Directed by
| John Boorman | ||
Writing Credits
| John Boorman | ... | (written by) |
Cast (in credits order) verified as complete
Produced by
| John Boorman | ... | producer |
| Michael Dryhurst | ... | co-producer |
| Jake Eberts | ... | executive producer |
| Edgar F. Gross | ... | executive producer |
Music by
| Peter Martin | ||
Cinematography by
| Philippe Rousselot | ... | director of photography |
Editing by
| Ian Crafford | ||
Casting By
| Mary Selway | ||
Production Design by
| Anthony Pratt | ||
Art Direction by
| Don Dossett | ||
Set Decoration by
| Joanne Woollard | ... | (as Joan Woollard) |
Costume Design by
| Shirley Russell | ||
Makeup Department
| Joan Carpenter | ... | hair stylist |
| Anna Dryhurst | ... | makeup artist |
Second Unit Director or Assistant Director
| Andy Armstrong | ... | assistant director |
| Michael Dryhurst | ... | second unit director |
| Melvin Lind | ... | assistant director |
| Julian Wall | ... | assistant director |
| Ken Shane | ... | additional third assistant director (uncredited) |
Art Department
| George Ball | ... | property master |
| Maurice Jones | ... | propman |
| Ted Michell | ... | scenic artist |
| Syd Nightingale | ... | construction manager |
| Kevin Phipps | ... | assistant art director (as Keiron Phipps) |
| Graeme Purdy | ... | propman |
| Gary Tomkins | ... | draughtsman |
| Mark White | ... | white trux chalky |
| Mal Zawadzki | ... | painter |
| Martin Laing | ... | art department assistant (uncredited) |
| Roy Pembrooke | ... | props (uncredited) |
| Bob Sherwood | ... | stand-by propman (uncredited) |
Sound Department
| Don Brown | ... | sound maintenance |
| Ron Davis | ... | sound editor |
| Peter Handford | ... | sound recordist |
| John Hayward | ... | sound mixer |
| Paul Smith | ... | dialogue editor |
| John Stevenson | ... | boom operator |
| Lionel Strutt | ... | adr mixer (uncredited) |
Special Effects by
| Michael Collins | ... | special effects |
| Rodney Fuller | ... | special effects |
| Philip Stokes | ... | special effects designer (as Phil Stokes) |
| Joe Fitt | ... | special effects technician (uncredited) |
| Martin Gutteridge | ... | special effects supervisor (uncredited) |
Visual Effects by
| Alan Church | ... | optical camera (uncredited) |
Stunts
| Stuart St Paul | ... | stunts |
Camera and Electrical Department
| Ronald Anscombe | ... | camera focus |
| Murray Close | ... | still photographer |
| Chuck Finch | ... | gaffer |
| Tommy Finch | ... | best boy (as Tom Finch) |
| Mike Fox | ... | camera operator |
| Bill Geddes | ... | camera grip |
| John Harris | ... | additional photographer |
| Jason Wrenn | ... | assistant camera |
| George Binnersley | ... | focus puller (uncredited) |
| Jamie Harcourt | ... | focus puller: second unit (uncredited) |
| Ronald Lenoir | ... | chargehand rigger (uncredited) |
Costume and Wardrobe Department
| Sue Honeybourne | ... | wardrobe assistant |
| Steve Hubbard | ... | wardrobe master |
| James Langan | ... | wardrobe assistant |
Editorial Department
| Pat Brennan | ... | assistant film editor |
Location Management
| Peter Cotton | ... | location manager |
Music Department
| Michael Clifford | ... | music editor |
| Peter Martin | ... | conductor / orchestrator |
| Helen Sava | ... | music researcher |
Script and Continuity Department
| Elaine Schreyeck | ... | script supervisor |
Transportation Department
| Mark White | ... | transportation: white trux/d&d transport |
Additional Crew
| Telsche Boorman | ... | drama coach: children |
| Sheila Collins | ... | production coordinator |
| Lynda Levy | ... | unit publicist |
| Norma Paulsen | ... | production liaison |
| John Porter | ... | Worldwide Distribution Director |
| John Taylor | ... | aerial coordinator |
| Anthony Van Laast | ... | choreographer |
| John Chambers | ... | finance executive (uncredited) |
| Ray Hanna | ... | pilot (uncredited) |
| Pauline Hume | ... | graphic artist: titles (uncredited) |
| Adam Samuelson | ... | louma crane technician (uncredited) |
