The life of boxer Jake LaMotta, whose violence and temper that led him to the top in the ring destroyed his life outside of it.The life of boxer Jake LaMotta, whose violence and temper that led him to the top in the ring destroyed his life outside of it.The life of boxer Jake LaMotta, whose violence and temper that led him to the top in the ring destroyed his life outside of it.
- Won 2 Oscars
- 24 wins & 28 nominations total
What Scorsese Film Ranks Highest on IMDb?
What Scorsese Film Ranks Highest on IMDb?
Storyline
Did you know
- TriviaWhen the real Jake LaMotta saw the movie, he said it made him break down in tears and realize for the first time what a terrible person he had been. He asked the real Vicki LaMotta "Was I really like that?". Vicki replied "You were worse."
- GoofsWhen Jake follows Joey into the parking garage, hip-hop-style graffiti is visible outside it.
- Quotes
[first lines]
Jake La Motta: I remember those cheers / They still ring in my ears / After years, they remain in my thoughts. / Go to one night / I took off my robe, and what'd I do? I forgot to wear shorts. / I recall every fall / Every hook, every jab / The worst way a guy can get rid of his flab. / As you know, my life wasn't drab. / Though I'd much... Though I'd rather hear you cheer / When you delve... Though I'd rather hear you cheer / When I delve into Shakespeare / "A horse, a horse, my kingdom for a horse", I haven't had a winner in six months.
[he lights a cigar]
Jake La Motta: Though I'm no Olivier / I would much rather... And though I'm no Olivier / If he fought Sugar Ray / He would say / That the thing ain't the ring, it's the play. / So give me a... stage / Where this bull here can rage / And though I could fight / I'd much rather recite /... that's entertainment.
- Crazy creditsThe film is in black and white, but during the opening credits, the title is in red letters.
- Alternate versionsCBS edited 8 minutes from this film for its 1986 network television premiere.
- ConnectionsEdited into Tough Guise: Violence, Media & the Crisis in Masculinity (1999)
- SoundtracksCavalleria rusticana: Intermezzo
Music by Pietro Mascagni
Performed by Orchestra del Teatro Comunale di Bologna (as Orchestra of Bologna Municop Thetra)
Conducted by Arturo Basile
Courtesy of RCA, S.P.A.
`Raging Bull'- a biography of the boxer Jake La Motta who for a time held the world middleweight championship- is one of the few exceptions. The use of black-and-white seems to have been inspired by the fact that the film depicts real-life events that occurred in the forties and fifties. Scorsese has tried to capture the look of both the films and the newsreels of that period. This is remarkably effective for the boxing scenes, which have a raw, brutal power and graphically depict the aggressive nature of the sport. The other remarkable thing about the film is the performance of Robert de Niro, for which he won a well-deserved Best Actor Academy Award. De Niro actually learned to box for the film, and did all the boxing scenes himself without using a stunt double, but his portrayal of La Motta's private life is equally effective.
Some boxers- Henry Cooper comes to mind- are hard-hitting inside the ring but gentlemanly and restrained outside. La Motta, as portrayed in this film, did not fall into this category. De Niro portrays him as a man with a very short fuse, seething with anger and violence. Unlike his great rival Sugar Ray Robinson, an elegant practitioner of the art of boxing, La Motta tries to overpower his rivals with brute force rather than relying on skill. His aggression is not something confined to the ring, but rather an inherent part of his personality, and comes out in his dealings with others. He treats his beautiful wife Vicki particularly badly, frequently (and irrationally) suspecting her of infidelity and subjecting her to both verbal and physical abuse. Besides De Niro's dominating performance, there are also very good contributions from Cathy Moriarty as Vicki and from Joe Pesci as La Motta's loyal brother Joey, another frequent target of abuse despite his loyalty.
For me, this is a very good film, yet one that falls just short of the classic status that some have claimed for it. At times it is enthralling to watch, but at others, particularly in the first half, it seems to lack structure, as La Motta takes on a series of opponents without the significance of these fights ever becoming clear. More could have been made of the gambling-inspired corruption that infested the sport at this period and which may well have contributed to La Motta's sense of frustration- at one time it is made clear to him that his getting a chance to fight for the world title depends upon his taking a dive in a non-title fight. The main weakness, however, is a sense of emptiness at its centre, resulting from the lack of a character who can engage our sympathies. As I said, it is De Niro's performance that dominates the film, but for all his fine acting, even he cannot make us sympathise with a drunken, self-pitying, paranoid, violent wife-beater. As a character study of an unpleasant character it is excellent, but it can go no further than that. I cannot agree that this is the greatest film of the eighties; indeed, for me it was not even the greatest sporting film of the eighties. (I preferred both `Chariots of Fire' and `Eight Men Out'). It is an easy film to admire, but a difficult one to love. 7/10.
- JamesHitchcock
- Feb 27, 2004
The Movies of Martin Scorsese
The Movies of Martin Scorsese
Details
- Release date
- Country of origin
- Language
- Also known as
- The Life of Jake La Motta
- Filming locations
- Hell's Kitchen, Manhattan, New York City, New York, USA(exteriors: Jake's neighborhood in the Bronx)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $18,000,000 (estimated)
- Gross US & Canada
- $23,383,987
- Opening weekend US & Canada
- $128,590
- Nov 16, 1980
- Gross worldwide
- $23,406,933
- Runtime2 hours 9 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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