Other reviewers have covered it well, just letting those who were trying to hunt it down on DVD know that it's available now on Netflix Instant. Well worth the time to watch. It portrays both sides in an equally dismal light. As such, one of the more compelling stories with the troubles as its backdrop. Some of the great Irish actors appear in it, such as Niall Tobín, Ray McAnally and Joe Lynch. The Richard Gere-type American lead is all rage and not a lot of nuance, but can be forgiven. The cynical and dehumanizing way the Anerican pawn is manipulated makes for compelling viewing. It also contains some very daring lines about the role of the church, and accurately foretells its fate in the absence of a common enemy. Some earlier reviewers worried about the level of violence. It would be impossible to set a movie in Belfast in 1973 without losing all credibility, a mistake this movie avoids. I didn't find any scene gratuitous, and the integrity of the movie is the better for it. I would agree with others who have described this as a lost gem.
13 Reviews
Surprisingly good
johncg2519 December 2021
This is one of the better films on the IRA struggle I have ever seen, despite its age. You also get what looks like a film shot on location in Belfast from the 70's, which surprised me in that it looked like a warzone. Other later films on the subject cannot quite capture the setting as this film does wonderfully. The plot is complex, the acting is good, and it is pretty intense, and overall very well done. For anyone that likes the IRA subject matter it is definitely worth seeing, and one of the best films on that subject that is for unknown reasons, not well-watched.
A real SLEEPER. It's the BLADE RUNNER meets the I.R.A!!!
willyjg9 September 1999
Warning: Spoilers
This is a real sleeper about an Irish-American vet who, on returning to the USA after Viet Nam, decides to go to Ireland and fight for the IRA. His desire to do so is based on the stories told to him by his grandfather (Stirling Hayden) about fighting the Brits. The magic of this film is its realism. I swear you can feel the damp chill of a overcast Dublin day as you watch this movie! It reminds me of THE BLADE RUNNER in its darkness, however THE BLADE RUNNER is a fictional setting and THE OUTSIDER isn't, unless you've never been to that area of the world. I've been to Scotland and I'm telling you I don't know how they bottled that climate and make you feel you're there. I have gotten off on the realism and I've almost forgotten, this film has one of the most heart wrenching endings I've ever seen. Craig Wasson who stars has done some other films that have great plots and endings. Remember THE BODY DOUBLE? Same surprises as that and this too, is believable. It's not the cheap pulp writing trick of sneaking someone in at the last minute that you've never heard of or has never been revealed by the plot, some presumed long dead uncle that saves the day at the last minute. Although, it would be very difficult to predict this ending the plot does give you all the information and fore-shadowing you need to embrace it in the end. Good Movie!
A lost treasure!
kdzungri3 August 2004
Years ago I was hanging out with friends at my house. Out of boredom, we turned on the TV to our one cable channel (I told you it was years ago!) and saw this movie. The story caught our interest. Craig Wasson plays a Vietnam veteran who goes to Northern Ireland and joins the IRA. Seems that his uncle Seamus (Sterling Hayden) told stories of about how he fought heroically for the IRA in the old days. Craig was disillusioned by his experience in Vietnam, and decides to redeem himself by fighting for a cause where the good guys (the IRA) are obviously in the right and the bad guys (the British) are obviously in the wrong. But when he gets to Northern Ireland, he finds more moral murkiness and disillusionment. The decades of warfare have made everybody either crazy, cynical, devoid of hope, or some combination of these. In over his head, he winds up being a pawn in a deadly game between the IRA and British Army. We were all amazed at what a *great* movie it was. Will it ever get released on DVD?
Haunting and memorable
stonerlawrence-11 March 2009
This movie has haunted me since I saw it in the mid-1980s. It is one of the very best movies I have ever seen. I have searched in vain for a videotape (later DVD!) since without avail.
This movie is without peer in depicting the Troubles and in its exploration of loyalty and betrayal. It contains one of Sterling Hayden's last performances and, to say the least, he does not disappoint. Craig Wasson offers the best performance of his career in this film. Patricia Quinn demonstrates her capacity for a dramatic role (in sharp contrast to her performance in "Rocky Horror").
Northern Irish partisans of either stripe should be both warned and reassured: the movie is scrupulously even-handed and neither side is portrayed in a flattering light. Rather, it makes the point that the conflict has degenerated into a corrupt exercise in hatred, blood lust, and revenge.
This movie is stark and raw suspense, disillusionment, and heartbreak. I would happily pay $100 for a used VHS of this film.
This movie is without peer in depicting the Troubles and in its exploration of loyalty and betrayal. It contains one of Sterling Hayden's last performances and, to say the least, he does not disappoint. Craig Wasson offers the best performance of his career in this film. Patricia Quinn demonstrates her capacity for a dramatic role (in sharp contrast to her performance in "Rocky Horror").
Northern Irish partisans of either stripe should be both warned and reassured: the movie is scrupulously even-handed and neither side is portrayed in a flattering light. Rather, it makes the point that the conflict has degenerated into a corrupt exercise in hatred, blood lust, and revenge.
This movie is stark and raw suspense, disillusionment, and heartbreak. I would happily pay $100 for a used VHS of this film.
Fantastic, intense movie
autumn70003 March 2009
I saw this movie with my parents when I was only 10. It is not an appropriate film to take a child to, as there is a graphic torture scene and a lot of violence. However, I did not have any lasting trauma, and I thought the film was incredible. Very realistic, good acting, cynical story line that looked at multiple sides of the issue of the Troubles. The movie did not paint either the IRA or the British government in a positive light. I thought the violence in the film, though graphic, was necessary to show the brutality of the situation. This was one of the most memorable movies I have ever seen. Unfortunately, I have not been able to find it on DVD. I would love to see it again as an adult.
Honestly the best movie I have ever seen in my life.
DanielBernard1313 October 2005
I watch about one movie a week. When somebody asks me what was the best movie I have ever seen, I respond that it is this one. I haven't seen it for decades. The internet is new. I'm looking for a copy.
The movie shows that there are no moral men anywhere. Even the twisted morals of bloodthirsty killers are subject to easy compromise. People in a fanatic rage quickly change their minds and turn on their own kind when it is expedient to do so.
I suppose the outward themes of the movie would be "don't get involved" and "don't rat on your friends." That being said; strangely enough, this film is heart wrenching.
The movie shows that there are no moral men anywhere. Even the twisted morals of bloodthirsty killers are subject to easy compromise. People in a fanatic rage quickly change their minds and turn on their own kind when it is expedient to do so.
I suppose the outward themes of the movie would be "don't get involved" and "don't rat on your friends." That being said; strangely enough, this film is heart wrenching.
An unsurpassed vision of the Belfast Troubles
debbiemcafferty25 January 2014
Warning: Spoilers
Shocked and surprised that such a realistic movie set mostly in Belfast managed to pass me by. I must agree with the majority of (American) reviewers, who have deemed this film as a piece of gritty realism, if not one of true grit. I have lived in Belfast all my life and grew up during the period in which the film is set, and I can attest to the portrayal of working class Belfast as the most honest and vivid I have ever seen. The imagery is unmistakable, and I only wonder how on earth such footage could have been shot in 1980's Belfast! My only qualm is that I felt the plot line to be verging a little on the thin side, but that may be because I find it a little too incredible that the IRA at the time would have run the risk of sacrificing a US citizen to bolster PR. Aside from that, the depiction of the brutality and the Ethos of Conflict that engulfed Belfast at that time is unsurpassed.
Irish-American Vietnam vet, disillusioned, goes to Ireland, gets more disillusioned by IRA
hendersonhall15 April 2006
Years ago I visited NY, noticed this film and despite a pan by the NY Times, saw it since I'd been impressed by Craig Wasson in Go Tell the Spartans (still the best fiction film on Vietnam). Loved it: excellent story that avoids clichés, very well acted and directed. Came off a bit as The Further Adventures of the Craig Wasson Character Who Had Been in Nam. Disillusioned Nam vet wants purpose in life, goes to ancestral home Ireland, gets more disillusioned at being used by both IRA and Brits for their own, different purposes. Even becomes disillusioned with grandfather, whose screwed up memories of IRA glory persuaded him to go there. Maybe my memory of details is inaccurate (saw it once when it opened), but the final scene stays with me still: Wasson in a phone booth in Detroit, hitting the receiver on the phone box in frustration. Hope it comes out in DVD. If so, I'd order it in an instant.
A gem that disappeared
bklyn-boylan30 May 2008
I happened to be in NYC when this was released. Read no reviews of it, but having recently seen Craig Wasson in Go Tell the Spartans (still the best fiction movie about Vietnam) and having admired Frank Grimes since I saw him as the lead in The Playboy of the Western World in Dublin years earlier, I decided to go. And was glad I did. This movie is a gem. Its disappearance after that initial showing in NYC (and probably other metro centers in the US) baffles me. Even more baffling is its non-resurrection in DVD. The Wasson character sort of made the film a sequel to Go Tell the Spartans. The story (which I won't spoil by telling the plot), about both IRA-ers and Brits using the American for their political ends was great, as were the acting and directing. Still vivid in my memory is the emotional ending with Wasson in a phone booth in Detroit. I keep searching for its release on DVD, with no luck.
A much disillusioned young man
RachelLone8 March 2004
The young Vietnam War veteran Michael Flaherty, from Detroit, (Craig Wasson) joins the IRA because his Irish grandfather fought for the cause and he has told Michael so many stories of his, and Michael wants to be just like him. After working briefly at the border, Michael's wish is granted- he is sent to Belfast, Northern Ireland, where all you can see is ruins and riots. All the while, Michael is not aware that he has been considered as an outsider and that he has been manipulated. To the IRA, he is nothing but a pawn for their 'public relations'. When Michael realises the brutal truth, he is utterly disillusioned. He only becomes further disillusioned when he has returned to America and his ill grandfather confesses to him yet another harsh truth...
I have been to Belfast, though not in the 1970s, but from what I've read and what I've seen, I can say this film vividly depicts the city of Belfast in the early 1970s, the peak of the Troubles. And not all of them fought for the cause. Some of them were indeed downright terrorists (again, I must reiterate, not ALL of them). The movie also portrays the cunning nature of the British Troops. The ending is a very clever one. I think I should track down the novel.
I have been to Belfast, though not in the 1970s, but from what I've read and what I've seen, I can say this film vividly depicts the city of Belfast in the early 1970s, the peak of the Troubles. And not all of them fought for the cause. Some of them were indeed downright terrorists (again, I must reiterate, not ALL of them). The movie also portrays the cunning nature of the British Troops. The ending is a very clever one. I think I should track down the novel.
Utterly pragmatic look on low intensity warfare where Realpolitik reigns and the end justifies the means
Corpus_Vile29 May 2015
Warning: Spoilers
It's 1973.
Irish American rich kid Michael Flaherty (Craig Wasson) is a disillusioned Vietnam veteran, captivated by the romantic patriotic tales of his Irish Civil War veteran grandfather (Sterling Hayden). Determined to aid The Cause, he joins the IRA to fight the British. However, once he arrives, he finds that all is not what it seems, an all encompassing shade of grey permeates everything and that both the IRA and the British army consider him an expendable asset if need be and cynicism and utter pragmatism abounds.
The Outsider is a film I've personally been looking for for the past 25 years or so, partly for being captivated by the novel as a kid and partly because my brother appeared in it in a scene where kids play soldiers, as one of the kids. Now that I've finally seen it, I found it an unassuming tour de force. There is no glory here. No heroism. No idealism. Just workmanlike docudrama style reality as both the IRA's army council and British military brass make coldly rational and logical decisions which will further their respective causes. When children are killed in the crossfire during a gun battle, by British army bullets, the IRA's army council discuss the tragedy in terms of how much more support the deaths will gain them among Irish Americans, while a British Colonel (veteran British actor Geoffry Palmer) admonishes his subordinate that "We can't have 12-year-old children being killed Nigel, it will swell up the ranks of the IRA", while his subordinate protests against SAS involvement on the grounds that "They'll make a mess of things, they always do", which will gain further recruitment for the IRA.
As for the IRA themselves, there's Emmet, the pleasant and utterly ruthless executioner, The Farmer (veteran Irish actor Niall Toibin), a coldly implacable and completely ruthless brigade commander who retorts to complaints by a visiting army council member regarding civilian casualties to "tell GHQ to get me more guns instead of dynamite and my aim will be much more selective". and Tony, a smiling baby faced psychopath who the Farmer disdains because "It would make you sick the love he has for the trigger", but who also has no problem using to commit assassinations, precisely because of his bloodlust if it furthers The Cause. No morality. No ethos. Just get the job done in a pragmatically efficient way as possible due to the end justifying the means, in a low intensity war fought just as much via PR and through the media as it is in the back alleys of Belfast or fields of Monaghan.
Irish actor Ray MacAnally terrifies in a left field scene as a murky British intelligence torturer, whose torture of a civilian is utterly workmanlike and casual as a means to an end.
The Farmer coldly tries to figure out who a suspected informer may be with no illusions to the viewer as to what will await the informer's fate. There are no heroes and no villains, no Good Guys or Bad Guys but merely opponents who will use pawns as they see fit to win the war.
The film is not without its minor flaws, such as one or two dodgy/missplaced accents but overall, as has been said by other reviewers, The Outsider is a true lost gem of a film with no easy answers but many astute observations. 9/10, highly recommended.
Irish American rich kid Michael Flaherty (Craig Wasson) is a disillusioned Vietnam veteran, captivated by the romantic patriotic tales of his Irish Civil War veteran grandfather (Sterling Hayden). Determined to aid The Cause, he joins the IRA to fight the British. However, once he arrives, he finds that all is not what it seems, an all encompassing shade of grey permeates everything and that both the IRA and the British army consider him an expendable asset if need be and cynicism and utter pragmatism abounds.
The Outsider is a film I've personally been looking for for the past 25 years or so, partly for being captivated by the novel as a kid and partly because my brother appeared in it in a scene where kids play soldiers, as one of the kids. Now that I've finally seen it, I found it an unassuming tour de force. There is no glory here. No heroism. No idealism. Just workmanlike docudrama style reality as both the IRA's army council and British military brass make coldly rational and logical decisions which will further their respective causes. When children are killed in the crossfire during a gun battle, by British army bullets, the IRA's army council discuss the tragedy in terms of how much more support the deaths will gain them among Irish Americans, while a British Colonel (veteran British actor Geoffry Palmer) admonishes his subordinate that "We can't have 12-year-old children being killed Nigel, it will swell up the ranks of the IRA", while his subordinate protests against SAS involvement on the grounds that "They'll make a mess of things, they always do", which will gain further recruitment for the IRA.
As for the IRA themselves, there's Emmet, the pleasant and utterly ruthless executioner, The Farmer (veteran Irish actor Niall Toibin), a coldly implacable and completely ruthless brigade commander who retorts to complaints by a visiting army council member regarding civilian casualties to "tell GHQ to get me more guns instead of dynamite and my aim will be much more selective". and Tony, a smiling baby faced psychopath who the Farmer disdains because "It would make you sick the love he has for the trigger", but who also has no problem using to commit assassinations, precisely because of his bloodlust if it furthers The Cause. No morality. No ethos. Just get the job done in a pragmatically efficient way as possible due to the end justifying the means, in a low intensity war fought just as much via PR and through the media as it is in the back alleys of Belfast or fields of Monaghan.
Irish actor Ray MacAnally terrifies in a left field scene as a murky British intelligence torturer, whose torture of a civilian is utterly workmanlike and casual as a means to an end.
The Farmer coldly tries to figure out who a suspected informer may be with no illusions to the viewer as to what will await the informer's fate. There are no heroes and no villains, no Good Guys or Bad Guys but merely opponents who will use pawns as they see fit to win the war.
The film is not without its minor flaws, such as one or two dodgy/missplaced accents but overall, as has been said by other reviewers, The Outsider is a true lost gem of a film with no easy answers but many astute observations. 9/10, highly recommended.
Liked the movie a lot
cleinster17 July 2000
But it ended a lot earlier than the novel. In the book, Emmett chases Flaherty back to the U.S. and the pair of them end up at the Shepherd's Mass, a Feast of the Assumption event that takes place every year in the mountains of northern Wyoming. Back to the movie: I've tried to find it in video stores and nobody even has it listed. Where can I get a copy?
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