The Criterion Channel has unveiled their lineup for next month and it’s another strong slate, featuring retrospectives of Carole Lombard, John Waters, Robert Downey Sr., Luis García Berlanga, Jane Russell, and Rob Epstein & Jeffrey Friedman. Also in the lineup is new additions to their Queersighted series, notably Todd Haynes’ early film Poison (Safe is also premiering in a separate presentation), William Friedkin’s Cruising, and Pier Paolo Pasolini’s Teorama.
The new restorations of Manoel de Oliveira’s stunning Francisca and Francesco Rosi’s Christ Stopped at Eboli will join the channel, alongside Agnieszka Holland’s Spoor, Bong Joon Ho’s early short film Incoherence, and Luc Dardenne & Jean-Pierre Dardenne’s Rosetta.
See the lineup below and explore more on criterionchannel.com.
#Blackmendream, Shikeith, 2014
12 Angry Men, Sidney Lumet, 1957
About Tap, George T. Nierenberg, 1985
The AIDS Show, Peter Adair and Rob Epstein, 1986
The Assignation, Curtis Harrington, 1953
Aya of Yop City,...
The new restorations of Manoel de Oliveira’s stunning Francisca and Francesco Rosi’s Christ Stopped at Eboli will join the channel, alongside Agnieszka Holland’s Spoor, Bong Joon Ho’s early short film Incoherence, and Luc Dardenne & Jean-Pierre Dardenne’s Rosetta.
See the lineup below and explore more on criterionchannel.com.
#Blackmendream, Shikeith, 2014
12 Angry Men, Sidney Lumet, 1957
About Tap, George T. Nierenberg, 1985
The AIDS Show, Peter Adair and Rob Epstein, 1986
The Assignation, Curtis Harrington, 1953
Aya of Yop City,...
- 5/24/2021
- by Jordan Raup
- The Film Stage
It’s a perfect movie for a dark time: Carlo Levi’s famed novel about a political undesirable became a major Italian miniseries by the great Francesco Rosi, starring the now-legendary Gian Maria Volontè. In Mussolini’s most popular years of make-Italy-great-again Fascism, a dissident is given an indefinite ‘time out,’ an exile to a small town in a corner of the country so remote and primitive that not even Christianity could fully change it. He expects nothing but receives revelations about his country, his life and one’s place in society. It’s meditative, it’s illuminating, it’s like a book one can’t put down. It’s also uncut, as opposed to the theatrical version that made a splash here in 1980, as simply Eboli.
Christ Stopped at Eboli
Blu-ray
The Criterion Collection 1043
1979 / Color / 1:33 flat / 220 150, 120 min. / Cristo si è fermato a Eboli / available through The Criterion Collection...
Christ Stopped at Eboli
Blu-ray
The Criterion Collection 1043
1979 / Color / 1:33 flat / 220 150, 120 min. / Cristo si è fermato a Eboli / available through The Criterion Collection...
- 9/22/2020
- by Glenn Erickson
- Trailers from Hell
When Francesco Rosi adapted artist and activist Carlo Levi’s 1945 memoir Christ Stopped at Eboli for Italian television in 1979, contemporary observers of the director probably saw it as a strange choice. Rosi had made his name with searing, forcefully immediate studies of Italian society and politics like Salvatore Giuliano and Hands Over the City; Levi’s book about his banishment to an isolated rural town during the reign of Mussolini was as modest and personal as Rosi’s earlier films were sweeping and elaborate. Yet the memoir had in fact been a dream project of Rosi’s for decades, and the four-part, […]...
- 9/11/2020
- by Jim Hemphill
- Filmmaker Magazine - Blog
When Francesco Rosi adapted artist and activist Carlo Levi’s 1945 memoir Christ Stopped at Eboli for Italian television in 1979, contemporary observers of the director probably saw it as a strange choice. Rosi had made his name with searing, forcefully immediate studies of Italian society and politics like Salvatore Giuliano and Hands Over the City; Levi’s book about his banishment to an isolated rural town during the reign of Mussolini was as modest and personal as Rosi’s earlier films were sweeping and elaborate. Yet the memoir had in fact been a dream project of Rosi’s for decades, and the four-part, […]...
- 9/11/2020
- by Jim Hemphill
- Filmmaker Magazine-Director Interviews
The September 2020 lineup of The Criterion Collection has been unveiled, and it’s a packed one. Leading the list is Claire Denis’s masterpiece Beau travail, which has finally received a new 4K digital restoration and features a conversation between the director and Barry Jenkins, and much more.
The third edition of Martin Scorsese’s World Cinema Project is also getting a release, featuring films from Brazil (Pixote), Cuba (Lucía), Indonesia (After the Curfew), Iran (Downpour), Mauritania (Soleil Ô), and Mexico (Dos monjes). David Lynch’s second feature The Elephant Man will get the Criterion treatment as well with a new 4K restoration, plus a special feature lineup featuring Lynch and critic Kristine McKenna reading from their book Room to Dream.
The full-length, four-hour restored cut of Francesco Rosi’s Christ Stopped at Eboli will also be arriving in September. Lastly, a pair of crime drama classics from Jules Dassin...
The third edition of Martin Scorsese’s World Cinema Project is also getting a release, featuring films from Brazil (Pixote), Cuba (Lucía), Indonesia (After the Curfew), Iran (Downpour), Mauritania (Soleil Ô), and Mexico (Dos monjes). David Lynch’s second feature The Elephant Man will get the Criterion treatment as well with a new 4K restoration, plus a special feature lineup featuring Lynch and critic Kristine McKenna reading from their book Room to Dream.
The full-length, four-hour restored cut of Francesco Rosi’s Christ Stopped at Eboli will also be arriving in September. Lastly, a pair of crime drama classics from Jules Dassin...
- 6/15/2020
- by Leonard Pearce
- The Film Stage
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.
Metrograph
Films by Mizoguchi, Kurosawa, and Naruse kick off a retrospective of Japanese actress Machiko Kyō.
The Pasolini retrospective continues.
Streetwise and its follow-up, Tiny: The Life of Erin Blackwell, begin a run.
The restoration of A Bigger Splash continues screening, while the ’90s indie film Chalk has been restored.
Tie Me Up! Tie Me Down!
Metrograph
Films by Mizoguchi, Kurosawa, and Naruse kick off a retrospective of Japanese actress Machiko Kyō.
The Pasolini retrospective continues.
Streetwise and its follow-up, Tiny: The Life of Erin Blackwell, begin a run.
The restoration of A Bigger Splash continues screening, while the ’90s indie film Chalk has been restored.
Tie Me Up! Tie Me Down!
- 7/26/2019
- by Nick Newman
- The Film Stage
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.
Film at Lincoln Center
A retrospective of 21st-century debuts is underway, with two-for-one packages doubling some of today’s best working filmmakers.
A free screening of Martin Scorsese’s After Hours is held at Governor’s Island tonight.
A Bigger Splash has screenings.
Museum of the Moving Image
The expressively named “Barbara Hammer, Superdyke” looks...
Film at Lincoln Center
A retrospective of 21st-century debuts is underway, with two-for-one packages doubling some of today’s best working filmmakers.
A free screening of Martin Scorsese’s After Hours is held at Governor’s Island tonight.
A Bigger Splash has screenings.
Museum of the Moving Image
The expressively named “Barbara Hammer, Superdyke” looks...
- 7/19/2019
- by Nick Newman
- The Film Stage
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.
Metrograph
The director’s cut of Woodstock plays on 35mm this Saturday.
The Pasolini retrospective continues.
The restorations of A Bigger Splash and Audition still screen.
A series on documentarian Kevin Rafferty runs this weekend.
Whale Rider and Max Mon Amour play at opposite ends of the day.
Museum of the Moving Image
“See It Big!
Metrograph
The director’s cut of Woodstock plays on 35mm this Saturday.
The Pasolini retrospective continues.
The restorations of A Bigger Splash and Audition still screen.
A series on documentarian Kevin Rafferty runs this weekend.
Whale Rider and Max Mon Amour play at opposite ends of the day.
Museum of the Moving Image
“See It Big!
- 7/12/2019
- by Nick Newman
- The Film Stage
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.
Museum of the Moving Image
“See It Big! Action,” one of the finest genre retrospectives in recent memory, continues with screenings of The French Connection, Fury Road, and Bullitt.
Wallace & Gromit: The Curse of the Were-Rabbit plays throughout the weekend as part of an Earth Day celebration.
A series on 21st-century Latin American cinema continues with Third World this Sunday.
Museum of the Moving Image
“See It Big! Action,” one of the finest genre retrospectives in recent memory, continues with screenings of The French Connection, Fury Road, and Bullitt.
Wallace & Gromit: The Curse of the Were-Rabbit plays throughout the weekend as part of an Earth Day celebration.
A series on 21st-century Latin American cinema continues with Third World this Sunday.
- 4/26/2019
- by Nick Newman
- The Film Stage
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.
Museum of the Moving Image
“See It Big! Action,” one of the finest genre retrospectives in recent memory, is underway with screenings such as Raiders of the Lost Ark and Seven Samurai.
Wallace & Gromit: The Curse of the Were-Rabbit plays throughout the weekend as part of an Earth Day celebration.
Once undistributed for fear it would “incite racial tension,...
Museum of the Moving Image
“See It Big! Action,” one of the finest genre retrospectives in recent memory, is underway with screenings such as Raiders of the Lost Ark and Seven Samurai.
Wallace & Gromit: The Curse of the Were-Rabbit plays throughout the weekend as part of an Earth Day celebration.
Once undistributed for fear it would “incite racial tension,...
- 4/19/2019
- by Nick Newman
- The Film Stage
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.
Metrograph
King Hu’s The Fate of Lee Khan has been restored.
The Aki Kaurismäki series is still running.
Prints of Rio Bravo and Cronenberg’s Spider screen on Friday and Saturday, respectively.
Bam
The largest-ever Us retrospective of one of our greatest filmmakers continues with “Claire Denis: Strange Desire.”
Japan Society
“The Other Japanese New Wave,...
Metrograph
King Hu’s The Fate of Lee Khan has been restored.
The Aki Kaurismäki series is still running.
Prints of Rio Bravo and Cronenberg’s Spider screen on Friday and Saturday, respectively.
Bam
The largest-ever Us retrospective of one of our greatest filmmakers continues with “Claire Denis: Strange Desire.”
Japan Society
“The Other Japanese New Wave,...
- 4/5/2019
- by Nick Newman
- The Film Stage
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAgnès Varda, 1921—2019.Agnès Varda, vital initiator of the French New Wave, prolific auteur, nimble innovator, and constant inspiration as an artist and a person, has left us at the age of 90. "'In all women there is something in revolt which is not expressed,' Varda once said of her protagonist in Vagabond. Her films express exactly that sense of revolt, in both form and content." That's Christina Newland writing on Varda's cinema and its expression of the female experience for the New Statesman.Though it was first premiered at Venice in 2014, Abel Ferrara's Pasolini will finally have its North American release on May 10. The premiere coincides with “Abel Ferrara Unrated,” an upcoming retrospective of Ferrara's works at the Museum of Modern Art. Following a recent screening of High Life, Claire Denis stated that...
- 4/3/2019
- MUBI
In 1945, doctor, painter and political exile Carlo Levi published his memoir titled “Christ Stopped at Eboli.” The book was very well received, leading many in Italy to fully understand the poor living conditions in some Southern villages. The novel was famously adapted by Academy Award-nominated filmmaker Francesco Rosi a film of the same name.
And in honor of Film Forum presenting, courtesy of Rialto Pictures, the never-before-seen, complete, uncut version of “Christ Stopped at Eboli,” we’re proud to give our readers an exclusive look at the new trailer and poster for the film.
Continue reading ‘Christ Stopped At Eboli’ Exclusive Trailer: Francesco Rosi’s Complete, Uncut Masterpiece Is Finally Hitting The Us at The Playlist.
And in honor of Film Forum presenting, courtesy of Rialto Pictures, the never-before-seen, complete, uncut version of “Christ Stopped at Eboli,” we’re proud to give our readers an exclusive look at the new trailer and poster for the film.
Continue reading ‘Christ Stopped At Eboli’ Exclusive Trailer: Francesco Rosi’s Complete, Uncut Masterpiece Is Finally Hitting The Us at The Playlist.
- 3/29/2019
- by Charles Barfield
- The Playlist
Basma Alsharif has garnered attention worldwide for her installations and shorts over the last few years. Her work invites the viewer to re-think the depiction of language, time and space, and to re-experience the understanding of creating images and telling stories.I interviewed the filmmaker about her feature debut Ouroboros, which will have its world premiere as part of the Signs of Life competition at the 70th Locarno Film Festival.Notebook: Could you comment on the process of creating this film as a mirror to your own experience and also as a bridge to your filmmaking ideas? Basma Alsharif: As a Palestinian in the Diaspora, I have watched and experienced the perpetual destruction of the Gaza Strip throughout the course of my life—as it has throughout my parents' lives and my grandparents' lives. With the privilege of distance coupled with the privilege of having access to visiting throughout my childhood into adulthood,...
- 8/9/2017
- MUBI
COLOGNE, Germany -- Francesco Rosi, one of the giants of Italian cinema, will be honored with a lifetime achievement Golden Bear at the 2008 Berlin International Film Festival.
The upcoming Berlinale also will feature an homage of 13 Rosi films, including Salvatore Giuliano, the film that won the best director Silver Bear in Berlin in 1962 and marked Rosi's international breakthrough.
In his long career, the 85-year-old Rosi has returned repeatedly to Italian economic and political history. Whether it is the history of the Mafia in films such as the Palme d'Or-winning The Mattei Affair (1972) and Lucky Luciano (1973); the tension between Italy's rich industrial north and its poor agricultural south in Christ Stopped at Eboli (1979); or the fate of Italian post-World War II immigrants to West Germany in The Magliari (1959).
In addition to the Palme d'Or and the Silver Bear, Rosi won Venice's Golden Lion in 1963 for Hands Over the City, an expose of building scandals in his hometown of Naples.
The upcoming Berlinale also will feature an homage of 13 Rosi films, including Salvatore Giuliano, the film that won the best director Silver Bear in Berlin in 1962 and marked Rosi's international breakthrough.
In his long career, the 85-year-old Rosi has returned repeatedly to Italian economic and political history. Whether it is the history of the Mafia in films such as the Palme d'Or-winning The Mattei Affair (1972) and Lucky Luciano (1973); the tension between Italy's rich industrial north and its poor agricultural south in Christ Stopped at Eboli (1979); or the fate of Italian post-World War II immigrants to West Germany in The Magliari (1959).
In addition to the Palme d'Or and the Silver Bear, Rosi won Venice's Golden Lion in 1963 for Hands Over the City, an expose of building scandals in his hometown of Naples.
- 11/28/2007
- The Hollywood Reporter - Movie News
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