Christopher Plummer and Jane Alexander play the title roles in this made for TV movie of two of the most interesting artists of the 20th century. I mean, who but an art history student will remember the work of Alfred Stieglitz, the some-time, part-time husband of the great painter, Georgia O'Keefe? Likely few, if any reading this review. However, as a biopic addict, I remember seeing this with the interest of learning something about the woman who painted vaginas reflected in flowers and the sun-bleached bones of dead cattle. What emerges is an amazing story of how an early liberated woman of the 20th century married a relatively amoral man who was able to promote her work and get it in the public's eye by making it attractive to the wealthy and remain her husband at the same time he was chasing around after wealthy patrons. Less is made in this drama about the long-term relationship between O'Keefe, Stieglitz and socialite, Dorothy Norman, whose deep pockets indirectly supported O'Keefe's work largely through Stieglitz's affair with Norman. What does come through, however, is the niche that O'Keefe found in New Mexico and her association with a coterie of fellow artists like Ansel Adams. If this shows up, it's definitely worth viewing if for nothing more than seeing Plummer's portrayal of Stieglitz as a thorough-going cad.
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