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Storyline
A weather man is reluctantly sent to cover a story about a weather forecasting "rat" (as he calls it). This is his fourth year on the story, and he makes no effort to hide his frustration. On awaking the 'following' day he discovers that it's Groundhog Day again, and again, and again. First he uses this to his advantage, then comes the realisation that he is doomed to spend the rest of eternity in the same place, seeing the same people do the same thing EVERY day. Written by
Rob Hartill
Plot Summary
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Plot Synopsis
Taglines:
He's having the worst day of his life... over, and over...
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Did You Know?
Trivia
At one point in chase scene involving the red Cadillac Eldorado,
Bill Murray and friends were to race along the sidewalk in front of the movie theater, barely missing the ticket booth, which was still occupied. The scene was filmed, but left on the cutting room floor.
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Goofs
In the last part of the movie, Phil is seen playing the piano on stage at the party. As he finishes up song before going and talking to Rita, the piano in the soundtrack is playing a glissando (running a finger rapidly down the keyboard) while Phil is still playing as he was before. Finally, at the last run, Phil's hands match the sound.
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Quotes
[
first lines]
Phil:
Somebody asked me today, "Phil, if you could be anywhere in the world, where would you like to be?" And I said to him, "Prob'ly right here - Elko, Nevada, our nation's high at 79 today." Out in California, they're gonna have some warm weather tomorrow, gang wars, and some *very* overpriced real estate. Up in the Pacific Northwest, as you can see, they're gonna have some very, very tall trees.
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Soundtracks
"Take Me Round Again"
Written and Produced by
George Fenton
Performed by
Susie Stevens-Logan (as Susie Stevens)
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I thought the film was terrific when I saw it in theaters twelve years ago. Recently in watching it again on cable, I was amazed at the quality of the screenplay. I didn't notice the first time. But on repeated viewings (like reliving Groundhog Day), I was impressed at the story created by the writers. This film is so much more than witty jokes and comic riffs arranged around a gimmick. It has an internal logic and consistency that is very rarely found in screenplays. No joke seemed disposable, and as you laugh your way along, the philosophy underlying the film takes over your imagination.
Check the IMDb listings for this film's awards: look at the numerous British awards for writing. And yet this film was not even nominated for an Oscar. It is so rare that a film's jokes seem just as fresh more than a decade later, but I believe that is because the theme underlying the humor will never go out of fashion.
The acting was terrific, and I now think this is Bill Murray's best work (though I didn't take it seriously when I first saw the film.) But the screenplay is the one of the finest ever written. I don't know if it's studied in film schools, but it ought to be.