Directed by
Mark Egerton |
Writing Credits
Mark Egerton | ... | (screenplay) |
Bob Ellis | ... | (based on a storyline, characters and screenplay by) & |
Anne Brooksbank | ... | (based on a storyline, characters and screenplay by) |
Joyce Dingwell | ... | (novel) |
Cast (in credits order) verified as complete
Terence Donovan | ... | Timber Marlow | |
Susan Lyons | ... | Diana Venness | |
Harold Hopkins | ... | Jack Farrell | |
Steve Bisley | ... | Clem Mathieson | |
Martin Vaughan | ... | Ben | |
Dorothy Alison | ... | Mrs. Sullivan | |
Isabelle Anderson | ... | Helen Marlow | |
Steven Grives | ... | Kevin | |
Emil Minty | ... | Andy Marlow | |
Nikki Gemmell | ... | Kathy Marlow | |
Mark Kounnas | ... | Peter Marlow | |
Les Foxcroft | ... | Woody Gunner | |
Michael Long | ... | Paul Marlow | |
Ray Marshall | ... | Man in Train | |
Kati Edwards | ... | Lady in Train | |
Bill McCluskey | ... | Tall Soldier (as Bill McClusky) |
Produced by
Mark Egerton | ... | producer |
Cara Farnes | ... | associate producer |
Marj Pearson | ... | producer |
Music by
John Stuart |
Cinematography by
Geoff Burton |
Editing by
Sara Bennett |
Casting By
Alison Barrett |
Production Design by
Graham 'Grace' Walker |
Art Direction by
Steve Amezdroz | ... | (as Stephen Amezdroz) |
Costume Design by
David Rowe |
Makeup Department
Lesley Lamont-Fisher | ... | hair stylist / makeup artist |
Leanne Williams | ... | extra hairdresser |
Production Management
Su Armstrong | ... | production supervisor |
Peter Gailey | ... | unit manager |
Second Unit Director or Assistant Director
Michael Falloon | ... | first assistant director |
Mark Lamprell | ... | third assistant director |
Phil Rich | ... | second assistant director |
Art Department
Anni Browning | ... | props buyer |
Tony Hunt | ... | stand-by props |
Shane Walker | ... | art department runner |
Sound Department
Anne Breslin | ... | sound editor |
Gethin Creagh | ... | sound mixer |
Peter Foster | ... | sound editor |
Emma Hay | ... | sound editor |
Paul Maxwell | ... | sound editor |
Martin Oswin | ... | second mixer |
Mark J. Wasiutak | ... | boom operator |
Gary Wilkins | ... | sound recordist |
Special Effects by
David Hardie | ... | special effects |
Chris Murray | ... | special effects |
Visual Effects by
Roger Cowland | ... | visual effects |
Stunts
Peter West | ... | stunt coordinator |
Camera and Electrical Department
David Burr | ... | photography: underwater sequences |
David Foreman | ... | focus puller / photography: second unit |
Steve Geddes | ... | assistant grip |
Gillian Leahy | ... | clapper loader |
Steve Mason | ... | focus puller |
Ken Moffatt | ... | best boy |
Robin Morgan | ... | key grip |
Graham Rutherford | ... | gaffer |
Graeme Shelton | ... | grip |
Chic Stringer | ... | still photographer |
David Williamson | ... | camera operator |
Casting Department
Klay Lamprell | ... | extras casting |
Costume and Wardrobe Department
Penny Gordon | ... | wardrobe assistant |
Jenny Miles | ... | stand-by wardrobe |
Editorial Department
Arthur Cambridge | ... | color grading |
Bill Gooley | ... | lab liaison |
Richard Hindley | ... | additional editor |
Lynne Williams | ... | assistant editor |
Location Management
Phil Rich | ... | location manager |
Music Department
Christo Curtis | ... | score recording & mixing |
Robin Gray | ... | Scoring Engineer |
Script and Continuity Department
Daphne Paris | ... | continuity |
Additional Crew
Fran Burke | ... | titles |
Carol Hughes | ... | production secretary |
Peter Sjoquist | ... | production accountant |