Great cinematography, excellent direction by Bruno Barreto, and good acting in this movie adapting the story which is probably the best one by playwright Nelson Rodrigues. Homophobia, lack of empathy, yellow press, and misogynist, sadist and corrupt police under military dictatorship are some issues dealed in the film, together with lust inside family, what is a trademark of Nelson Rodrigues.
4 Reviews
The kiss: a criminal scandal or a noble gesture?
Rodrigo_Amaro29 May 2013
"Kissing someone who's dying is beautiful" says the man who arranged a lot of complication to his life after doing such act to a dying man in front of everybody, or better saying, in front of people who couldn't possibly understand why he did what he did. Until we get to this explanation, the uncomprehended yet pure act will reveal how easy it is to destroy someone's reputation, how gossip and lies becomes "truth" to be sold in cheap newspapers with no news to publish, inventing everything to get attention. The underlying premise of Nelson Rodrigues play turned into this movie is an interesting one, although implausible, a little unreal and to a certain extent could be labeled as laughable, specially now. The treatment given by director Bruno Barreto doesn't confirm any kind of laughs, instead, invites us to reflection on how society is prejudicial, mean, careless and dubious, choosing to destroy and hate rather than just feel any kind of sympathy towards a compassionate scene.
This is the story of Arandir (Ney Latorraca), a simple man, married, living a quiet life with his young wife (Christiane Torloni) and her sister Dália (Lidia Brondi), who testifies one tragic accident where a man was hit by a bus. The dying man asks for a kiss, Arandir complies and that transforms into a inconsequent story invented by a yellow press investigative reporter (Daniel Filho, impressively good while playing a hateful character) who sees in that a way to demoralize the helpful guy by saying he was homosexual, creating a scandal in the society by affirming that the accident was a murder case in which Arandir killed his lover due to jealousy. Spirals down when police is involved and everyone around Arandir simply can't understand his reasons for the kissing - neither he does explain it as well, making it more difficult for people to understand him. Turned into a persecuted figure, Arandir now needs to prove his love for his wife at the same Dália feels attracted to him. His father-in-law (Tarcisio Meira) is an intriguing character in this whole thing. He was there, he saw everything but he doesn't try to clarify the situation for the cops. Instead, he seems more preoccupied in figuring out if Arandir is really gay. He has some issues with the guy, which is better to leave out of this review.
Rodrigues is a reverenced creator of stories involving scoundrels, sneaky characters living at the society's margin, in the underground, living life as it is, a pitiless and cruel reality where the most degenerate is the one most likely to survive pushing everybody down on his way up. They live and breathe in this rotten world, believing they love, but love is just another cheap world thrown away like many others. Everything is real up to a certain point. I had to suspend my belief for a long time while watching "O Beijo no Asfalto" ("The Kiss on the Asphalt"), just hearing the premise was absurd enough for me to care. I know it's placed in another time, homosexuality wasn't so accepted like it is today (even now, it's a big problem in certain places) but the movie falters with some things. The man is detained as a testimony of the accident, and even just doing that, he's tortured because the chief of police thinks he's gay, no crime is reported or thought to have happened, this is later on. Therefore, I couldn't buy they were punching him just to know if he was gay or not, since I don't know of any laws back then concerning such issues as a crime - like it happens in many countries. One of the oldest gay bars here in São Paulo exists since the military regime and there's many stories on how the police never stopped there to make arrests, it's some sort of respectful act. But of course, still underground. With those, I hope you get my point on why I couldn't fully believe in such story. Other point relates to the reporter being too close from the chief of police, interfering in the "investigation", torturing and even questioning everyone at close doors. Very strange, just as much the exploitative nature of the nude scenes - although vital to the plot.
Minor complaints but valuable ones. This is a very good movie about the degradation of human relations, the vile hidden in many of us, and also the bold and noble actions some of us have, regardless of what the world thinks about it as being wrong. That's a form of love. One that face barriers, prejudice and goes beyond any kind of understanding. And still some say we can't find beauty in the misery. 8/10
This is the story of Arandir (Ney Latorraca), a simple man, married, living a quiet life with his young wife (Christiane Torloni) and her sister Dália (Lidia Brondi), who testifies one tragic accident where a man was hit by a bus. The dying man asks for a kiss, Arandir complies and that transforms into a inconsequent story invented by a yellow press investigative reporter (Daniel Filho, impressively good while playing a hateful character) who sees in that a way to demoralize the helpful guy by saying he was homosexual, creating a scandal in the society by affirming that the accident was a murder case in which Arandir killed his lover due to jealousy. Spirals down when police is involved and everyone around Arandir simply can't understand his reasons for the kissing - neither he does explain it as well, making it more difficult for people to understand him. Turned into a persecuted figure, Arandir now needs to prove his love for his wife at the same Dália feels attracted to him. His father-in-law (Tarcisio Meira) is an intriguing character in this whole thing. He was there, he saw everything but he doesn't try to clarify the situation for the cops. Instead, he seems more preoccupied in figuring out if Arandir is really gay. He has some issues with the guy, which is better to leave out of this review.
Rodrigues is a reverenced creator of stories involving scoundrels, sneaky characters living at the society's margin, in the underground, living life as it is, a pitiless and cruel reality where the most degenerate is the one most likely to survive pushing everybody down on his way up. They live and breathe in this rotten world, believing they love, but love is just another cheap world thrown away like many others. Everything is real up to a certain point. I had to suspend my belief for a long time while watching "O Beijo no Asfalto" ("The Kiss on the Asphalt"), just hearing the premise was absurd enough for me to care. I know it's placed in another time, homosexuality wasn't so accepted like it is today (even now, it's a big problem in certain places) but the movie falters with some things. The man is detained as a testimony of the accident, and even just doing that, he's tortured because the chief of police thinks he's gay, no crime is reported or thought to have happened, this is later on. Therefore, I couldn't buy they were punching him just to know if he was gay or not, since I don't know of any laws back then concerning such issues as a crime - like it happens in many countries. One of the oldest gay bars here in São Paulo exists since the military regime and there's many stories on how the police never stopped there to make arrests, it's some sort of respectful act. But of course, still underground. With those, I hope you get my point on why I couldn't fully believe in such story. Other point relates to the reporter being too close from the chief of police, interfering in the "investigation", torturing and even questioning everyone at close doors. Very strange, just as much the exploitative nature of the nude scenes - although vital to the plot.
Minor complaints but valuable ones. This is a very good movie about the degradation of human relations, the vile hidden in many of us, and also the bold and noble actions some of us have, regardless of what the world thinks about it as being wrong. That's a form of love. One that face barriers, prejudice and goes beyond any kind of understanding. And still some say we can't find beauty in the misery. 8/10
The twisted mind of the contentious writer Nelson Rodrigues!!!
elo-equipamentos17 October 2022
I can talk myself because I lived as teenager in those days when this picture was released, although I face it as the amoral world of the magnificent and contentious writer Nelson Rodrigues, it was based in the play already done, who really knew Rodrigues previously is aware about his taste, this in a tale fully overdone with the strongest colors whom wrote it, said that let's say that wasn't exactly so in those past days, actually I never read nothing like that in São Paulo a major city of Brazil, however the movie took place at Rio de Janeiro both cities were in the same level about the this matters.
It' about a spicy story from Rodrigues's twisted mind, have you ever seen a public kiss in a dying guy lays out in the asphalt? I don't think so, quite sure coming from of the mastermind as Nelson Rodrigues only, aside that the movie is good a kind of sexploitation in opposite terms, Arandir a guy misunderstood ( Ney Latorraca), the prudish wife Selminha (Torloni), a pretty sister-in-law Dalia (Lidia Brondi) who have a secret love with the silly Arandir, also appears the ambiguous father played by the veteran Brazilian star Tarcisio Meira, the kiss at street got huge proportion when it caught in the eye of the lurid newspaper's reporter Amado Pinheiro (Daniel Filho) by the way an outstanding performance to help his rough police commissioner Cunha (Oswaldo Loureiro) to recover about bad manners breached against a pregnant woman who end up lose the baby.
I agree with totalitarian carry out by military takeover during its time, where both police and tabloids due the forbidden subjects which they didn't get touch, thus then gave to the public exactly they wanting for, Rodrigues aware this make this odd tales whenever he could imagine writing about prosti-tution, f.a.g.s and all rotten things, always well exploited by the wise Nelson Rodrigues, good movie but not great!!
Thanks for reading.
Resume:
First watch: 2022 / Source: DVD / How many: 1 / Rating: 7.5.
It' about a spicy story from Rodrigues's twisted mind, have you ever seen a public kiss in a dying guy lays out in the asphalt? I don't think so, quite sure coming from of the mastermind as Nelson Rodrigues only, aside that the movie is good a kind of sexploitation in opposite terms, Arandir a guy misunderstood ( Ney Latorraca), the prudish wife Selminha (Torloni), a pretty sister-in-law Dalia (Lidia Brondi) who have a secret love with the silly Arandir, also appears the ambiguous father played by the veteran Brazilian star Tarcisio Meira, the kiss at street got huge proportion when it caught in the eye of the lurid newspaper's reporter Amado Pinheiro (Daniel Filho) by the way an outstanding performance to help his rough police commissioner Cunha (Oswaldo Loureiro) to recover about bad manners breached against a pregnant woman who end up lose the baby.
I agree with totalitarian carry out by military takeover during its time, where both police and tabloids due the forbidden subjects which they didn't get touch, thus then gave to the public exactly they wanting for, Rodrigues aware this make this odd tales whenever he could imagine writing about prosti-tution, f.a.g.s and all rotten things, always well exploited by the wise Nelson Rodrigues, good movie but not great!!
Thanks for reading.
Resume:
First watch: 2022 / Source: DVD / How many: 1 / Rating: 7.5.
The Sordid, Hypocrite and Easily Manipulated Society
claudio_carvalho23 February 2007
When a pedestrian is hit by a bus, the simple clerk Arandir (Ney Latorraca) runs and kisses the moribund in a gesture of sympathy and unconditional pure love. The opportunist scum photographer Amado Pinheiro (Daniel Filho) witnesses the scene and sees the opportunity to sell newspaper and together with the despicable and abusive chief of police Cunha (Oswaldo Loureiro), they accuse Arandir of homosexuality. Further, they say that the victim would be his lover and had been killed by Arandir because he was jealous. Meanwhile, his father-in-law Aprígio (Tarcísio Meira) that does not like him goes to the suburban village to tell his daughter and Arandir's beloved wife Selminha (Christiane Torloni) and her sister Dália (Lidia Brondi) that Arandir is at the police station. On the next morning, when the newspapers are distributed, Arandir is in the headline and later is humiliated in his work and in the village where his family lives. While Amado and Cunha manipulate the event and witnesses, common people believe that Arandir is gay and a killer, with tragic consequences.
I have just finished watching this version of " O Beijo no Asfalto" and I found it again a magnificent transposition of a tragic and cruel play of Nelson Rodrigues, one of the best Brazilian dramaturge, to the cinema. The story shows how sordid, hypocrite and easily manipulated the society is, transforming a magnanimous act of sympathy and pure love in the subject of prejudice and malevolence. Brazil for many years had lived under a dictatorship, and one of the consequences is that the police until the 90's was very abusive and tabloids could destroy lives without further consequences. The writer Nelson Rodrigues, who had a very amoral view of the Church, the family and the mankind, used these elements together to write this famous play. In his view, all the families are or become rotten; the middle class is very decadent and false; all the women are bitch and like to be spanked; mankind and church are corrupt and hypocrite. Therefore, " O Beijo no Asfalto" is a perfect sample of the world of Nelson Rodrigues. The direction and cast are fantastic, and Daniel Filho has certainly one of his best performances ever. I hope that readers overseas have the chance to watch this great movie. My vote is nine.
Title (Brazil): "O Beijo no Asfalto" ("The Kiss on the Asphalt")
I have just finished watching this version of " O Beijo no Asfalto" and I found it again a magnificent transposition of a tragic and cruel play of Nelson Rodrigues, one of the best Brazilian dramaturge, to the cinema. The story shows how sordid, hypocrite and easily manipulated the society is, transforming a magnanimous act of sympathy and pure love in the subject of prejudice and malevolence. Brazil for many years had lived under a dictatorship, and one of the consequences is that the police until the 90's was very abusive and tabloids could destroy lives without further consequences. The writer Nelson Rodrigues, who had a very amoral view of the Church, the family and the mankind, used these elements together to write this famous play. In his view, all the families are or become rotten; the middle class is very decadent and false; all the women are bitch and like to be spanked; mankind and church are corrupt and hypocrite. Therefore, " O Beijo no Asfalto" is a perfect sample of the world of Nelson Rodrigues. The direction and cast are fantastic, and Daniel Filho has certainly one of his best performances ever. I hope that readers overseas have the chance to watch this great movie. My vote is nine.
Title (Brazil): "O Beijo no Asfalto" ("The Kiss on the Asphalt")
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