives his best performance in any film . James Mason is also good , though you have admit has Mason ever been bad ? but the best performance award goes to Maximillian Schell as the villain of the piece. It`d be all too easy to have Schell as a goosestepping Nazi , but Schell`s character is a Prussian aristocrat opposed to fascist egalitarianism . He dislikes the Nazis almost as much as Steiner does.
That`s one of many good aspects of the script , it`s so thoughtful and with one exception it doesn`t show any of the Germans as out and out idealogue fascists. But notice the couple of ironic touches in the film where people say the excuse of " I obey orders. It was none of my doing. I was not responsible " Something that has been said a lot of times during the last century , and the century before that , and the one before that. Guess if you travelled a thousand years` in the future we`d still be hearing that. I also find the script perfectly paced, CROSS OF IRON lasts nearly two and a half hours but no matter how many times I watch it I never find it dragging in any way. I sometimes watch SAVING PRIVATE RYAN but I only watch the first half hour and last half hour `cos the middle of SPR is totally tedious. CROSS OF IRON has a much better script.Maybe the battle scenes of SPR are slightly more gory but at best they`re only as good as the ones in this film. I`d say this is Peckinpah`s best film . The editing during the battle scenes are absolutely superb as we see Soviet soldiers in slo mo , Germans in real time, cutting back to Soviets in real time then Germans in slo mo. Then seeing a cross cut with a Soviet and German dying at the same time.
A classic and unforgivably forgotten film set during the worst conflict in history . In my opinion the greatest WW2 film ever surpassing even DAS BOOT