A young man is accidentally sent thirty years into the past in a time-traveling DeLorean invented by his friend, Dr. Emmett Brown, and must make sure his high-school-age parents unite in order to save his own existence.
Michael J. Fox,
John McClane, officer of the NYPD, tries to save his wife Holly Gennaro and several others that were taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
A weather man is reluctantly sent to cover a story about a weather forecasting "rat" (as he calls it). This is his fourth year on the story, and he makes no effort to hide his frustration. On awaking the 'following' day he discovers that it's Groundhog Day again, and again, and again. First he uses this to his advantage, then comes the realisation that he is doomed to spend the rest of eternity in the same place, seeing the same people do the same thing EVERY day. Written by
Bill Murray quotes lines from a poem by Samuel Taylor Coleridge, "Work Without Hope": "All Nature seems at work; slugs leave their lair, The bees are stirring; birds are on the wing, And winter, slumbering in the open air, Wears on his smiling face a dream of spring; And I, the while, the sole unbusy thing, Nor honey make, nor pair, nor build, nor sing." See more »
When the police are chasing Phil in the Cadillac convertible, he wrecks into a row of cars, the first one being a 1983 AMC Eagle wagon. In the next scene, the Cadillac is crashed against a small Chevy, and the Eagle is on the other side of the Chevy. See more »
Somebody asked me today, "Phil, if you could be anywhere in the world, where would you like to be?" And I said to him, "Prob'ly right here - Elko, Nevada, our nation's high at 79 today." Out in California, they're gonna have some warm weather tomorrow, gang wars, and some *very* overpriced real estate. Up in the Pacific Northwest, as you can see, they're gonna have some very, very tall trees.
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Phil Connors, a cynical and unbearable journalist goes like every year in a small town in Pennsylvania to report on "Groundhog Day", it means the beginning of the spring. But, he is out of luck because due to the bad weather, he and his crew (including the pretty Rita) he is compelled to stay at his work place for the night. The following day, he awakes and lives exactly the same day again but he is the only one to realize it. It is like this, the next days again and again! What should Phil do to stop this? Maybe an improvement of his personality would be the wisest solution.
You can easily imagine what a filmmaker like Frank Capra would have done with such a topic but Harold Ramis managed very well and he signs here his most beautiful success to date and one of the finest comedies of the nineties. The main strength of "Groundhog Day" comes from a strong and inventive screenplay which enables Bill Murray to go through all the different states which is logical because if tomorrow is the same day, anything goes for him! The script also draws its comical force from the repetition. This process gives delightful sequences, notably in the first part of the movie. You have to see Murray live the same day again, faced with the same situations and as he despises people, it can only make the spectator laugh. Moreover, Ramis described his main character by mocking at him a little.
Of course, the evolution followed by Murray is a little predictable (scornful at the beginning, he will succeed in becoming nice at the end of the film and in finding love with Rita) and you easily guess the message that Ramis tries to put across. But it remains nevertheless warm and deeply humane. However that may be, the director gave us a pleasant, sometimes funny sometimes moving movie to watch. And it is one of Bill Murray's best performances: fair, never bombastic. What more could you ask from him?
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