During World War II, 12-year old Ivan works as a spy on the eastern front. The small Ivan can cross the German lines unnoticed to collect information. Three Soviet officers try to take care... See full summary »
Two Soviet partisans depart their starving band on a short march to a nearby farm to get supplies. The Germans have reached the farm first, so the pair must go on a journey deep into ... See full summary »
A French boarding school run by priests seems to be a haven from World War II until a new student arrives. He becomes the roommate of top student in his class. Rivals at first, the roommates form a bond and share a secret.
In 1943, in the Russian front, the decorated leader Rolf Steiner is promoted to Sergeant after another successful mission. Meanwhile the upper-class and arrogant Prussian Captain Hauptmann ... See full summary »
Matyora is a small village on a beautiful island with the same name. The existence of the village is threatened with flooding by the construction of a dam. This is the story of the ... See full summary »
During WWII, a Belarusian boy is thrust into the atrocities of war, fighting with a hopelessly unequipped Soviet resistance movement against ruthless German forces. Witnessing scenes of abject terror and surviving horrifying situations, he loses his innocence and then his mind. Written by
unremitting graphical terror and accumulating atrocities
Elem Klimov and Aleksei Rodionov's handheld cinematography, present the viewer with the mental and physical destruction of a boy who changes in front of your eyes beyond recognition.
Cacophoneous, industrial sounds and sometimes cryptic story-elements (for as far as there is a story) contribute to this ruthlessly escalating history lesson about Nazi's who burned down hundreds of villages in 1943 in Russia. The realism makes you wonder how many people were harmed making the film, while the score represents the mindnumbing experiences of Florya, a tour-de-force performance by Aleksei Kravchenko (16 at the time). All along, somehow Klimov knows very well how to prevent the audience from becoming numb.
ILM's specialFX are smoother, but the FX here in 'Come and see' are so realistic, it's almost unreal: reminiscent of the first 30 min of Saving private Ryan, Thin red line (watch the animals), Apocalypse Now and the painstaking 'Band of brothers'. Indeed forget about the rest of 'SPR', Platoon and even Full Metal Jacket. However, I would like to recommend Deer Hunter (Cimino, 1978) and Hotaru no haka (1988). But I never suspected there was something massive like this. 10/10
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