On earth every male has become impotent, thanks to the general deviousness of a banana-republic dictator from outer space (Jamie Gillis, always great) and his hysterically cackling dwarf assistants. Spacebabe Seka, has to shoot genitally powered lasers on every human male to save humanity. I'm always glad to see porno's who can think of something to put in their movies besides endless sex, in this case a funny car-chase (without any cars, but with bicycles and babycarts). This is porno at its most silly, something for all those who liked `Flesh Gordon'.
5 Reviews
how could a film with midgets be so bad??!!?
movieman_kev24 March 2005
In the future of the 1990's, men are impotent and the President has no clue why. So he along with his cabinet head down to another country to see if they really are not impotent like Mr. Sugerman says. It turns out Mr. Sugerman is an alien out for global domination. It's up to another alien named Ultra Flesh (Seka) to cure the men of the World by shooting an erection beam from her... well I can't say on IMDb and still adhere to their guidelines. I've never been much a fan of Seka and found Angel Cash as the First lady much more appealing. I found this as boring as the only other Svetlana directed film that I have seen "Miami Spice"
My Porn Grade: D
My Porn Grade: D
Ultra dull.
BA_Harrison29 June 2020
According to this film's opening Star Wars-inspired 'crawl', the near-future of the 1990s sees a crisis hit the world: the men of Earth are rendered impotent by Sugarman (Jamie Gillis), an extraterrestrial with a Cuban accent (?) from the ice world Freon who wants to take over our planet. Humanity's only hope is a beautiful blonde space agent called Ultra Flesh who, with the help of her Fleshettes, can restore men's virility.
The only reason I watch an adult movie is if I think it can offer me something other than repetitive bump and grind. Ultra Flesh, for example, has an amusing sci-fi concept, with a sexy superhero who can fire erection beams from her crotch, an intergalactic council of bizarre aliens, a villain from a frozen planet under threat from global warming, a giant phallic papier-mâché construction, and a pair of mischievous midgets. Colour me intrigued.
Unfortunately, even with its more outlandish moments, this film is still quite the tedious experience. The sex scenes are filmed with little imagination, which renders them boring (no surprises there), but the bits inbetween aren't anywhere near as camp or bizarre enough to compensate. About the only things I enjoyed about the whole film were a Benny Hill-style speeded-up chase scene featuring the two little people -- one of whom is kinda scary looking and gets in on the sexy action, and one who is totally crazy ("Hoo-hoo-ha-ha-hyuck-hyuck!") -- and a head-scratching moment where the Earth's most powerful leaders ride the dodgems before getting down and dirty with Seka.
The only reason I watch an adult movie is if I think it can offer me something other than repetitive bump and grind. Ultra Flesh, for example, has an amusing sci-fi concept, with a sexy superhero who can fire erection beams from her crotch, an intergalactic council of bizarre aliens, a villain from a frozen planet under threat from global warming, a giant phallic papier-mâché construction, and a pair of mischievous midgets. Colour me intrigued.
Unfortunately, even with its more outlandish moments, this film is still quite the tedious experience. The sex scenes are filmed with little imagination, which renders them boring (no surprises there), but the bits inbetween aren't anywhere near as camp or bizarre enough to compensate. About the only things I enjoyed about the whole film were a Benny Hill-style speeded-up chase scene featuring the two little people -- one of whom is kinda scary looking and gets in on the sexy action, and one who is totally crazy ("Hoo-hoo-ha-ha-hyuck-hyuck!") -- and a head-scratching moment where the Earth's most powerful leaders ride the dodgems before getting down and dirty with Seka.
The End of the World as We Know It ?
Nodriesrespect5 February 2009
Warning: Spoilers
Though clearly the least effective of femme filmmaker Svetlana's fledgling efforts, coming hot on the heels of her delectable debut 800 FANTASY LANE and its follow-up masterpiece "F", this supremely silly science fiction spoof still offers plenty of reasons for longtime porn fans to revisit and cherish, starting of course with its starry cast. The potent combination of name performers with tons of pretty young things (then) new to the industry was to become this director's distinguishing trademark and, according to the lady's naysayers, her sole claim to fame. It says a lot that this movie's almost a third of the way in when she finally gets around to introducing the supposed star attraction, peroxide princess Seka, who looks absolutely to die for by the way. Not that time has been wasted up until then, except when they stick to the corny and cumbersome plot, never a Svetlana forte by the way.
After the STAR WARS type opening scroll informs us that in the near future the world's male population has turned impotent, presumably to their increased sugar consumption (?) and threatening the propagation of mankind, we're whisked off to the Oval Office as the US President (handsome Tyler Reynolds in a subtle comedic turn among the high ham quotient that surrounds him) desperately tries to navigate his country out of this latest crisis. How very Obama ! Congregating with South American sugar supplier Sugarman (Jamie Gillis), he and his frustrated First Lady (played by another platinum pixie, second stringer Angel Cash, which might confuse newcomers who'll think it's Seka) are offered an extended display of local lust to ensure that the sweet stuff's definitely not to blame for the declining erections across the border. Two cute young couples are wheeled in on dinner trolleys. Blond surfer dude Jesse Adams receives dedicated oral attention from lovely Terri Dolan, the girl in the opening scene with Aaron Stuart in Gary Graver's equally star-laden COED FEVER, while toothsome Tawny Pearl (the put-upon baby sitter from Carlos Tobalina's finest film SEXUAL HEIGHTS) takes on curly-haired David Rosen, a flash in the pan stud also in Carter Stevens' TINSELTOWN.
Fireworks are provided by none other than Candida Royalle, the "real" future Femme filmmaker, lowered trapeze-wise onto a ready, willing and obviously very able Mike Ranger for an outlandish sex scene, set amidst a timely flurry of furiously flapping disco dancing extras, that just about defines what adult's alleged Golden Age was all about. Topping it all off is randy midget Luis De Jesus (who sadly passed away in the late '80s) assaulting the tightly wound Cash under the table, cunning linguist that he is, unaware to the additional dignitaries. Once these have left, Sugarman shows his true colors. He's actually an alien from the freezing planet of Freon, forced out of global warming (eerily foreshadowing our own destiny ?) to relocate to Earth which is heading for another Ice Age, attempting to annihilate its populace with the libido-shredding substance passed off as sugar !
Ah, but fear not, because an intergalactic commission decides to save our sorry planet's rear end by sending in superhero Ultra Flesh (tadaah !) who can emit a powerful laser beam from her unmentionables that inspires instant hard-ons. She draws strength from a totally gratuitous yet eminently pleasing Sapphic threesome with the Smith sisters (luscious Laurie and rarely seen Piper, a Suze Randall discovery also in "F"), scrumptiously shot by the late Gary Graver with the type of intricate hazy lighting that looked fabulous on theater screens but is sure to play havoc with scaled down TV monitors and scored with the same haunting melody employed by Radley Metzger on the classic Central Park encounter between Barbara Bourbon and Marc Stevens in his PRIVATE AFTERNOONS OF PAMELA MANN. John Leslie's introduced into this group almost as an afterthought, emphasizing once again just what an embarrassment of riches Svetlana had at her fingertips.
Supported by an army of aptly named Fleshettes (including the likes of superstar Serena, Kandi Barbour and Little Oral Annie, billed under her real name Andrea Parducci), Ultra Flesh sets about re-invigorating the world's male members, starting with those belonging to its leaders. The nervous scrawny guy with the hairy chest is George Mitchell, who also appeared in Jourdan Alexander's classic TAXI GIRLS. Uncredited Kelly Nichols and Ron Jeremy share a blistering backyard bang. Bountiful Lisa DeLeeuw, as investigating scientist Dr. Wissenall (German for know-it-all), pretty much falls by the wayside as the movie hurtles from one insane set piece to another, trying to cram in as much as time and budget would allow. These include a seeing is believing chase sequence involving bicycles and a baby pram and the re-appearance of the paper mâché prosthetic prick from 800 FANTASY LANE, now painted blue and doubling as an intended weapon of mass destruction !
After the STAR WARS type opening scroll informs us that in the near future the world's male population has turned impotent, presumably to their increased sugar consumption (?) and threatening the propagation of mankind, we're whisked off to the Oval Office as the US President (handsome Tyler Reynolds in a subtle comedic turn among the high ham quotient that surrounds him) desperately tries to navigate his country out of this latest crisis. How very Obama ! Congregating with South American sugar supplier Sugarman (Jamie Gillis), he and his frustrated First Lady (played by another platinum pixie, second stringer Angel Cash, which might confuse newcomers who'll think it's Seka) are offered an extended display of local lust to ensure that the sweet stuff's definitely not to blame for the declining erections across the border. Two cute young couples are wheeled in on dinner trolleys. Blond surfer dude Jesse Adams receives dedicated oral attention from lovely Terri Dolan, the girl in the opening scene with Aaron Stuart in Gary Graver's equally star-laden COED FEVER, while toothsome Tawny Pearl (the put-upon baby sitter from Carlos Tobalina's finest film SEXUAL HEIGHTS) takes on curly-haired David Rosen, a flash in the pan stud also in Carter Stevens' TINSELTOWN.
Fireworks are provided by none other than Candida Royalle, the "real" future Femme filmmaker, lowered trapeze-wise onto a ready, willing and obviously very able Mike Ranger for an outlandish sex scene, set amidst a timely flurry of furiously flapping disco dancing extras, that just about defines what adult's alleged Golden Age was all about. Topping it all off is randy midget Luis De Jesus (who sadly passed away in the late '80s) assaulting the tightly wound Cash under the table, cunning linguist that he is, unaware to the additional dignitaries. Once these have left, Sugarman shows his true colors. He's actually an alien from the freezing planet of Freon, forced out of global warming (eerily foreshadowing our own destiny ?) to relocate to Earth which is heading for another Ice Age, attempting to annihilate its populace with the libido-shredding substance passed off as sugar !
Ah, but fear not, because an intergalactic commission decides to save our sorry planet's rear end by sending in superhero Ultra Flesh (tadaah !) who can emit a powerful laser beam from her unmentionables that inspires instant hard-ons. She draws strength from a totally gratuitous yet eminently pleasing Sapphic threesome with the Smith sisters (luscious Laurie and rarely seen Piper, a Suze Randall discovery also in "F"), scrumptiously shot by the late Gary Graver with the type of intricate hazy lighting that looked fabulous on theater screens but is sure to play havoc with scaled down TV monitors and scored with the same haunting melody employed by Radley Metzger on the classic Central Park encounter between Barbara Bourbon and Marc Stevens in his PRIVATE AFTERNOONS OF PAMELA MANN. John Leslie's introduced into this group almost as an afterthought, emphasizing once again just what an embarrassment of riches Svetlana had at her fingertips.
Supported by an army of aptly named Fleshettes (including the likes of superstar Serena, Kandi Barbour and Little Oral Annie, billed under her real name Andrea Parducci), Ultra Flesh sets about re-invigorating the world's male members, starting with those belonging to its leaders. The nervous scrawny guy with the hairy chest is George Mitchell, who also appeared in Jourdan Alexander's classic TAXI GIRLS. Uncredited Kelly Nichols and Ron Jeremy share a blistering backyard bang. Bountiful Lisa DeLeeuw, as investigating scientist Dr. Wissenall (German for know-it-all), pretty much falls by the wayside as the movie hurtles from one insane set piece to another, trying to cram in as much as time and budget would allow. These include a seeing is believing chase sequence involving bicycles and a baby pram and the re-appearance of the paper mâché prosthetic prick from 800 FANTASY LANE, now painted blue and doubling as an intended weapon of mass destruction !
Super Campy Classic!
dgordon-126 August 2002
If you like campy adult movies that are genuinely funny, this one is for you. It was made during a time when adult movies were shot on 35mm film for exhibition at adult movie theatres and drive-ins during their winter season. It's about a galactic babe (Seka) who comes the earth to battle the evil Sugarman who has made all the males on earth impotent. Ultra Flesh & her Fleshettes bend over backwards to assure the earth is saved from such an evil force. Genuinely funny with some corny acting thrown in, make this a definite classic of adult cinema.
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