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Close Encounters of the Third Kind (1977)
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Overview
User Rating:
Director:
Writer:
Release Date:
16 marraskuu 1977 (USA)
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Tagline:
Close Encounter of the First Kind - Sighting of a UFO. Close Encounter of the Second Kind - Physical Evidence. Close Encounter of the Third Kind - Contact. WE ARE NOT ALONE more
Plot:
After an encounter with UFOs, a line worker feels undeniably drawn to an isolated area in the wilderness where something spectacular is about to happen. full summary | add synopsis
Awards:
Won Oscar.
Another 11 wins
&
30 nominations
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User Comments:
My brief review of the film
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Cast
(Cast overview, first billed only)| Richard Dreyfuss | ... | Roy Neary | |
| François Truffaut | ... | Claude Lacombe | |
| Teri Garr | ... | Ronnie Neary | |
| Melinda Dillon | ... | Jillian Guiler | |
| Bob Balaban | ... | David Laughlin | |
| J. Patrick McNamara | ... | Project Leader | |
| Warren J. Kemmerling | ... | Wild Bill (as Warren Kemmerling) | |
| Roberts Blossom | ... | Farmer | |
| Philip Dodds | ... | Jean Claude | |
| Cary Guffey | ... | Barry Guiler | |
| Shawn Bishop | ... | Brad Neary | |
| Adrienne Campbell | ... | Sylvia Neary | |
| Justin Dreyfuss | ... | Toby Neary | |
| Lance Henriksen | ... | Robert | |
| Merrill Connally | ... | Team Leader |
Additional Details
Also Known As:
CE3K (USA) (informal short title)
The Close Encounter of the Third Kind (USA) (working title)
The Special Edition: Close Encounters of the Third Kind (USA) (reissue title)
Watch the Skies (USA) (working title)
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The Close Encounter of the Third Kind (USA) (working title)
The Special Edition: Close Encounters of the Third Kind (USA) (reissue title)
Watch the Skies (USA) (working title)
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Parents Guide:
Runtime:
132 min (special edition) | 137 min (director's cut) | 135 min (original version)
Country:
Color:
Color (Metrocolor)
Aspect Ratio:
2.20 : 1 more
Sound Mix:
70 mm 6-Track (70 mm prints) |
Dolby (35 mm prints)
Certification:
Spain:T |
Netherlands:12 (original rating) |
Netherlands:6 (re-rating) |
South Korea:All |
Brazil:Livre |
South Africa:PG |
West Germany:12 (f) |
USA:TV-MA (TV rating) |
Australia:PG |
Canada:PG |
Finland:K-12 |
France:U |
Iceland:L |
Norway:12 |
Portugal:M/12 (Qualidade) |
Singapore:PG |
Sweden:11 |
UK:PG |
USA:PG |
UK:A (original rating) |
Ireland:PG
Filming Locations:
Company:
Fun Stuff
Trivia:
François Truffaut was constantly trying to improve his English during production, and he was self-conscious of his heavy French accent. When he delivered the line "They belong here more than we" (after he learns the Army plans to dust the mountain with nerve gas), several crew members thought he had said "Zey belong here, Mozambique." Several T-shirts were printed with this quote as a joke; when he heard about it, Truffaut burst out laughing.
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Goofs:
Anachronisms: When the 1940s-era abducted military personnel are coming off the mothership, they have 1970s-style haircuts and sideburns.
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Quotes:
Brad Neary:
I don't understand these fractions.
Roy Neary: What's one third of sixty?
Brad Neary: [bewildered] That's a fraction, I don't understand them.
Roy Neary: [using a model train as an object lesson] Alright, let's say that this boxcar is sixty feet long, OK?, and one third of it is across this switch here, alright... And now another train is coming... Now, how far do you have to move this boxcar so that the other train doesn't smash it? Quickly Brad, there are thousands of lives at stake... Brad any answer...
[CRASH]
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Roy Neary: What's one third of sixty?
Brad Neary: [bewildered] That's a fraction, I don't understand them.
Roy Neary: [using a model train as an object lesson] Alright, let's say that this boxcar is sixty feet long, OK?, and one third of it is across this switch here, alright... And now another train is coming... Now, how far do you have to move this boxcar so that the other train doesn't smash it? Quickly Brad, there are thousands of lives at stake... Brad any answer...
[CRASH]
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Movie Connections:
Referenced in Dizengoff 99 (1979)
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Soundtrack:
CHANCES ARE
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FAQ
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A perfectly fascinating piece of science fiction fantasy, it is visually impressive, well written and well directed. The film has certain moments that can be described only as classic, however the overall film is quite imperfect. There are some really striking flaws such as poor dialogue recording, an ending that is by far too roundabout, and in fact a whole end section that is not nearly as interesting as the beginning of the film. Either way, there is still however a lot to appreciate in the experience, including the spectacular sound effects, which won the film a special achievement Oscar.