| Zeenat Aman | ... | Madhu | |
| Rekha | ... | Shobha | |
| Ajit | ... | Jaggu / Chowdhary Jagatpal Singh / Baba | |
| Prem Chopra | ... | Chandan Singh | |
| Sujit Kumar | ... | Daku Satarawala | |
| Amjad Khan | ... | Suleiman Seth | |
| Helen | ... | Tara Bai | |
| Urmila Bhatt | ... | Saraswati | |
| Utpal Dutt | ... | Prof. Saran | |
| Ranjan | ... | Thekedar Bhanwari | |
| Asit Sen | ... | Police Constable A.K. Mukherjee | |
| Mohan Sherry | ... | Police Commissioner Gupta | |
| Madhup Sharma | |||
| Bharat Kapoor | ... | Chandarbhan | |
| Lalita Kumari | ... | Gangubai | |
| Master Lucky | ... | Young Ram | |
| Master Sandeep | |||
| Subroto Mahapatra | ... | Pintoo Seth (as Subroto Mahapatre) | |
| Kirti | |||
| Oscar | |||
| Ranjit Sood | |||
| Gopal Bhatnagar | |||
| Jaswant Singh | |||
| Shefali | |||
| Meghdoot | |||
| Moolchand | (as Mulchand) | ||
| Nazneen | ... | Guest Appearance | |
| Dharmendra | ... | Ram / Bholuram | |
| Amitabh Bachchan | ... | Police Inspector Balram Singh |
Directed by | |||
| Vijay Anand | |||
Writing credits(in alphabetical order) | ||
| Vijay Anand | screenplay | |
| Vijay Anand | story | |
| Kamleshwar | dialogue | |
| Kamleshwar | screenplay | |
Produced by | |||
| Tito | .... | producer | |
Original Music by | |||
| Laxmikant Shantaram Kudalkar | (as Laxmikant) | ||
| Pyarelal Ramprasad Sharma | (as Pyarelal) | ||
Cinematography by | |||
| Fali Mistry | |||
Film Editing by | |||
| Vijay Anand | |||
Production Design by | |||
| B.S. Juneja | |||
Art Direction by | |||
| T.K. Desai | |||
Makeup Department | |||
| Abdul Rahim | .... | assistant makeup artist (as Rahim) | |
| Raju | .... | makeup artist | |
| Ram | .... | assistant makeup artist (as Ram Dada) | |
| Vijay | .... | assistant makeup artist | |
Second Unit Director or Assistant Director | |||
| D. Kumar | .... | chief assistant director | |
| Swaroop Kumar | .... | assistant director | |
| Nirankar Mehra | .... | assistant director | |
Art Department | |||
| Abhitkar | .... | assistant art director | |
| Bhaskar L. Deokar | .... | assistant art director (as Bhaskar Deokar) | |
Sound Department | |||
| Mangesh Desai | .... | sound re-recordist | |
| Jyoti Dhawan | .... | sound assistant | |
| Kishore S. Rane | .... | audiographer (as K.S. Rane) | |
| Gopal Sinha | .... | sound assistant | |
| Kuldip Sood | .... | associate sound re-recordist | |
Special Effects by | |||
| Harrish Bhakhri | .... | main titles | |
| Dahyabhai Patel | .... | special effects (as Dahyabhai) | |
| Gordhanbhai Patel | .... | special effects (as Gordhanbhai) | |
Visual Effects by | |||
| Anthony Fernandes | .... | fire works (as Anthony) | |
| Francis Fernandes | .... | fire works (as Francis) | |
Stunts | |||
| Jaswant | .... | assistant fights | |
| A. Mansoor | .... | stunt director: thrills | |
Camera and Electrical Department | |||
| Hassan Ali | .... | assistant electrician (as Hasan) | |
| Raiz Ali | .... | assistant electrician (as Rais Ali) | |
| Allaudin | .... | assistant electrician | |
| Ansar | .... | assistant electrician | |
| S.R. Dabholkar | .... | chief assistant camera | |
| Mohan | .... | assistant electrician | |
| Kulwant Singh | .... | assistant electrician | |
Costume and Wardrobe Department | |||
| Ramkrishna | .... | assistant dress (as G. Ramkrishna) | |
| Shankar | .... | dressman (as Shanker) | |
Editorial Department | |||
| Achyut Gupte | .... | color consultant (as A.Y. Gupte) | |
| Kirti Kamble | .... | assistant editor | |
| Raju Naik | .... | associate editor | |
Music Department | |||
| Asha Bhosle | .... | playback singer | |
| Robin Chatterjee | .... | song recordist | |
| Gorakh | .... | assistant music | |
| Kaleem | .... | assistant song recordist | |
| Dilraj Kaur | .... | playback singer | |
| Kishore Kumar | .... | playback singer | |
| Lata Mangeshkar | .... | playback singer | |
| Vasant Mudaliar | .... | song recordist | |
| Mohammad Rafi | .... | playback singer (as Mohammed Rafi) | |
| Shashikant | .... | assistant music | |
| Suhas | .... | assistant song recordist | |
| A.N. Tagore | .... | assistant song recordist (as Tagore) | |
Other crew | |||
| Mukul Agarwal | .... | production executive | |
| Vijay Anand | .... | presenter | |
| Ashok | .... | production assistant | |
| Manas Biswas | .... | production assistant (as Vishwas) | |
| Dinesh | .... | production assistant | |
| Iqbal | .... | production assistant | |
| Kishan | .... | production assistant | |
| Kusha | .... | production assistant | |
| Ram Lagan | .... | production assistant | |
| William Lava | .... | production assistant | |
| Michael | .... | production assistant | |
| Pir Mohd | .... | production assistant (as Mohammed) | |
| Narayan | .... | production assistant | |
| Naseem | .... | production assistant | |
| Gopal Pandey | .... | public relations officer | |
| Suresh Prasad Singh | .... | production controller | |
| Umakant | .... | production assistant | |
| Oscar Unger | .... | choreographer (as Oscar) | |
| Vijay | .... | choreographer | |
Thanks | |||
| Fali Mistry | .... | film dedicated to (as Shri Fali Mistry) | |
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| Don | Ek Hasina Thi | Don | The Man in Blue | Shaan |
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| Full cast and crew | Company credits | IMDb Action section |
| IMDb India section | Add this title to MyMovies |
Okay, I guess if you're a Dharmendra or an Amitabh fan...and if you were really impressed with Sholay (like me), you should see this movie.
Jagatpal (Ajit) causes a misunderstanding between two brothers who he claims as relatives (but obviously not). While they were arguing, Ajit shoots both of them from the window, and frames them for murdering each other. Meanwhile he kills Ram's mother Saraswati who also raises her brother in-law's son Balram as her own (supposedly, but she pops up at the end somehow). Jagatpal forcefully raises Ram to be a thief, and Balram to be educated without the accompaniment of his brother/cousin. He does this with sharp-pointy objects on the ends of his crutches...if they don't listen he threatens to stab them.
Ram (Dharmendra) ends up being a car mechanic, and Balram (Amitabh Bachchan) ends up being a police officer. Jagatpal shares his plan, for Ram to be the best smuggler, and for Balram to be the best police officer. Balram tries to argue, but those annoying pointy things are once again a threat.
The first half of the movie (excluding the evilness of their evil uncle) was pretty entertaining ~ Dharmendra and Amitabh are first shown together and then shown in different scenes separately to show the differences and similarities in their life. Balram falls in love with Shoba (Rekha - a good couple I must say) and Ram falls in love with Madhu (Zeenat - she is very ugly in this movie and her a Dharam don't match). The part where they display their own girls to each other is pretty funny.
But I mean the VIOLENCE is just TOOOO much! I watch action movies, but this was ridiculous! After the first half, one who is watching this movie won't even be able to see the nice acting of the Dharmendra and Amitabh! It's like shooting and blowing up things all the time. And Jagatpal's evilness gets to be too much. It's hard to believe that it was so hard for toughies like Dharmendra and Amitabh to beat up a cripple.
I only rate it a nine because I am an ardent fan of Dharmendra as well as Amitabh and I wasn't particularly disappointed with their powerful performance combo. I recommend this movie if you like the actors, and if you're a fan of Laxmikant Pyarelal who made good songs (like Ek Rasta, Hama Maafi Dai Do, Yaar Ki Khabar, and Ladki Pasand). But if you're not then don't waste your time. I was thoroughly angry with Vijay Anand's violent and perverted direction.
Stick with Sholay.