The Big Red One (1980)

User Rating:

7.3/10   

Director:

Samuel Fuller

Writer:

Samuel Fuller (written by)

Release Date:

28 toukokuu 1980 (France)

Genre:

Action | Drama | War

Tagline:

The real glory of war is surviving.

Plot:

The story of a sergeant and the inner core members of his unit as they try to serve in and survive World War II.

Plot Keywords:

Sergeant | French | Concentration Camp | Omaha Beach | Sicily

Awards:

2 wins & 1 nomination

US TV Schedule:

Mon. Nov. 16

6:00 AM

AMC

Cast

Lee Marvin	...	The Sergeant
Mark Hamill	...	Pvt. Griff, 1st Squad
Robert Carradine	...	Pvt. Zab, 1st Squad
Bobby Di Cicco	...	Pvt. Vinci, 1st Squad
Kelly Ward	...	Pvt. Johnson, 1st Squad
Stéphane Audran	...	Underground Walloon fighter at asylum (as Stephane Audran)
Siegfried Rauch	...	Schroeder (German sergeant)
Serge Marquand	...	Rensonnet
Charles Macaulay	...	General / captain
Alain Doutey	...	Broban (Vichy sergeant)
Maurice Marsac	...	Vichy colonel
Colin Gilbert	...	Dog Face POW
Joseph Clark	...	Pvt. Shep (soldier on troop transport)
Ken Campbell	...	Pvt. Lemchek (#2 on Bangalore torpedo)
Doug Werner	...	Switolski

Also Known As:

The Big Red One - The Reconstuction (USA) (DVD box title)

MPAA:

Rated R for war violence and some language. (2004 reconstruction)

Runtime:

113 min | 162 min (reconstructed version)

Country:

USA

Language:

English | French | Italian | German

Color:

Black and White | Color (Metrocolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital (reconstruction) | Dolby (original release)

Certification:

Canada:PG (Ontario) | Canada:14A | West Germany:16 (f) | Australia:M | Finland:K-16 | Norway:16 (1980) | Singapore:PG | Sweden:15 | UK:15 (video rating) (1987) | UK:AA (original rating) | USA:PG (original rating) | USA:R (2004 reconstruction) | Iceland:16

Filming Locations:

Big Bear, San Bernardino National Forest, California, USA

Company:

Lorac Productions

Trivia:

In the "Reconstruction" Documentary, Robert Carradine says that when he, Mark Hamill, Bobby Di Cicco and Kelly Ward first met Lee Marvin, Marvin didn't say anything at first. After they got into a taxi to drive out to the shooting range where they would hone their skills, Marvin finally said "Which one of you is Carradine?" To which Robert Carradine answered dutifully "I am." Lee Marvin's response: "Fuck you, Carradine." A short time later, after they'd been working together, Carradine asked Marvin why he said that to him to which Marvin replied "Cause yours was the only name I recognized."

Goofs:

Miscellaneous: When the sergeant and his unit are in Sicily, they walk in front of a wall with the portrait of Mussolini and a sentence in big capital letters written in Italian. The writing is incorrect. It reads "Se avanzo, Se guitmi! Se indietreggio, uccidetemi! Se muoiu, vendicatemi! Mussolini". It should be "Se avanzo, Seguitemi! Se indietreggio, uccidetemi! Se muoio, vendicatemi! Mussolini". It means "If I move forward, follow me! If I move back, kill me! If I die, avenge me!"

Quotes:

Griff: I can't murder anybody.
The Sergeant: We don't murder; we kill.
Griff: It's the same thing.
The Sergeant: The hell it is, Griff. You don't murder animals; you kill 'em.

Movie Connections:

Referenced in Beauty (1981)

The emasculation of a potentially great film

I have seen this film quite a few times and have always been somewhat puzzled about it. There was no doubt that it had some of the most emotive scenes of any war film but seemed fractured. At times there seemed to be far more realism in it's morality than other films which was understandable since Sam Fuller actually served with The Big Red One at this time so much of it is a first hand account of events and attitudes. I have now read some of the background to the making of the film,I think in the L.A. Times,which now makes sense of the flaws in the film. Apparently Sam Fuller's budget was cut to the minimum by the studios after a regime change and the original screenplay as shot was hacked to death by the same studio against Fuller's wishes. This was not the film he wanted to make but he made it. And it was not the film that he shot as is indicated by the very complete screenplay notes he made. I think it is Richard Schickel, the noted reviewer of Time magazine, who has laboured to find the missing outtakes and to put the film together in its complete form with over 40 minutes added to the length. Apparently this more complete cut significantly improves the film and adheres to Sam Fullers screenplay more accurately. This new cut is now playing to limited audiences and, hopefully, will be available on DVD. It must be emphasized that this is not the film that Fuller originally wanted to make as the budget was cut by 75%. Some of the comments made by other reviewers on these pages are valid as to authenticity specifically in battle scenes. But Fuller did not have the budget that both the Longest Day and Saving Private Ryan had. It will be interesting to see the new cut. Hopefully it will flesh out what could have been one of the greatest Second World War films.