Two families, the Graystones and the Adamas, live together on a peaceful planet known as Caprica, where a startling breakthrough in artificial intelligence brings about unforeseen consequences. A spin-off of the Sci Fi Channel series "Battlestar Galactica" set 50 years prior to the events of that show.
When an old enemy, the Cylons, resurface and obliterate the 12 colonies, the crew of the aged Galactica protects a small civilian fleet - the last of humanity - as they journey toward the fabled 13th colony of Earth.
Edward James Olmos,
A small town in Kansas is literally left in the dark after seeing a mushroom cloud over near-by Denver, Colorado. The townspeople struggle to find answers about the blast and solutions on how to survive.
Five hundred years in the future, a renegade crew aboard a small spacecraft tries to survive as they travel the unknown parts of the galaxy and evade warring factions as well as authority agents out to get them.
The stable wormhole discovered by the Deep Space Nine crew is known to the Bajoran people as the Celestial Temple of their Prophets. Sisko, as discoverer of the wormhole and its inhabitants, is therefore the Emissary of Bajoran prophesy. The wormhole's other end is in the Gamma Quadrant, halfway around the galaxy from Bajor. That section of space is dominated by the malevolent Dominion. The Dominion is led by the Changelings, the race of shapeshifters to which Odo belongs. As of the beginning of the sixth season, Cardassia has joined the Dominion, and together they are waging war on the Federation and their Klingon allies. The war is quickly becoming the most costly war ever for the Federation, and the Deep Space Nine crew must fight to protect their way of life. Written by
Matthew D. Wilson <email@example.com>
Despite being credited as a regular, Cirroc Lofton appeared in only 85 of the show's 173 episodes. Morn, the most frequent recurring character, appeared in 92 episodes. See more »
In various episodes throughout the show's 6th and 7th seasons, there are several mentions of "good years" for blood wine, with vintages given in Earth years. Why would the Klingons measure the vintages of blood wine in Earth years, instead of Kronos years or Stardates? See more »
[Dukat's ship is pursuing the Dominion fleet]
Dukat! Stop trying to be a hero, get back to the station!
Your concern is touching, Major. But I'm afraid you misunderstand me. I'm not attacking the Dominion fleet, I'm joining it.
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The opening credits for "Emissary" lacked the wormhole opening that all future episodes featured. Starting with Season 4, the opening credits included additional spacecraft and activity around the station, including the Defiant flying into the wormhole. See more »
DS 9 is simply the best of the Star Trek series, and, I suspect, will eventually emerge from its black sheep status and be remembered as the most mature and compelling SF series of the 20th century.
So what makes it so good? The whole overarching concept about Bajor, the wormhole aliens, Cisco's origins and destiny, the tension between different races and characters, and (perhaps most of all) the _continuity_ once the Dominion War begins (in many ways the last four seasons are more like one collossal 75-hour movie than a series of discreet episodes).
If there is a fault to DS9 it is probably that it took some time to hit its straps. The early seasons were not up to the quality of seasons 4-7, but when Worf arrives, The Defiant arrives, Cisco shaves his head, and The Dominion set their sites on the Alpha Quadrant, you have yourselves a hands down classic for the final 4 seasons.
Character development and personal relationships are handled far more satisfyingly and richly here than in any other ST series. There is nothing elsewhere in the ST franchise to compare with the Odo/Kira relationship (or even the Odo/Quark, Bashir/O'brien relationships if it comes to that). There are no dud major characters (even if Avery Brooks is given to occaisional fits of extreme over-acting) - and nestled in amongst the Dominion War story arc somewhere is that one little jewel of an episode where the entire cast are working for a SF pulp magazine in the late 40's - an absolute pearler that I could watch over and again.
I became far more emotionally attached to the characters of DS9 than any other Start Trek series. I recently re-watched the whole thing on video, and was genuinely sad to see it end, all over again.
Damn, I miss that show. They could have run it forever as far as I'm concerned. The really sad thing is, it was such a perfectly self-contained story that there is almost no prospect of any DS9 movies - which is doubly tragic, if the Next Generation movies are going to finish with Nemesis.
Or maybe not. Let's face it; Star Trek has failed on the big screen more often than it has scored. Where it really belongs is on the small screen, and DS 9 is the pinnacle of its achievement in that media, in my opinion.
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