Lady Gaga has been born a star but now, she’s transforming into DC comic book character Harley Quinn for “Joker: Folie à Deux.”
The Oscar and Grammy winner teased her upcoming role alongside fellow Academy Award winner Joaquin Phoenix in the sequel to 2019 Batman prequel “Joker.” As Phoenix reprises his titular role as Arthur Fleck Aka the Joker, Gaga will play Harley from the “Batman the Animated Series” origins, as a bit different from Margot Robbie’s version of the character.
“You know my version of Harley is mine and it’s very authentic to this movie and these characters,” Gaga told Access Hollywood. “I’ve never done anything like I’ve done in this movie before, so it’s all going to be completely brand new and really fun.”
Margot Robbie brought Harley to life first in “Suicide Squad,” followed by spinoff “Birds of Prey” and quasi-reboot “The Suicide Squad.
The Oscar and Grammy winner teased her upcoming role alongside fellow Academy Award winner Joaquin Phoenix in the sequel to 2019 Batman prequel “Joker.” As Phoenix reprises his titular role as Arthur Fleck Aka the Joker, Gaga will play Harley from the “Batman the Animated Series” origins, as a bit different from Margot Robbie’s version of the character.
“You know my version of Harley is mine and it’s very authentic to this movie and these characters,” Gaga told Access Hollywood. “I’ve never done anything like I’ve done in this movie before, so it’s all going to be completely brand new and really fun.”
Margot Robbie brought Harley to life first in “Suicide Squad,” followed by spinoff “Birds of Prey” and quasi-reboot “The Suicide Squad.
- 5/24/2024
- by Samantha Bergeson
- Indiewire
Agnès Jaoui gives a bravura performance in Sophie Fillière’s last film This Life Of Mine which was awarded a Coup de Coeur prize Photo: Courtesy of Cannes Directors’ Fortnight Before the announcement tomorrow of all the Cannes glittering prizes from the main Competition and Un Certain Regard, including the winner of the ultimate accolade the Palme d’Or, other announcements have been arriving thick and fast.
In the Directors’ Fortnight the late screenwriter and director Sophie Fillières was honoured for her seventh and final feature This Life Of Mine featuring a bravura performance from Agnès Jaoui as middle-aged woman facing up the realities of life after 55. The film, which progresses from comedy to tragedy, was named as France’s Writers’ Guild Favourite Prize or Coup de Coeur.
Simon Of The Mountain Anne Villacèque, président of the Sacd (La société des auteurs, described it as “a daring, delicate unpredictable film.
In the Directors’ Fortnight the late screenwriter and director Sophie Fillières was honoured for her seventh and final feature This Life Of Mine featuring a bravura performance from Agnès Jaoui as middle-aged woman facing up the realities of life after 55. The film, which progresses from comedy to tragedy, was named as France’s Writers’ Guild Favourite Prize or Coup de Coeur.
Simon Of The Mountain Anne Villacèque, président of the Sacd (La société des auteurs, described it as “a daring, delicate unpredictable film.
- 5/24/2024
- by Richard Mowe
- eyeforfilm.co.uk
The Megalopolis parties and debates last week generously fed Cannes’ appetite for media buzz. Fest-goers were reminded that Francis Coppola’s journey had been a thrill ride for those who witnessed it, invested in it or were impacted by its turmoil.
The auteur was trailed all week by fans and family, many having survived the melodramatic ordeals of One from the Heart, the operatic intrigues of Apocalypse Now and finally the utopian fever dream titled Megalopolis, which he financed by putting $120 million of his own money on the line.
All represented a defiant challenge to the pre-algorithmic definitions of risk and reward. But one long-term participant in the Coppola drama was a non-presence in Cannes last week — though he is receiving an honorary Palme d’Or on Saturday.
He’s George Lucas, the billionaire nerd from Modesto who in former years contributed a discipline and order to their company’s (Zoetrope) unruly landscape.
The auteur was trailed all week by fans and family, many having survived the melodramatic ordeals of One from the Heart, the operatic intrigues of Apocalypse Now and finally the utopian fever dream titled Megalopolis, which he financed by putting $120 million of his own money on the line.
All represented a defiant challenge to the pre-algorithmic definitions of risk and reward. But one long-term participant in the Coppola drama was a non-presence in Cannes last week — though he is receiving an honorary Palme d’Or on Saturday.
He’s George Lucas, the billionaire nerd from Modesto who in former years contributed a discipline and order to their company’s (Zoetrope) unruly landscape.
- 5/23/2024
- by Peter Bart
- Deadline Film + TV
Fred Roos, the Oscar-winning producer of The Godfather Part II and many other notable films, has died. He was 89.
Roos had a long relationship with Francis Ford Coppola, serving as producer or co-producer on many of the director’s best known films, including the second and third Godfather films (the second bringing him his Oscar), The Conversation, Apocalypse Now, One From The Heart and The Cotton Club.
Most recently, Roos served as executive producer of Coppola’s Megalopolis, which premiered this week at the Cannes festival.
Born in Santa Monica, Roos began his film career in the mailroom at talent agency McA.
Roos had a long relationship with Francis Ford Coppola, serving as producer or co-producer on many of the director’s best known films, including the second and third Godfather films (the second bringing him his Oscar), The Conversation, Apocalypse Now, One From The Heart and The Cotton Club.
Most recently, Roos served as executive producer of Coppola’s Megalopolis, which premiered this week at the Cannes festival.
Born in Santa Monica, Roos began his film career in the mailroom at talent agency McA.
- 5/21/2024
- ScreenDaily
Fred Roos, the longtime producing and casting collaborator of Francis Ford Coppola, has died at age 89.
Roos famously found Jack Nicholson and Harrison Ford, launching both actors’ respective careers, and even helped cast Carrie Fisher alongside Ford in “Star Wars.” He is credited for also boosting the careers of Kirsten Dunst, Diane Keaton, Laurence Fishburne, Frederic Forest, Diane Lane, Nicolas Cage, Richard Dreyfuss, Rob Lowe, Tom Cruise, Patrick Swayze, Emilio Estevez, Jennifer Connelly, Billy Bob Thorton, Marshall Bell, and more.
Roos later served as the casting director for Coppola’s “The Godfather,” leading auteur Coppola to deem Roos “one of the great casting talents in the last 40 years of American movies” in a 2004 interview with the Chicago Tribune.
Roos produced follow-up film “The Godfather: Part II,” “Apocalypse Now,” and Coppola’s recent “Megalopolis,” for which he also helped cast the star-studded ensemble. In 1974, both Roos and Coppola earned two Oscar...
Roos famously found Jack Nicholson and Harrison Ford, launching both actors’ respective careers, and even helped cast Carrie Fisher alongside Ford in “Star Wars.” He is credited for also boosting the careers of Kirsten Dunst, Diane Keaton, Laurence Fishburne, Frederic Forest, Diane Lane, Nicolas Cage, Richard Dreyfuss, Rob Lowe, Tom Cruise, Patrick Swayze, Emilio Estevez, Jennifer Connelly, Billy Bob Thorton, Marshall Bell, and more.
Roos later served as the casting director for Coppola’s “The Godfather,” leading auteur Coppola to deem Roos “one of the great casting talents in the last 40 years of American movies” in a 2004 interview with the Chicago Tribune.
Roos produced follow-up film “The Godfather: Part II,” “Apocalypse Now,” and Coppola’s recent “Megalopolis,” for which he also helped cast the star-studded ensemble. In 1974, both Roos and Coppola earned two Oscar...
- 5/21/2024
- by Samantha Bergeson
- Indiewire
Fred Roos, casting director for landmark films such as “American Graffiti” and who went on to have a close relationship with Francis Ford Coppola, including producing best picture winner “Godfather Part II” and “Apocalypse Now,” died Saturday in Beverly Hills. He was 89.
Roos was both casting director and executive producer on Coppola’s most recent film “Megalopolis” which premiered last week at the Cannes Film Festival. Last year, Coppola posted a photo of Roos with Adam Driver on Instagram and thanked him for his work on the long-gestating epic.
Roos was instrumental in helping stars including Tom Cruise, Jack Nicholson, Carrie Fisher and Richard Dreyfuss get their early notable roles.
His long collaboration with Coppola as producer or co-producer included “The Conversation,” “One From the Heart,” “The Outsiders,” “Rumble Fish,” “The Cotton Club,” “The Godfather Part III,” “Tetro,” “Youth Without Youth” and “Tucker: The Man and His Dream.”
Roos was not credited,...
Roos was both casting director and executive producer on Coppola’s most recent film “Megalopolis” which premiered last week at the Cannes Film Festival. Last year, Coppola posted a photo of Roos with Adam Driver on Instagram and thanked him for his work on the long-gestating epic.
Roos was instrumental in helping stars including Tom Cruise, Jack Nicholson, Carrie Fisher and Richard Dreyfuss get their early notable roles.
His long collaboration with Coppola as producer or co-producer included “The Conversation,” “One From the Heart,” “The Outsiders,” “Rumble Fish,” “The Cotton Club,” “The Godfather Part III,” “Tetro,” “Youth Without Youth” and “Tucker: The Man and His Dream.”
Roos was not credited,...
- 5/21/2024
- by Pat Saperstein
- Variety Film + TV
Fred Roos, the Oscar-winning The Godfather Part II producer and longtime executive producer for Francis Ford Coppola and Sofia Coppola, died Saturday in Beverly Hills at 89, four days shy of his 90th birthday.
The news about Roos, who won his Godfather Part II Oscar and later was nominated for Coppola’s Apocalypse Now, comes as Francis Ford Coppola is here at the Cannes Film Festival, 45 years after winning the Palme d’Or for Apocalypse Now. Coppola is in town with his $120 million passion project Megalopolis, which had its world premiere last week. Roos is billed as producer on Megalopolis.
The news also comes after Coppola’s wife of 61 years, Eleanor, died April 12. Roos was an executive producer on Hearts of Darkness, her famed documentary about the making of Apocalypse Now that won them both an Emmy in 1992.
Roos was Francis Coppola’s co-producer on The Conversation, The Godfather Part II and Apocalypse Now,...
The news about Roos, who won his Godfather Part II Oscar and later was nominated for Coppola’s Apocalypse Now, comes as Francis Ford Coppola is here at the Cannes Film Festival, 45 years after winning the Palme d’Or for Apocalypse Now. Coppola is in town with his $120 million passion project Megalopolis, which had its world premiere last week. Roos is billed as producer on Megalopolis.
The news also comes after Coppola’s wife of 61 years, Eleanor, died April 12. Roos was an executive producer on Hearts of Darkness, her famed documentary about the making of Apocalypse Now that won them both an Emmy in 1992.
Roos was Francis Coppola’s co-producer on The Conversation, The Godfather Part II and Apocalypse Now,...
- 5/21/2024
- by Anthony D'Alessandro
- Deadline Film + TV
“Chances are you’ve never heard of Preston Thomas Tucker; dreamer, inventor, visionary — a man ahead of his time.”
Chances are you’ve never heard of the movie made about him either. Like the car he had created in his name, it came and went in nearly the same breath. And yet, also like the car, the film’s legacy and staying power lies in the strength of its parts, as well as the personal passion put into it by its maker, Francis Ford Coppola. In fact, it’s hard not to watch his 1988 film “Tucker: The Man and His Dream” and discern a link between Coppola and the film’s eponymous character. Played by a still boyish Jeff Bridges with a glint in his eye and a manic energy that veers between zealous enthusiasm and fevered paranoia, Tucker is a man entwined with his dreams. Much like Coppola, he is driven by family,...
Chances are you’ve never heard of the movie made about him either. Like the car he had created in his name, it came and went in nearly the same breath. And yet, also like the car, the film’s legacy and staying power lies in the strength of its parts, as well as the personal passion put into it by its maker, Francis Ford Coppola. In fact, it’s hard not to watch his 1988 film “Tucker: The Man and His Dream” and discern a link between Coppola and the film’s eponymous character. Played by a still boyish Jeff Bridges with a glint in his eye and a manic energy that veers between zealous enthusiasm and fevered paranoia, Tucker is a man entwined with his dreams. Much like Coppola, he is driven by family,...
- 5/21/2024
- by Harrison Richlin
- Indiewire
Youth Without YouthImage: Sony Pictures Classics
Youth Without Youth, Tetro, Twixt—years could pass without us hearing the titles of these Francis Ford Coppola movies. These digitally-shot, classically-infused “late era” films excited, baffled, and irritated 21st century audiences in equal measure, but are too readily dismissed as a bad couple...
Youth Without Youth, Tetro, Twixt—years could pass without us hearing the titles of these Francis Ford Coppola movies. These digitally-shot, classically-infused “late era” films excited, baffled, and irritated 21st century audiences in equal measure, but are too readily dismissed as a bad couple...
- 5/20/2024
- by Rory Doherty
- avclub.com
Atlas Farted: Coppola’s Labor of Love a Lackluster Saga
While he’s one of the greatest film directors of all time, mostly thanks to a handful of films he delivered during the 1970s New American Cinema movement, Francis Ford Coppola’s long-gestating, wholly self-financed Megalopolis is an unfortunate dud rife with archaic tendencies and stillborn ideas. Out of touch in almost every conceivable way, it’s the riskiest endeavor of his career, which is saying something considering the innovative risks taken with some of his greatest achievements and formidable financial misfires.…...
While he’s one of the greatest film directors of all time, mostly thanks to a handful of films he delivered during the 1970s New American Cinema movement, Francis Ford Coppola’s long-gestating, wholly self-financed Megalopolis is an unfortunate dud rife with archaic tendencies and stillborn ideas. Out of touch in almost every conceivable way, it’s the riskiest endeavor of his career, which is saying something considering the innovative risks taken with some of his greatest achievements and formidable financial misfires.…...
- 5/16/2024
- by Nicholas Bell
- IONCINEMA.com
The character in Megalopolis played by Adam Driver with idealistic passion, Cesar Catilina, is a visionary genius intent on saving New York City by building a utopian future, dislodging the elite ruling class in the process. In many ways, Cesar’s mission, both noble and egomaniacal, seems a direct reflection of the dogged determination of Francis Ford Coppola to get this movie made at any cost. The “fable” could almost be an allegory for the pursuit of a dream in which an auteur can still make a monumental epic without compromise in a Hollywood that marginalizes art to focus purely on economics.
The first sparks of the idea came to Coppola in the early 1980s, and he’s been developing it on and off ever since — doing table reads with major-name actors, shooting 30 hours of second unit footage in Manhattan in 2001 and then almost abandoning the project six years later when funding proved elusive.
The first sparks of the idea came to Coppola in the early 1980s, and he’s been developing it on and off ever since — doing table reads with major-name actors, shooting 30 hours of second unit footage in Manhattan in 2001 and then almost abandoning the project six years later when funding proved elusive.
- 5/16/2024
- by David Rooney
- The Hollywood Reporter - Movie News
Aubrey Plaza first rose to stardom when she portrayed the role of April Ludgate in the renowned TV Series Parks and Recreation. Since then the actress never had to look, as she has gone on to work in some of the most successful films, leaving an indelible mark in the film industry. However, Plaza is not done with portraying iconic characters as she is set to be featured in Francis Ford Coppola’s upcoming passion project titled Megalopolis.
Adam Driver as Cesar Catilina in Megalopolis
The filmmaker has bet everything on the project, and the actress has broken her silence on Coppola’s vision was not believed by any major studio. Since none of the studios were ready to help the filmmaker in the production, he bet everything on the film. Moreover, they are over the rocky roads and how the film’s success would prove everyone wrong.
Aubrey Plaza...
Adam Driver as Cesar Catilina in Megalopolis
The filmmaker has bet everything on the project, and the actress has broken her silence on Coppola’s vision was not believed by any major studio. Since none of the studios were ready to help the filmmaker in the production, he bet everything on the film. Moreover, they are over the rocky roads and how the film’s success would prove everyone wrong.
Aubrey Plaza...
- 5/14/2024
- by Tushar Auddy
- FandomWire
When most cinephiles think of Francis Ford Coppola, they think of his miracle run in the 1970s. During that decade, he directed four films, all of them five-star masterpieces: The Godfather, The Conversation, The Godfather, Part II, and Apocalypse Now. Or they think of embarrassments from his for-hire period, including the Robin Williams weepy Jack. Yet those five films hardly encapsulate the entire career of Francis Ford Coppola, which will likely end with the upcoming Megalopolis. Instead the best indication of Coppola as an artist and filmmaker might be found in the most recent movies he’s made, with Coppola having released three self-produced and self-financed pictures every two years between 2007 and 2011: Youth Without Youth, Twixt, and Tetro.
Although they vary in quality, and none top his work from the ’70s, this independent trio captures the experimental and romantic heart that lies at the center of Coppola’s overall oeuvre.
Although they vary in quality, and none top his work from the ’70s, this independent trio captures the experimental and romantic heart that lies at the center of Coppola’s overall oeuvre.
- 5/14/2024
- by Joe George
- Den of Geek
The director has spent half his life and $120m of his own money to make his sci-fi epic. Just days ahead of its debut in Cannes, some of his crew members are questioning his methods
‘My greatest fear is to make a really shitty, embarrassing, pompous film on an important subject, and I am doing it,” Francis Ford Coppola said in 1978. “I will tell you right straight from the most sincere depths of my heart, the film will not be good.” The film was Apocalypse Now, and it was good, and the rest is history.
Part of that history has been Coppola’s reputation as an intrepid adventurer who was prepared to risk everything, to defy the studio suits, to go to the brink of ruin and madness, all for the sake of art. The making of Apocalypse Now cemented that legend – the epic scale, the jungle insanity, the heart attacks,...
‘My greatest fear is to make a really shitty, embarrassing, pompous film on an important subject, and I am doing it,” Francis Ford Coppola said in 1978. “I will tell you right straight from the most sincere depths of my heart, the film will not be good.” The film was Apocalypse Now, and it was good, and the rest is history.
Part of that history has been Coppola’s reputation as an intrepid adventurer who was prepared to risk everything, to defy the studio suits, to go to the brink of ruin and madness, all for the sake of art. The making of Apocalypse Now cemented that legend – the epic scale, the jungle insanity, the heart attacks,...
- 5/14/2024
- by Steve Rose
- The Guardian - Film News
When it comes to trilogies, the third one often ends up being the weakest of them all, and unfortunately, Francis Ford Coppola’s The Godfather 3 wasn’t immune to it. Released in 1990, 16 years after the sequel, the film failed to live up to the bar set by its predecessors, which are often regarded as some of the best the medium of cinema has to offer.
Moreover, due to salary disputes, the threequel didn’t see Robert Duvall’s Tom Hagen return, a character that was pivotal to Michael Corleone’s story in the first two entries. Later, when asked about his decision to stay out of the third one, Duvall had a pretty candid response.
Robert Duvall’s Absence From The Godfather III Boiled Down to Economics
A still from The Godfather | Paramount Pictures
It’s no secret that the main motivation behind reviving the franchise after over a decade was money.
Moreover, due to salary disputes, the threequel didn’t see Robert Duvall’s Tom Hagen return, a character that was pivotal to Michael Corleone’s story in the first two entries. Later, when asked about his decision to stay out of the third one, Duvall had a pretty candid response.
Robert Duvall’s Absence From The Godfather III Boiled Down to Economics
A still from The Godfather | Paramount Pictures
It’s no secret that the main motivation behind reviving the franchise after over a decade was money.
- 5/11/2024
- by Santanu Roy
- FandomWire
Back in 1981, Francis Ford Coppola risked everything with his musical One from the Heart to challenge the studios’ ways and revolutionize cinema. Unfortunately, it ended up being a box office disaster, which pushed him into a decade of financial turmoil. Moreover, its failure also led to Megalopolis, whose script he conceived around the same time period, being put on ice.
Since then, the legendary filmmaker has been working tirelessly to get his dream project greenlit, but the corporate heads at studios never gave it the get-go following its experimental nature. Fast forward to 2019, reports revealed that Coppola was self-financing the $120 million film and the teaser released for the sci-fi drama has left fans in awe, which rivals the likes of Interstellar and Dune.
Francis Ford Coppola’s Megalopolis Teaser Leaves Fans Enthralled
Francis Ford Coppola’s Megalopolis
Set to debut at the 77th Cannes Film Festival 2024, Francis Ford Coppola finally...
Since then, the legendary filmmaker has been working tirelessly to get his dream project greenlit, but the corporate heads at studios never gave it the get-go following its experimental nature. Fast forward to 2019, reports revealed that Coppola was self-financing the $120 million film and the teaser released for the sci-fi drama has left fans in awe, which rivals the likes of Interstellar and Dune.
Francis Ford Coppola’s Megalopolis Teaser Leaves Fans Enthralled
Francis Ford Coppola’s Megalopolis
Set to debut at the 77th Cannes Film Festival 2024, Francis Ford Coppola finally...
- 5/4/2024
- by Santanu Roy
- FandomWire
"Don't get involved in this, Mr. Caul." Don't get involved in what?! Who is after him?! Studiocanal UK has revealed a new re-release trailer for Francis Ford Coppola's The Conversation, for its 50th anniversary this year. The film initially opened in 1974 and premiered at the 1974 Cannes Film Festival, meaning he is back again premiering his newest film (Megalopolis) at Cannes 2024 a full 50 years later. "To mark the 50th anniversary of Francis Ford Coppola’s seminal neo-noir thriller, The Conversation, we are is thrilled to announce a brand-new 4K restoration of the film to UK cinemas on July 5th." This paranoia masterpiece stars Gene Hackman as sound surveillance expert Harry Caul, who hears something while taping a couple. A paranoid, secretive surveillance expert has a crisis of conscience when he suspects that the couple he is spying on will be murdered. The ensemble cast also includes John Cazale, Allen Garfield,...
- 5/2/2024
- by Alex Billington
- firstshowing.net
Francis Ford Coppola's miraculous 1970s run of "The Godfather," "The Conversation," "The Godfather Part II" and "Apocalypse Now" came crashing to a hubristic halt in 1982 when his backlot musical "One from the Heart," produced at his recently purchased Zoetrope Studios in the heart of Hollywood, bombed upon release. Poor reviews and audience indifference resulted in a paltry $637,000 gross against a $26 million budget, thus killing his dream of an artist-driven mini-community.
The magnitude of the film's failure meant Coppola would have to lower his sights for the time being, and make films with more straightforward commercial appeal as a means of paying off his debts. It was a shockingly precipitous fall, one that left his many admirers worried that he'd become more of a paycheck-to-paycheck director. This happened eventually, but for a time he was able to stoke his creative fire even if he was making movies that weren't as...
The magnitude of the film's failure meant Coppola would have to lower his sights for the time being, and make films with more straightforward commercial appeal as a means of paying off his debts. It was a shockingly precipitous fall, one that left his many admirers worried that he'd become more of a paycheck-to-paycheck director. This happened eventually, but for a time he was able to stoke his creative fire even if he was making movies that weren't as...
- 4/28/2024
- by Jeremy Smith
- Slash Film
Francis Ford Coppola is one of the most revered directors in Hollywood. He enjoyed tremendous success with the Godfather franchise, even if the third and final installment polarized the fans. Regardless, the filmmaker won critical acclaim, and it engraved his name in the annals of cinema history.
Coppola can be credited for adapting the book for the big screen so flawlessly, with each role carefully chosen. However, the production for the third film was mired in problems, accentuated by the fact that Robert Duvall refused to return to complete the trilogy.
Duvall refused to return for the final film (Source: The Godfather)
Why did Robert Duvall turn down Francis Ford Coppola’s The Godfather 3?
Francis Ford Coppola established himself as an esteemed director quite early on in his career. He put together an incredible lineup that brought Mario Puzo’s novel to life, with Al Pacino and Marlon Brando leading the cast.
Coppola can be credited for adapting the book for the big screen so flawlessly, with each role carefully chosen. However, the production for the third film was mired in problems, accentuated by the fact that Robert Duvall refused to return to complete the trilogy.
Duvall refused to return for the final film (Source: The Godfather)
Why did Robert Duvall turn down Francis Ford Coppola’s The Godfather 3?
Francis Ford Coppola established himself as an esteemed director quite early on in his career. He put together an incredible lineup that brought Mario Puzo’s novel to life, with Al Pacino and Marlon Brando leading the cast.
- 4/20/2024
- by Sreshtha Roychowdhury
- FandomWire
Two years after he leapt to the forefront of the New Hollywood with The Godfather, and just months before he picked up the threads of that operatic crime saga with the magnificent sequel/prequel The Godfather Part II, Francis Ford Coppola released a quiet movie, one in which sound itself — and, more specifically, its surreptitious recording — is the narrative engine. Arriving during a particularly fertile era for American film, The Conversation was not a hit, but it is one of the period’s most subtle and shattering features. Half a century later, it resounds as hauntingly as ever, not merely as a cautionary tale but as a searing portrait of where we are now.
The movie took its New York bow on Coppola’s 35th birthday, April 7, 1974, a few weeks before its Palme d’Or triumph in Cannes. Today the octogenarian writer-director is again preparing to compete on the Croisette,...
The movie took its New York bow on Coppola’s 35th birthday, April 7, 1974, a few weeks before its Palme d’Or triumph in Cannes. Today the octogenarian writer-director is again preparing to compete on the Croisette,...
- 4/17/2024
- by Sheri Linden
- The Hollywood Reporter - Movie News
Following the success of the mighty 70mm celluloid in Oppenheimer and Dune Part Two, IMAX CEO confirms that Joker 2 (“Joker: Folie à Deux”) will also be screened in 70mm theaters. However, it was shot digitally on the Arri Alexa 65.
A screenshot from the trailer of Joker 2 (Joker: Folie à Deux)
Yes, we are going to present Joker 2 in IMAX 70mm.
IMAX CEO – Richard Gelfond Joker: Folie à Deux’s trailer broke the internet
Joker: Folie à Deux (which means “Madness for Two” in French) is an upcoming American musical thriller film directed by Todd Phillips, who also co-wrote the screenplay with Scott Silver. Based on DC Comics characters, the film is the sequel to Joker (2019) and stars Joaquin Phoenix, reprising his role as the Joker, and Lady Gaga as Harley Quinn. It is produced by Warner Bros. Principal photography began on December 10, 2022, led by Dp Lawrence Sher...
A screenshot from the trailer of Joker 2 (Joker: Folie à Deux)
Yes, we are going to present Joker 2 in IMAX 70mm.
IMAX CEO – Richard Gelfond Joker: Folie à Deux’s trailer broke the internet
Joker: Folie à Deux (which means “Madness for Two” in French) is an upcoming American musical thriller film directed by Todd Phillips, who also co-wrote the screenplay with Scott Silver. Based on DC Comics characters, the film is the sequel to Joker (2019) and stars Joaquin Phoenix, reprising his role as the Joker, and Lady Gaga as Harley Quinn. It is produced by Warner Bros. Principal photography began on December 10, 2022, led by Dp Lawrence Sher...
- 4/15/2024
- by Yossy Mendelovich
- YMCinema
“How do we learn how much we love what we have? We can learn that by saying we’re going to lose it,” said Thomas Vinterberg, director of “Families Like Ours,” one of the scripted standouts at MipTV. He was talking about Denmark, evacuated in the series. But the same could be said of delegates at this MipTV.
As the final edition ever rounded its final straits on Wednesday, there was a rush of nostalgia, building in prior days, for an event which had become a fixture in many executives lives down the decades, and had served a business purpose.
“MipTV has always been a very important market for us in the last 25 years. We’ve launched there the new spring series. It is sad that they are moving to London,” lamented Helene Auro at Denmark’s REinvent.
“It’s a pity that MipTV ends. It has a long history,...
As the final edition ever rounded its final straits on Wednesday, there was a rush of nostalgia, building in prior days, for an event which had become a fixture in many executives lives down the decades, and had served a business purpose.
“MipTV has always been a very important market for us in the last 25 years. We’ve launched there the new spring series. It is sad that they are moving to London,” lamented Helene Auro at Denmark’s REinvent.
“It’s a pity that MipTV ends. It has a long history,...
- 4/10/2024
- by John Hopewell, Elsa Keslassy, Annika Pham, K.J. Yossman and Leo Barraclough
- Variety Film + TV
All’s mad in love, war, and supervillainery.
Oscar winners Joaquin Phoenix and Lady Gaga go toe-to-toe as twisted lovers in “Joker: Folie à Deux,” the sequel to 2019 Batman prequel “Joker” which won Phoenix the Best Actor Academy Award. Gaga takes on the role of Harley Quinn, with Phoenix reprising his titular role as Arthur Fleck.
“Joker: Folie à Deux” is helmed by returning director Todd Phillips. The film, which has musical elements á la Francis Ford Coppola’s “One From the Heart,” centers around Arkham Asylum and its inhabitants. Gaga portrays the “Batman the Animated Series” origins for Harley Quinn, starting out as a psychiatrist who treats Phoenix’s Fleck. The cast includes returning “Joker” star Zazie Beetz, “Banshees of Inisherin” Oscar nominee Brendan Gleeson, Catherine Keener, Jacob Lofland, “Industry” breakout Harry Lawtey, and more.
Phillips speaking at CinemaCon clarified whether or not the film is a musical: “It’s funny,...
Oscar winners Joaquin Phoenix and Lady Gaga go toe-to-toe as twisted lovers in “Joker: Folie à Deux,” the sequel to 2019 Batman prequel “Joker” which won Phoenix the Best Actor Academy Award. Gaga takes on the role of Harley Quinn, with Phoenix reprising his titular role as Arthur Fleck.
“Joker: Folie à Deux” is helmed by returning director Todd Phillips. The film, which has musical elements á la Francis Ford Coppola’s “One From the Heart,” centers around Arkham Asylum and its inhabitants. Gaga portrays the “Batman the Animated Series” origins for Harley Quinn, starting out as a psychiatrist who treats Phoenix’s Fleck. The cast includes returning “Joker” star Zazie Beetz, “Banshees of Inisherin” Oscar nominee Brendan Gleeson, Catherine Keener, Jacob Lofland, “Industry” breakout Harry Lawtey, and more.
Phillips speaking at CinemaCon clarified whether or not the film is a musical: “It’s funny,...
- 4/10/2024
- by Samantha Bergeson
- Indiewire
Writer/director/producer/composer and vintner Francis Ford Coppola has spent over five decades making movies, becoming a cultural force that few else have proven to be in our lifetimes. His film career has been filled with peaks and valleys, and from making several of the greatest films ever made to flops that have bankrupted him (“One From the Heart”), Coppola has never been hesitant about swinging for the fences in his film projects.
Along the way, Coppola has received 14 Academy Award nominations, winning five Oscars. He is only one of six individuals who have won Oscars for producing, directing and screenplay. Coppola has also been nominated for 16 Golden Globe Awards, winning three. Quite a haul.
His next film, “Megalopolis,” focuses on an architect who has been asked to rebuild New York City after a colossal disaster nearly destroys it, and Coppola plans it to be a film set on an epic scale.
Along the way, Coppola has received 14 Academy Award nominations, winning five Oscars. He is only one of six individuals who have won Oscars for producing, directing and screenplay. Coppola has also been nominated for 16 Golden Globe Awards, winning three. Quite a haul.
His next film, “Megalopolis,” focuses on an architect who has been asked to rebuild New York City after a colossal disaster nearly destroys it, and Coppola plans it to be a film set on an epic scale.
- 3/30/2024
- by Tom O'Brien, Zach Laws and Chris Beachum
- Gold Derby
“Dahomey,” the Berlinale Golden Bear-winning film helmed by French-Senegalese director Mati Diop, has been sold to a raft of international territories by Les Films du Losange.
Along with being acquired by Mubi in key markets, “Dahomey” has been acquired in Australia & New Zealand (Rialto), China (Hugoeast), Spain (Filmin), Portugal (Nitrato Filmes), Greece (One From the Heart), Scandinavia (NonStop Entertainement), Benelux (Cinéart), Bulgaria (Beta Films), Ex-Yugoslavia (Discovery), Hungary (Mozinet), Czech Republic (Film Europe), Romania (Voodoo), Baltic Countries (Taip Toliau), Poland (New Horizons), Ukraine (Kyivmusicfilm), Taiwan (Joint Entertainment), Indonesia (Pt Falcon) and Sudu Connexion in Africa.
“Dahomey” was previously acquired by Mubi for North America, Latin America, U.K., Italy, Germany, Austria, Switzerland, India and Turkey. Les Films du Losange is currently negotiating more international sales deals and will distribute the film in theaters in France.
Weaving fantasy and documentary, “Dahomey” explores the issue of colonization through the story of precious...
Along with being acquired by Mubi in key markets, “Dahomey” has been acquired in Australia & New Zealand (Rialto), China (Hugoeast), Spain (Filmin), Portugal (Nitrato Filmes), Greece (One From the Heart), Scandinavia (NonStop Entertainement), Benelux (Cinéart), Bulgaria (Beta Films), Ex-Yugoslavia (Discovery), Hungary (Mozinet), Czech Republic (Film Europe), Romania (Voodoo), Baltic Countries (Taip Toliau), Poland (New Horizons), Ukraine (Kyivmusicfilm), Taiwan (Joint Entertainment), Indonesia (Pt Falcon) and Sudu Connexion in Africa.
“Dahomey” was previously acquired by Mubi for North America, Latin America, U.K., Italy, Germany, Austria, Switzerland, India and Turkey. Les Films du Losange is currently negotiating more international sales deals and will distribute the film in theaters in France.
Weaving fantasy and documentary, “Dahomey” explores the issue of colonization through the story of precious...
- 3/26/2024
- by Elsa Keslassy
- Variety Film + TV
Memento International has closed a raft of deals on “Fremont,” a critically acclaimed film starring Anaita Wali Zada, an Afghan refugee and first-time actor, and featuring “The Bear” actor Jeremy Allen White.
Directed by BAFTA-nominated Iranian-born director Babak Jalali, the black-and-white movie tells the story of Donya, a young woman working at a Chinese fortune cookie factory in the San Francisco bay. Formerly a translator for the U.S. military in Afghanistan, she struggles to put her life back in order. In a moment of sudden revelation, she decides to send out a special message in a cookie. Following its Sundance premiere, the film was acquired by Music Box for North America in a deal negotiated by CAA.
Memento International has just struck deals for the movie in Australia and New Zealand (Mushroom Studios), Eastern Europe (HBO), Spain (Madfer Films), Italy (Wanted), Greece (One From the Heart), Czech Republic (Aerofilms...
Directed by BAFTA-nominated Iranian-born director Babak Jalali, the black-and-white movie tells the story of Donya, a young woman working at a Chinese fortune cookie factory in the San Francisco bay. Formerly a translator for the U.S. military in Afghanistan, she struggles to put her life back in order. In a moment of sudden revelation, she decides to send out a special message in a cookie. Following its Sundance premiere, the film was acquired by Music Box for North America in a deal negotiated by CAA.
Memento International has just struck deals for the movie in Australia and New Zealand (Mushroom Studios), Eastern Europe (HBO), Spain (Madfer Films), Italy (Wanted), Greece (One From the Heart), Czech Republic (Aerofilms...
- 3/14/2024
- by Elsa Keslassy
- Variety Film + TV
Sofia Coppola's Priscilla is now showing exclusively on Mubi in many countries.Priscilla.Sofia Coppola’s Priscilla (2023) is deceptively soft to the touch. In adapting Priscilla Presley’s 1985 Elvis and Me memoir, the filmmaker brings an astonishing life story to the big screen, but also all of the beautiful, enviable objects that line the cage of celebrity. From luxurious Cadillacs to a lush array of sparkly designer dresses, accessorized with equally shiny handguns, these markers of luxury hum with palpable allure. At the same time, a sense of foreboding looms large. The opening shot lingers on the perfectly manicured feet of Cailee Spaeny’s Priscilla as they gingerly step across a shaggy, coral-pink rug. The seductive, tactile tableau conjures pleasure and comfort, yet it also foreshadows how Priscilla will sink further and further into a gilded sepulcher throughout her turbulent relationship with Elvis, embodied here by Jacob Elordi. Celebrated...
- 2/29/2024
- MUBI
Where 2019’s Joker roughly cost $60m, the budget for the villainous sequel Joker: Folie à Deux is said to have ballooned to $200m.
One of the riskier-sounding comic book movies on the horizon is Todd Phillips’ Joker: Folie à Deux, a sequel to his unexpectedly huge 2019 success, Joker.
Due for release in October, the film will continue the story of failed comedian and burgeoning criminal mastermind Arthur Fleck, who this time will be joined by Lady Gaga as Harley Quinn. Joker: Folie à Deux is said to be a musical, which could make for a left-field creative choice if the film continues the same vein of withering violence seen in the first.
The other risk Warner Bros has reportedly taken, though, is with its budget. Where the first film cost somewhere in the region of $55-70m – a relatively lean sum for a movie based on a DC comic – the...
One of the riskier-sounding comic book movies on the horizon is Todd Phillips’ Joker: Folie à Deux, a sequel to his unexpectedly huge 2019 success, Joker.
Due for release in October, the film will continue the story of failed comedian and burgeoning criminal mastermind Arthur Fleck, who this time will be joined by Lady Gaga as Harley Quinn. Joker: Folie à Deux is said to be a musical, which could make for a left-field creative choice if the film continues the same vein of withering violence seen in the first.
The other risk Warner Bros has reportedly taken, though, is with its budget. Where the first film cost somewhere in the region of $55-70m – a relatively lean sum for a movie based on a DC comic – the...
- 2/22/2024
- by Ryan Lambie
- Film Stories
In his last dramatic and interminable years, Michael Cimino spent his days in solitude rewatching old movies in the Bel-Air mansion he bought during his heyday. On the rare occasions that he ventured out, he drove a Rolls-Royce he acquired while making The Deer Hunter in 1978, his chauffeur having left long ago, as well as his success.
Even in those final moments, he did everything he could to show a winning image to Hollywood, a town that had ostracized him ever since the colossal Heaven’s Gate fiasco that had bankrupted United Artists during the early ’80s. He had a perpetually ironic, scornful smile, but he was the first to know how pointless, even miserable, that act was. The only thing he had left from his triumphant years was some money, and he would show up at the hangouts of movers and shakers like the Polo Lounge, where he often ended...
Even in those final moments, he did everything he could to show a winning image to Hollywood, a town that had ostracized him ever since the colossal Heaven’s Gate fiasco that had bankrupted United Artists during the early ’80s. He had a perpetually ironic, scornful smile, but he was the first to know how pointless, even miserable, that act was. The only thing he had left from his triumphant years was some money, and he would show up at the hangouts of movers and shakers like the Polo Lounge, where he often ended...
- 2/17/2024
- by Antonio Monda
- The Hollywood Reporter - Movie News
Paramount’s Bob Marley: One Love leads the UK and Ireland box office releases this weekend with 687 locations while Sony’s Madame Web has 572.
The Jamaican musician’s biopic is among 2024’s biggest releases in the UK and Ireland so far, eclipsing the distributor’s January release of Mean Girls which opened in 647 venues. Event cinema release Dear England still holds the overall record after releasing in 716 UK venues through National Theatre Live.
Bob Marley: One Life is directed by Reinaldo Marcus Green and stars Kingsley Ben-Adir as the Reggae icon, exploring his rise to fame and eventual death in...
The Jamaican musician’s biopic is among 2024’s biggest releases in the UK and Ireland so far, eclipsing the distributor’s January release of Mean Girls which opened in 647 venues. Event cinema release Dear England still holds the overall record after releasing in 716 UK venues through National Theatre Live.
Bob Marley: One Life is directed by Reinaldo Marcus Green and stars Kingsley Ben-Adir as the Reggae icon, exploring his rise to fame and eventual death in...
- 2/16/2024
- ScreenDaily
In a stylised, almost dreamlike Vegas, a jaded couple’s escapist infidelities can’t deny their essential love’s gravitational pull in this tender throwback to a golden age romantic drama
Actually, it was from the head as much as anything: a movie that arose from Francis Coppola’s shrewd, professional calculation that he could create and control an entire old-fashioned Hollywood romantic drama from his own studio, Zoetrope. The result was a lavish production which was very ambitious, hubristically or perhaps even ruinously so. But at the same time it looks oddly small scale, emotionally parochial and essentially monogamous – certainly a downshift from the colossal sweep of Apocalypse Now or The Godfather.
With its re-release now after more than 40 years, with six minutes added, One From the Heart reveals itself as a minor Coppola, but it is certainly a heartfelt romance-fantasia with charm and often a kind of goofy...
Actually, it was from the head as much as anything: a movie that arose from Francis Coppola’s shrewd, professional calculation that he could create and control an entire old-fashioned Hollywood romantic drama from his own studio, Zoetrope. The result was a lavish production which was very ambitious, hubristically or perhaps even ruinously so. But at the same time it looks oddly small scale, emotionally parochial and essentially monogamous – certainly a downshift from the colossal sweep of Apocalypse Now or The Godfather.
With its re-release now after more than 40 years, with six minutes added, One From the Heart reveals itself as a minor Coppola, but it is certainly a heartfelt romance-fantasia with charm and often a kind of goofy...
- 2/14/2024
- by Peter Bradshaw
- The Guardian - Film News
Get in touch to send in cinephile news and discoveries. For regular updates, sign up for our weekly email newsletter and follow us @NotebookMUBI.NEWSEvil Does Not Exist.We are saddened to learn that Issue 97 will be Cinema Scope’s last in its current form. To “do something valuable in this field,” editor and publisher Mark Peranson writes, “one needs creative freedom.” This is exactly what, for twenty-five years and just under 100 issues, Cinema Scope was able to provide, offering a space that allowed, per Peranson, “a certain kind of filmmaker’s work to be treated with the intellect and respect they deserve.” The print issue is on its way to subscribers now, and its entire contents—including interviews with Ryusuke Hamaguchi, Rodrigo Moreno, and Alex Ross Perry—can also be read online.Sandra Milo has died at the age of 90. She starred in Federico Fellini’s 8½ (1963) and Juliet of the Spirits...
- 1/31/2024
- MUBI
"Love is for suckers." Studiocanal UK has revealed an official trailer for a re-release of the 1982 film titled One from the Heart, Francis Ford Coppola's follow up to Apocalypse Now. One from the Heart: Reprise is a spectacular 4K restoration and reimagining of the 1982 cult classic – six minutes of footage were added to replace the original negative, previously thought to be destroyed, resulting in this brand-new "Reprise" version, approved by Coppola himself. The film tells the story of a Las Vegas couple (Teri Garr & Frederic Forrest) whose break-up on the 4th of July leads them both to a night on the strip in pursuit of romantic fantasies (Raul Julia & Nastassja Kinski). But in this town of gamblers and dreamers should they bet it all on dreams, or give true love another roll of the dice? "Featuring breathtaking design, show-stopping set pieces, the stunning photography of Vittorio Storaro and accompanied...
- 1/24/2024
- by Alex Billington
- firstshowing.net
Talk to any true Francis Ford Coppola fan and it’ll take inside three minutes until they sing praises of One from the Heart, a film whose oddity and majesty is mirrored by its troubles: shot with the man’s own money on a post-Apocalypse jolt of creative energy, it caused such immense financial precarity that the next fifteen-or-so years were spent, in part, recouping what it took. (And hobbling ambitions to make Megalopolis in the process.) Its specter in his legacy is such that even fans who’d likely prefer it go untouched might understand why a recut-happy Coppola would next set his sights on the 1982 musical, which has been reshaped into One from the Heart: Reprise, now on a nationwide tour ahead of a (U.K.) 4K release arriving March 4.
During which time there’s a new trailer––not spelling-out any revisions but showing the extent of American...
During which time there’s a new trailer––not spelling-out any revisions but showing the extent of American...
- 1/22/2024
- by Nick Newman
- The Film Stage
Francis Ford Coppola adds a further six minutes, as One From The Heart Reprise is set to land on 4K Ultra HD Blu-ray in March.
While he puts together his pretty much self-funded $100m+ passion project Megaolopolis, Francis Ford Coppola is also continuing to tune some of his older movies. This time? It’s One From The Heart that he’s reworked, with a new edition of the film going by the name One From The Heart Reprise.
The movie dates back to 1982, and is a musical comedy drama that was heavily billed as from the director of The Godfather I & II and Apocalypse Now. The film being advertised was nothing like those though. It was headlined by Frederic Forrest, Teri Garr, Raul Julia, Nastassja Kinski, Lainie Kazan and Harry Dean Stanton, and it fell hard at the box office.
Costing $26m and with Coppola relying on independent funding to get it made,...
While he puts together his pretty much self-funded $100m+ passion project Megaolopolis, Francis Ford Coppola is also continuing to tune some of his older movies. This time? It’s One From The Heart that he’s reworked, with a new edition of the film going by the name One From The Heart Reprise.
The movie dates back to 1982, and is a musical comedy drama that was heavily billed as from the director of The Godfather I & II and Apocalypse Now. The film being advertised was nothing like those though. It was headlined by Frederic Forrest, Teri Garr, Raul Julia, Nastassja Kinski, Lainie Kazan and Harry Dean Stanton, and it fell hard at the box office.
Costing $26m and with Coppola relying on independent funding to get it made,...
- 1/22/2024
- by Simon Brew
- Film Stories
Francis Ford Coppola's 1982 musical "One from the Heart" opens with the rattle of a roulette pill over a black screen. The shouts and dings and hopes and hopes and lamentations of the casino are nowhere to be heard. It's just that damn ball clattering across that spinning wheel, daring bettors to pick a number and a color. When the rotation slows and the pill finds its slot, the red-light logo of Zoetrope Studios cuts through the dark of the theater.
Coppola's wager? Everything. He'd pushed all-in on the outsized dream of an artist-controlled movie studio nestled in the heart of Hollywood. Everyone who bought a ticket to see the film on opening day knew that the most celebrated filmmaker of the 1970s had risked it all to revolutionize an exclusionary industry. He wanted every craftsperson of every creed/color/class to soar as far as their talent would take them,...
Coppola's wager? Everything. He'd pushed all-in on the outsized dream of an artist-controlled movie studio nestled in the heart of Hollywood. Everyone who bought a ticket to see the film on opening day knew that the most celebrated filmmaker of the 1970s had risked it all to revolutionize an exclusionary industry. He wanted every craftsperson of every creed/color/class to soar as far as their talent would take them,...
- 1/21/2024
- by Jeremy Smith
- Slash Film
Francis Ford Coppola has been thinking about utopia his whole career. His upcoming, self-financed epic Megalopolis is about just that. But his first experiment with utopia climaxed in 1980 with the creation of Zoetrope Studios, which he imagined would be its own top-to-bottom, all-encompassing, soul-enriching creative ecosystem free of Hollywood dysfunction. Its initial project was to be the hugely ambitious musical romantic drama One From the Heart, starring Teri Garr, Frederic Forrest and Raul Julia. The 1981 film may have bombed at the box office, but the story of its creation is far brighter, revealing how Coppola’s cast and crew came to believe in his grand vision, and helped him overcome financial disaster. As a new director’s cut of the film comes to New York’s IFC Center on Jan. 19 and L.A.’s Cinemathèque on Jan. 26, the following excerpt from Sam Wasson’s new book The Path to Paradise:...
- 1/19/2024
- by Sam Wasson
- The Hollywood Reporter - Movie News
NYC Weekend Watch is our weekly round-up of repertory offerings.
IFC Center
Francis Ford Coppola’s latest recut, One from the Heart: Reprise, begins a run; Ken Russell’s Whore, Saw III, Die Hard with a Vengeance, Donnie Darko, and Spongebob Squarepants have late showings.
Roxy Cinema
A Ryan O’Neal retrospective brings Barry Lyndon and Tough Guys Don’t Dance on 35mm, while Peter Bogdanovich’s cut of Nickelodeon also screens.
Museum of Modern Art
One of the year’s great series, “To Save and Project,” continues.
Film Forum
I Heard It Through the Grapevine and Artie Shaw: Time Is All You Got begin runs, the former bringing with it a three-film program and I Am Not Your Negro; The Third Man continues a 75th-anniversary 35mm engagement; Sounder plays on Sunday.
Anthology Film Archives
Films by Skip Norman play through the weekend; Eisenstein’s Old and New plays on Saturday.
IFC Center
Francis Ford Coppola’s latest recut, One from the Heart: Reprise, begins a run; Ken Russell’s Whore, Saw III, Die Hard with a Vengeance, Donnie Darko, and Spongebob Squarepants have late showings.
Roxy Cinema
A Ryan O’Neal retrospective brings Barry Lyndon and Tough Guys Don’t Dance on 35mm, while Peter Bogdanovich’s cut of Nickelodeon also screens.
Museum of Modern Art
One of the year’s great series, “To Save and Project,” continues.
Film Forum
I Heard It Through the Grapevine and Artie Shaw: Time Is All You Got begin runs, the former bringing with it a three-film program and I Am Not Your Negro; The Third Man continues a 75th-anniversary 35mm engagement; Sounder plays on Sunday.
Anthology Film Archives
Films by Skip Norman play through the weekend; Eisenstein’s Old and New plays on Saturday.
- 1/18/2024
- by Nick Newman
- The Film Stage
Writer-director Nathan Silver is harnessing a crisis of faith for his irreverent comedy “Between the Temples,” debuting at the 2024 Sundance Film Festival.
Silver, who has written and directed nine feature films and has had projects premiere at NYFF, Venice, Tribeca, AFI, Locarno, and Rotterdam, is making his Sundance debut with the feature. Silver was previously rejected by Sundance many times before “Between the Temples” landed in the U.S. Dramatic Competition programming lineup, his first time competing at the festival. “Between the Temples” is also among IndieWire’s must-see films at this year’s festival.
In “Between the Temples,” a cantor (Jason Schwartzman) in a crisis of faith finds his world turned upside down when his grade school music teacher reenters his life as his new adult bat mitzvah student (Carol Kane).
Robert Smigel, Annie Hamilton, Madeline Weinstein, and “Triangle of Sadness” alum Dolly de Leon also star.
“Between the Temples...
Silver, who has written and directed nine feature films and has had projects premiere at NYFF, Venice, Tribeca, AFI, Locarno, and Rotterdam, is making his Sundance debut with the feature. Silver was previously rejected by Sundance many times before “Between the Temples” landed in the U.S. Dramatic Competition programming lineup, his first time competing at the festival. “Between the Temples” is also among IndieWire’s must-see films at this year’s festival.
In “Between the Temples,” a cantor (Jason Schwartzman) in a crisis of faith finds his world turned upside down when his grade school music teacher reenters his life as his new adult bat mitzvah student (Carol Kane).
Robert Smigel, Annie Hamilton, Madeline Weinstein, and “Triangle of Sadness” alum Dolly de Leon also star.
“Between the Temples...
- 1/16/2024
- by Samantha Bergeson
- Indiewire
April Ferry, the Oscar-nominated and Emmy-winning costume designer known for her work on Big Trouble in Little China, Maverick, Rome and Game of Thrones, died Thursday, the Costume Designers Guild announced. She was 91.
Ferry, who graduated to costume designer on Lawrence Kasdan’s The Big Chill (1983), collaborated with John Hughes on Planes, Trains & Automobiles (1987), She’s Having a Baby (1988) and Flubber (1997) and with Jonathan Mostow on U-571 (2000), Terminator 3: Rise of the Machines (2003) and Surrogates (2009).
She received her Academy Award nom for Richard Donner’s reimagining of Maverick (1994) — she lost out to Lizzy Gardiner and Tim Chappel of The Adventures of Priscilla, Queen of the Desert on Oscar night — and won her Emmy in 2006 for HBO’s Rome.
Her résumé also included Made in Heaven (1987), Child’s Play (1988), The Babe (1992), Donner’s Radio Flyer (1992), Unlawful Entry (1992), Free Willy (1993), Beethoven’s 2nd (1993), Little Giants (1994), Donnie Darko (2001), Elysium (2013), RoboCop (2014) and Jurassic World (2015).
In 2014, she...
Ferry, who graduated to costume designer on Lawrence Kasdan’s The Big Chill (1983), collaborated with John Hughes on Planes, Trains & Automobiles (1987), She’s Having a Baby (1988) and Flubber (1997) and with Jonathan Mostow on U-571 (2000), Terminator 3: Rise of the Machines (2003) and Surrogates (2009).
She received her Academy Award nom for Richard Donner’s reimagining of Maverick (1994) — she lost out to Lizzy Gardiner and Tim Chappel of The Adventures of Priscilla, Queen of the Desert on Oscar night — and won her Emmy in 2006 for HBO’s Rome.
Her résumé also included Made in Heaven (1987), Child’s Play (1988), The Babe (1992), Donner’s Radio Flyer (1992), Unlawful Entry (1992), Free Willy (1993), Beethoven’s 2nd (1993), Little Giants (1994), Donnie Darko (2001), Elysium (2013), RoboCop (2014) and Jurassic World (2015).
In 2014, she...
- 1/12/2024
- by Mike Barnes
- The Hollywood Reporter - Movie News
Welcome to 2024! This, our first column of the new year, follows Oppenheimer, and Lots of Late Gift Ideas”>our December 2023 piece by offering more 2023 releases that deserve your time and attention.
Spielberg: The First Ten Years by Laurent Bouzereau (Insight Editions) and Steven Spielberg: All the Films by Olivier Bousquet, Arnaud Devillard, and Nicolas Schaller (Black Dog & Leventhal Publishers)
I am not sure what Steven Spielberg obsessives like myself did to earn two lengthy, photo-backed, hardcover career appreciations, but I’m not complaining. Steven Spielberg: All the Films runs for nearly 500 pages and covers literally everything, from the director’s contributions to Rod Serling’s Night Gallery to The Fabelmans. Along the way are some unique insights, surprising facts (Leonardo DiCaprio was approached to play Tintin?), and the inclusion of some of his 1980s television work. And Spielberg: The First Ten Years is just as engaging, and even more in-depth.
Spielberg: The First Ten Years by Laurent Bouzereau (Insight Editions) and Steven Spielberg: All the Films by Olivier Bousquet, Arnaud Devillard, and Nicolas Schaller (Black Dog & Leventhal Publishers)
I am not sure what Steven Spielberg obsessives like myself did to earn two lengthy, photo-backed, hardcover career appreciations, but I’m not complaining. Steven Spielberg: All the Films runs for nearly 500 pages and covers literally everything, from the director’s contributions to Rod Serling’s Night Gallery to The Fabelmans. Along the way are some unique insights, surprising facts (Leonardo DiCaprio was approached to play Tintin?), and the inclusion of some of his 1980s television work. And Spielberg: The First Ten Years is just as engaging, and even more in-depth.
- 1/2/2024
- by Christopher Schobert
- The Film Stage
Francis Ford Coppola’s “One From the Heart: Reprise” is getting a restored re-release.
The 1982 film, which follows a couple in Las Vegas, landed a “Reprise” cut with more than 19 minutes of additional footage in September 2023, debuting at the Venice Film Festival. Overseen by Coppola, the 4K restoration of the “Reprise” cut comes courtesy of distributor Rialto Pictures, which will release the film in select theaters on January 19.
“I’ve always loved ‘One from the Heart,’ despite the disruption it caused in my dreams for American Zoetrope,” Coppola said. “However, there is magic in cinema and while preparing this film for 4K, it was apparent I could refine the story. This new version is an improvement in many ways and I am proud of what was achieved with ‘One from the Heart: Reprise.'”
“One From the Heart” centers on Hank (Frederic Forrest} and Frannie (Teri Garr) who break up on their fifth anniversary.
The 1982 film, which follows a couple in Las Vegas, landed a “Reprise” cut with more than 19 minutes of additional footage in September 2023, debuting at the Venice Film Festival. Overseen by Coppola, the 4K restoration of the “Reprise” cut comes courtesy of distributor Rialto Pictures, which will release the film in select theaters on January 19.
“I’ve always loved ‘One from the Heart,’ despite the disruption it caused in my dreams for American Zoetrope,” Coppola said. “However, there is magic in cinema and while preparing this film for 4K, it was apparent I could refine the story. This new version is an improvement in many ways and I am proud of what was achieved with ‘One from the Heart: Reprise.'”
“One From the Heart” centers on Hank (Frederic Forrest} and Frannie (Teri Garr) who break up on their fifth anniversary.
- 12/15/2023
- by Samantha Bergeson
- Indiewire
While Francis Coppola plans to set cinema alight in 2024 with his final epic Megalopolis, the Oscar-winner will begin the year with a revisit of one his most misunderstood efforts, One From The Heart. That’s the 1981 picture that Coppola threw himself into so hard, creatively and financially, that his American Zoetrope had to declare bankruptcy when it failed to draw audiences. It took Coppola years to build back his fortune with film hits and a win empire, to the current situation where he was able to self finance the $100 million+ Megalopolis.
Specialty distributor Rialto Pictures is bringing a brand-new 4K restoration of One From The Heart: Reprise to theaters on January 19. Coppola supervised the reprise cut, which will be released in New York and Los Angeles before rolling out to additional cities across the U.S. StudioCanal and Park Circus will be releasing the film in cinemas and home entertainment...
Specialty distributor Rialto Pictures is bringing a brand-new 4K restoration of One From The Heart: Reprise to theaters on January 19. Coppola supervised the reprise cut, which will be released in New York and Los Angeles before rolling out to additional cities across the U.S. StudioCanal and Park Circus will be releasing the film in cinemas and home entertainment...
- 12/15/2023
- by Mike Fleming Jr
- Deadline Film + TV
While there is generally some competition between directors — even those in their 80s — it’s still pretty cool when one from that generation praises another. And that’s just what Francis Ford Coppola has for Ridley Scott: endless praise, even saying knighthood just isn’t enough for Scott. This comes fresh off of Scott’s Napoleon posting strong-than-expected numbers over the holiday weekend, even outgrossing Disney’s much-hyped Wish.
Posting on Instagram (something we’ll never quite get used to), Coppola remembered when he first got wind of Ridley Scott and what his subsequent work means. “I first became aware of Ridley Scott with his film The Duellists. I was impressed, and realizing he was my contemporary began following his work, which was prodigious to say the least. One after the other, different styles, themes – all ambitious and never stopping, absolutely great films,” before citing everything from Alien to Black Hawk Down.
Posting on Instagram (something we’ll never quite get used to), Coppola remembered when he first got wind of Ridley Scott and what his subsequent work means. “I first became aware of Ridley Scott with his film The Duellists. I was impressed, and realizing he was my contemporary began following his work, which was prodigious to say the least. One after the other, different styles, themes – all ambitious and never stopping, absolutely great films,” before citing everything from Alien to Black Hawk Down.
- 11/26/2023
- by Mathew Plale
- JoBlo.com
“Joker: Folie à Deux” is turning up the dial on the crazy.
Rumored to be set in psychiatric hospital Arkham Asylum, the musical sequel to the controversial Oscar-winning 2019 film will be released in October 2024. However, cinematographer Lawrence Sher is revealing that the film will take audiences by surprise.
“It’s a pretty risky movie,” Sher told Definition magazine (via Games Radar), “and it’s going to be surprising for people. I’m so excited for everyone to see it.”
Sher added that the film is “currently in the final stages of post-production.”
“Joker: Folie à Deux” stars Joaquin Phoenix as the eponymous antihero, Arthur Fleck. Lady Gaga is taking on the role of Harley Quinn opposite Phoenix’s Joker as love interest (and equally unhinged counterpart). Per Harley Quinn’s first appearance in “Batman: The Animated Series,” the character is a psychiatrist at Arkham Asylum who treats Arthur Aka the Joker,...
Rumored to be set in psychiatric hospital Arkham Asylum, the musical sequel to the controversial Oscar-winning 2019 film will be released in October 2024. However, cinematographer Lawrence Sher is revealing that the film will take audiences by surprise.
“It’s a pretty risky movie,” Sher told Definition magazine (via Games Radar), “and it’s going to be surprising for people. I’m so excited for everyone to see it.”
Sher added that the film is “currently in the final stages of post-production.”
“Joker: Folie à Deux” stars Joaquin Phoenix as the eponymous antihero, Arthur Fleck. Lady Gaga is taking on the role of Harley Quinn opposite Phoenix’s Joker as love interest (and equally unhinged counterpart). Per Harley Quinn’s first appearance in “Batman: The Animated Series,” the character is a psychiatrist at Arkham Asylum who treats Arthur Aka the Joker,...
- 10/31/2023
- by Samantha Bergeson
- Indiewire
Although there’s no trailer for the sequel of the 2019 film ‘Joker’, titled Joker: Folie à Deux, we are pretty sure it will be an absolute masterpiece, not less than the first Joker. Why? Because the same team is in the making: Director Todd Phillips, and Dp Lawrence Sher. The camera is the mighty Arri Alexa 65, which is the same camera that shot Joker 1.
Joker: Folie à Deux. Picture by Director Todd Phillips Joker: Folie à Deux
Joker: Folie à Deux a is an upcoming American musical thriller film directed by Todd Phillips, who also co-wrote the screenplay with Scott Silver. Based on DC Comics characters, the film is the sequel to Joker (2019) and stars Joaquin Phoenix, reprising his role as the Joker, and Lady Gaga as Harley Quinn. It is produced by Warner Bros. Pictures and DC Studios in association with Village Roadshow Pictures, Bron Creative, and Joint Effort.
Joker: Folie à Deux. Picture by Director Todd Phillips Joker: Folie à Deux
Joker: Folie à Deux a is an upcoming American musical thriller film directed by Todd Phillips, who also co-wrote the screenplay with Scott Silver. Based on DC Comics characters, the film is the sequel to Joker (2019) and stars Joaquin Phoenix, reprising his role as the Joker, and Lady Gaga as Harley Quinn. It is produced by Warner Bros. Pictures and DC Studios in association with Village Roadshow Pictures, Bron Creative, and Joint Effort.
- 10/18/2023
- by Yossy Mendelovich
- YMCinema
You're traveling through another dimension, a dimension not only of imagination but of cinematic imperfections. It is the middle ground between reality and illusion, between what is intended and what is captured on film. This is the dimension of mistakes and oversights. It is an area which we call "The Production Zone." In it, mirrors reflect mistakes, film equipment appears at the periphery of vision, continuity wavers, editing stumbles, and stock footage mismatches.
As you journey through this realm, you'll uncover imperfections often overlooked in the iconic series "The Twilight Zone." Known for thought-provoking tales, the series wasn't immune to production hiccups, gaffes, and glitches.
Question the facade of the extraordinary as we explore elusive mistakes -- 14 in total -- across beloved episodes in this "land of shadow and substance." Will you emerge unscathed from this journey into cinematic blunders? Or, like its characters, be forever changed by what you see?...
As you journey through this realm, you'll uncover imperfections often overlooked in the iconic series "The Twilight Zone." Known for thought-provoking tales, the series wasn't immune to production hiccups, gaffes, and glitches.
Question the facade of the extraordinary as we explore elusive mistakes -- 14 in total -- across beloved episodes in this "land of shadow and substance." Will you emerge unscathed from this journey into cinematic blunders? Or, like its characters, be forever changed by what you see?...
- 9/17/2023
- by Maurice Molyneaux
- Slash Film
Will the Hollywood studio become extinct?
One hundred years ago, Louis B. Mayer unfurled his grand idea to mobilize “all the stars in heaven” for his filmmaking adventure. His dream factory, once prolific, now seems adrift amid the economic debris of streamerville and linear TV.
The studio system still has its advocates, one of whom, Francis Coppola, attempted to re-invent the studio on three occasions. He’s still trying.
His intriguing, if bizarre adventure, is told in a gripping new book by Sam Wasson titled Path to Paradise, vividly chronicling how the director leveraged his two great movies into an assembly line of cinema.
Well, almost. Coppola’s effort to orchestrate the genius of The Godfather and Apocalypse Now into an enduring filmmaking enterprise was defeated by two realities: The eccentricity of his management style and the frailty of his infrastructure.
Zoetrope was to be owned and run by creatives...
One hundred years ago, Louis B. Mayer unfurled his grand idea to mobilize “all the stars in heaven” for his filmmaking adventure. His dream factory, once prolific, now seems adrift amid the economic debris of streamerville and linear TV.
The studio system still has its advocates, one of whom, Francis Coppola, attempted to re-invent the studio on three occasions. He’s still trying.
His intriguing, if bizarre adventure, is told in a gripping new book by Sam Wasson titled Path to Paradise, vividly chronicling how the director leveraged his two great movies into an assembly line of cinema.
Well, almost. Coppola’s effort to orchestrate the genius of The Godfather and Apocalypse Now into an enduring filmmaking enterprise was defeated by two realities: The eccentricity of his management style and the frailty of his infrastructure.
Zoetrope was to be owned and run by creatives...
- 9/14/2023
- by Peter Bart
- Deadline Film + TV
If all you knew about Francis Ford Coppola’s epic-scale 1982 musical “One from the Heart” was that it’s reportedly “brain food” for the “Joker” sequel “Folie à Deux”, you might think it was more successful. Coppola’s first film after a decade-long run that included two “Godfathers,” “Apocalypse Now,” and “The Conversation” is a nostalgic musical about two ordinary people trying to rekindle their romance on the outskirts of Las Vegas.
A kitsch throwback in the vein of “New York, New York,” it was an even bigger disaster, and ultimately more ruinous for its director. Costing nearly twice its initial $15 million budget (admittedly not a terrible ratio for Coppola), it grossed only $8 million. Within 18 months, Coppola’s studio was bankrupt and, by 1992, he’d filed for a third time.
A new “refined” cut and 4K-scanned restoration, which premiered at the Venice Film Festival, is a reminder of the technical...
A kitsch throwback in the vein of “New York, New York,” it was an even bigger disaster, and ultimately more ruinous for its director. Costing nearly twice its initial $15 million budget (admittedly not a terrible ratio for Coppola), it grossed only $8 million. Within 18 months, Coppola’s studio was bankrupt and, by 1992, he’d filed for a third time.
A new “refined” cut and 4K-scanned restoration, which premiered at the Venice Film Festival, is a reminder of the technical...
- 9/1/2023
- by Adam Solomons
- Indiewire
Greta Gerwig’s “Barbie”(starring Margot Robbie as the titular doll) is, justifiably, capturing the cultural zeitgeist.
The movie itself is wonderful – a subversive, silly and surprisingly moving. Whatever you thought a “Barbie” movie would be, this isn’t it. There is no egregious product placements (despite almost every product imaginable in our world having a “Barbie” tie-ins) or feelings of gross consumerism. Instead, it’s a lovely tale about feminism and the differences between an idealized world created, in part, by the dreams of young women, and the cruel reality of the world we actually inhabit.
“Barbie” gives you such a buzz, in fact, that you’re probably looking for more things like it. We’ve compiled five movies that are, at the very least, “Barbie”-ish, and ones that we think you’ll probably enjoy.
Note: These are all movies that were not a part of Greta Gerwig...
The movie itself is wonderful – a subversive, silly and surprisingly moving. Whatever you thought a “Barbie” movie would be, this isn’t it. There is no egregious product placements (despite almost every product imaginable in our world having a “Barbie” tie-ins) or feelings of gross consumerism. Instead, it’s a lovely tale about feminism and the differences between an idealized world created, in part, by the dreams of young women, and the cruel reality of the world we actually inhabit.
“Barbie” gives you such a buzz, in fact, that you’re probably looking for more things like it. We’ve compiled five movies that are, at the very least, “Barbie”-ish, and ones that we think you’ll probably enjoy.
Note: These are all movies that were not a part of Greta Gerwig...
- 7/30/2023
- by Drew Taylor
- The Wrap
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