After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous facade, there is revealed a person of intelligence and sensitivity.
Lula's psychopathic mother goes crazy at the thought of Lula being with Sailor, who just got free from jail. Ignoring Sailor's probation, they set out for California. However their mother hires a killer to hunt down Sailor. Unaware of this, the two enjoy their journey and themselves being together... until they witness a young woman dying after a car accident - a bad omen. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
Willem Dafoe is actually urinating in the toilet when he goes to visit Laura Dern and asks to "piss in your head". Apparently, Dafoe had drunk a lot of bottled water and really needed to go. Only later did he find out that the toilet was not a working one and some poor crew member had to clean it. See more »
During the scene when Sailor's is running through a traffic jam to find Lula, a crew member and boom mic is visible in the reflection of one of the windows of a black van. See more »
You look like a clown in that stupid jacket.
This is a snakeskin jacket! And for me it's a symbol of my individuality, and my belief... in personal freedom.
See more »
In The Heat Of The Jungle
Written and Performed by Chris Isaak
Published by Isaak Music Publishing Co. (ASCAP)
Courtesy of Warner Bros. Records Inc.
by Arrangement with Warner Special Products See more »
A real stimulatingly offbeat exhibition from Lynch is the dark and wild backdrop of a romantically engaged traveling pair: "Sailor" who is on parole after committing a brutal murder, and "Lula" whose mother demands her to return from a spoiled trip to Texas with help from a detective. It's a twisted, artsy journey that is often repulsive and long to boot (and certainly not for the squeamish!), but fares inventive at a certain degree and boasts some of the strongest performances ever worked on a Lynch film, perhaps even in 1990. Cage's concert act and the magically rendered semi-ending are two classic acclaims put together in this moving cinematic collage.
RATING: * * *
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