At long last, Aladdin is about to marry the Princess Jasmine. Despite the presence and encouragement of his friends Genie, Carpet, and Abu, he is fearful and anxious. He is most worried as ... See full summary »
A classic Disney fairytale collides with modern-day New York City in a story about a fairytale princess who is sent to our world by an evil queen. Soon after her arrival, Princess Giselle begins to change her views on life and love after meeting a handsome lawyer. Can a storybook view of romance survive in the real world?
Belle is a girl who is dissatisfied with life in a small provincial French town, constantly trying to fend off the misplaced "affections" of conceited Gaston. The Beast is a prince who was placed under a spell because he could not love. A wrong turn taken by Maurice, Belle's father, causes the two to meet. Written by
Tim Pickett <email@example.com>
Disney's original choice for director was Richard Williams, fresh off directing the animation for Who Framed Roger Rabbit (1988). Williams declined the offer in order to continue work on The Princess and the Cobbler (1993), but suggested Richard Purdum. Purdum's treatment was closer to the original story, with a darker tone and no musical numbers. Unsatisfied with the initial story reels, Jeffrey Katzenberg asked Howard Ashman and Alan Menken, who were just finishing work on The Little Mermaid (1989), to add songs and contribute story ideas. Purdum left the production at the end of 1989, feeling the project was no longer the film he wanted to make. The opening scenes of his initial treatment can be seen as an extra on the 2010 Diamond Edition DVD/Blu-Ray release. See more »
During the final battle, when Cogsworth comes to rescue Lumiere from LeFou, he is holding a gun, but two shots later, right before he slides down the banister, the gun disappears. See more »
Once upon a time, in a faraway land, a young prince lived in a shining castle. Although he had everything his heart desired, the prince was spoiled, selfish, and unkind. But then, one winter's night, an old beggar woman came to the castle and offered him a single rose in return for shelter from the bitter cold. Repulsed by her haggard appearance, the prince sneered at the gift and turned the old woman away. But she warned him not to be deceived by appearances, for beauty is found ...
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"To our friend, Howard, who gave a mermaid her voice and a beast his soul, we will be forever grateful. Howard Ashman (1950-1991)" See more »
When an arrogant Prince turns away an old woman looking for shelter with only a rose for a gift, she warns him not to just take the surface appearance as being the all of a person; however he rejects her a second time only for her to reveal herself as a beautiful enchantress. She casts a spell on him, turning him into a beast with the only hope of return being to fall in love with a woman and have her fall in love with him before the rose wilts and dies. Resembling a carpet stuffed with walnuts, the prince figures he has no chance and withdraws into his castle. When an elderly man wanders into the castle, the Beast holds him prisoner and only lets him go when his daughter, Belle, offers to replace him in the Beast's castle. With time running out, the Beast's staff hope that Belle will be the one to break the curse but the Beast cannot remember how.
Being quite a cynical, acerbic person I must admit that I prefer modern animated films that deliver lots of adult humour along with a good emotional story and often I struggle to enjoy films that take the more traditional Disney route. However with this film I was quite taken by how classy the whole affair was, with great effort being shown in every area from the animation, to the songs through to the emotionally involving story whose telling is touched with a nice sense of wonder throughout. The story doesn't really hit many bum notes (I thought Gaston's sidekick was a bit too obvious and half cooked) and it is interesting and enjoyable for the vast majority of the time. The story and comedy is aimed at both adults and children but the stuff for kids is not basic pratfalls, nor is the adult material just a load of references or suggestive jokes. Instead the two are quite well blended with good physical comedy and plenty of wit. Again, it is the sense of spectacle and wonder that came through that I really appreciated.
The animation feels more impressive for the reliance on mostly traditional animation rather than computer effects in fact the computer effects look a bit dated now, even if they do still produce the goods in some key scenes. Mainly it is the feeling that every frame has had a lot of effort and love put into it that makes the whole affair feel classy. The songs are also great and feature quite a few memorable songs that stick in the mind; meanwhile the choreography of these scenes is generally very imaginative (Be Our Guest was my favourite). The cast don't feature many big stars and perhaps this is good because the real people don't distract from their characters. That said, I thought that Benson, O'Hara, White and a few others were quite unremarkable even if they were good enough for the film. Orbach, Stiers, Lansbury and others provided comic work in the support characters and everything worked well.
Overall this is a really classy animated film that shows the effort and care put into it in many different regards. It does suffer a bit from cuteness and sentimentality but I didn't think this was a massive problem or something that was not to be expected from Disney and generally I really enjoyed the film and see it as one of the films that define Disney for people of my generation.
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