A fundamentally dry political thriller TV movie programmer boasting fine performances and on-location (Germany) action. Nothing particularly gang-busters here, as it steers towards dramatic tension, verbose conversations and character pathos before going in all guns blazing for its climatic payoff.
Two American parents, Paul and Anne Hobart travel to Germany when their stewardess daughter is kidnapped by home grown terrorists. She along with other flight crew members are being used as bargaining tools for the release of two prisoners.
The script does go down a predictable path. The ins and outs of political red tape getting in the way. There's a good hour of built up frustration, hopelessness and ponderous talk which feels like it's going nowhere in spite of the urgency of situation. This kinda gave it a realistic and calculative approach, although not a exiting one. And the lack of progress and information eventually sees the father seek outside help (mercenaries) to rescue his daughter. This is when the script begins to question what lengths someone would go to see it through. To the point of pushing aside their own morals. Brian Dennehy is perfectly cast to bring that to the fold. But by this point, certain actions by high brass become questionable, especially the twist at the end although its sort of telegraphed in the early stages. Ron Silver and Joanna Cassidy provided solid support, yet Dennehy pretty much holds it together.
"You... are just means to an end".
Two American parents, Paul and Anne Hobart travel to Germany when their stewardess daughter is kidnapped by home grown terrorists. She along with other flight crew members are being used as bargaining tools for the release of two prisoners.
The script does go down a predictable path. The ins and outs of political red tape getting in the way. There's a good hour of built up frustration, hopelessness and ponderous talk which feels like it's going nowhere in spite of the urgency of situation. This kinda gave it a realistic and calculative approach, although not a exiting one. And the lack of progress and information eventually sees the father seek outside help (mercenaries) to rescue his daughter. This is when the script begins to question what lengths someone would go to see it through. To the point of pushing aside their own morals. Brian Dennehy is perfectly cast to bring that to the fold. But by this point, certain actions by high brass become questionable, especially the twist at the end although its sort of telegraphed in the early stages. Ron Silver and Joanna Cassidy provided solid support, yet Dennehy pretty much holds it together.
"You... are just means to an end".