Lucy and Mitch remarry and move to Atlanta, while Bobby and Pam agree to remarry. Their happiness is cut short when Katherine Wentworth tries to run down Pam with her car. Bobby pushes her out of the...
The saga of a wealthy Denver family in the oil business: Blake Carrington, the patriarch; Krystle, his former secretary and wife; his children: Adam, lost in childhood after a kidnapping; ... See full summary »
It has been two years since Bobby and Sue Ellen Ewing took over control of Ewing Oil. Although J.R. is successfully managing a large oil conglomerate, he wants to once again own his ... See full summary »
Years after J.R. Ewing lost Ewing Oil and apparently committed suicide, we learn that he is alive and well. He returns to Dallas, and plots what could be his greatest scheme: Bringing his ... See full summary »
Gary and Valene Ewing, relatives of the Ewing clan of Dallas, arrive in Knots Landing to make a new home for themselves. However, scheming Abby Fairgate-Cunningham later breaks up their marriage when she seduces Gary.
Interesting British-made documentary on the enduring cult appeal of US super-soap 'Dallas' (1978-1991). New interviews with cast and crew are mixed with favourite clips ("Who shot J.R.?", "... See full summary »
Popular evening 'soap-opera' style television drama. The show was set in Dallas and chronicled the exploits of wealthy Texas oil millionaires. Many of the plots revolved around shady business dealings and dysfunctional family dynamics. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
When Dallas was aired for the first times in the 80s I was a child and I couldn't appreciate it yet. Since last September, when a satellite channel proposed again this Soap Opera, I had a small crush of it. I became fond of J.R.'s intrigues, his rivalry with Bobby and Cliff Barnes, the beautiful Pamela and nice Miss Ellie.
Dallas' strength is the plot. Not completely concerned about love and betrayals (typical but annoying), the Ewing Oil battles can move even the male audience transforming the Soap in a TV-series. Jim Davis' death (the mythical Jock, R.I.P.) put a lot of fuel in the "engines" with the legacy questions and relations getting worse. J.R.'s Machiavellian plans filled the script of amusing and caustic irony, always enjoyable.
The recitative level wasn't so great; all the actors, actually, had their height in this series, but the general quality is decent. Except for Ken Kercheval and Steve Kanaly, which proved to be good actors giving a great shape to their characters, challenging J.R. at any cost. Special mention to Charlene Tilton, which is really beautiful and should have had greater relief in the story.
Ending too late, in 1991 (2-3 years too many), the story was slowly plagued by script tricks and poorly credible deaths or departures, compromising its heritage made of several Emmys and 1 Golden Globe won.
6,5 / 10
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