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Pulp Fiction (1994)

R  |   |  Crime, Drama  |  14 October 1994 (USA)
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Ratings: 8.9/10 from 1,195,652 users   Metascore: 94/100
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The lives of two mob hit men, a boxer, a gangster's wife, and a pair of diner bandits intertwine in four tales of violence and redemption.



(story), (story), 1 more credit »
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Top 250 Movies #7 | Won 1 Oscar. Another 63 wins & 47 nominations. See more awards »



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Cast overview, first billed only:
Laura Lovelace ...
Paul / English Bob


Jules Winnfield and Vincent Vega are two hitmen who are out to retrieve a suitcase stolen from their employer, mob boss Marsellus Wallace. Wallace has also asked Vincent to take his wife Mia out a few days later when Wallace himself will be out of town. Butch Coolidge is an aging boxer who is paid by Wallace to lose his next fight. The lives of these seemingly unrelated people are woven together comprising of a series of funny, bizarre and uncalled-for incidents. Written by Soumitra

Plot Summary | Plot Synopsis


Just because you are a character doesn't mean you have character. See more »


Crime | Drama

Motion Picture Rating (MPAA)

Rated R for strong graphic violence and drug use, pervasive strong language and some sexuality | See all certifications »

Parents Guide:



Official Sites:




| |

Release Date:

14 October 1994 (USA)  »

Also Known As:

Black Mask  »

Box Office


$8,000,000 (estimated)

Opening Weekend:

£4,243,233 (UK) (11 November 1994)


£10,734,320 (UK) (24 February 1995)

Company Credits

Production Co:

, ,  »
Show detailed on  »

Technical Specs


| (original cut)

Sound Mix:


Aspect Ratio:

2.35 : 1
See  »

Did You Know?


Quentin Tarantino:  [long take]  (at around 11 mins) When Jules and Vincent step out of the elevator for their "foot massage" debate, we follow them all the way through the labyrinthine hallways to Brett's door, past Brett's to a window and finally, back to Brett's door again, all in a single take. See more »


(at around 1h 2 mins) When Vincent and Mia are talking outside her house, Mia's arms change position between shots. When seen from the front she holds her arms or has them crossed, when seen from behind her arms are beside her body. See more »


[first lines]
Pumpkin: Forget it. Too risky. I'm through doing that shit.
Yolanda: You always say that. That same thing every time, "I'm through, never again, too dangerous".
Pumpkin: I know that's what I always say. I'm always right, too.
Yolanda: But you forget about it in a day or two.
Pumpkin: Yeah, well the days of me forgetting are over, and the days of me remembering have just begun.
See more »

Crazy Credits

In the opening credits, the music changes as if it were on the radio just as the credit for "Music Supervisor" appears on the screen. See more »


Referenced in Multiplayer (2009) See more »


Teenagers In Love
Written by William Rosenauer
Performed by Woody Thorne
Courtesy of GNP Crescendo Records
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

One of the Best Film's I've Seen In A LONG Time... and still is
20 January 2000 | by (United States) – See all my reviews

Quentin Tarantino's Pulp Fiction is a terrific film. It also gets better with each viewing, especially if one of those happens to be on a big theatrical screen where all of the BIG compositions get bigger and more detailed. How much else is there to talk about it after all these years? It's filled with dynamite, sudden and always interesting action, great and naturally clever dialogue, and memorable characters. Also, the acting is always something to behold as by turns straightforward, over the top, subtle, and just downright menacing and spot-on. The directing is one of the strongest that we've seen from Tarantino, as he makes his choices in pacing with shots in unconventional ways but never in a way that would be distracting. And writing, already noted, has been copied by many, and only equaled by a select few.

The dance sequence. Samuel L. Jackson's superlative monologuing. It has loyalty among low lifes, and many other odd characters that are all bad and not one is a villain or hero. And somehow even after years of parody and terrible rip-offs, it holds its own and- as one can say after seeing it at a midnight screening- holds its audience as much as it had the countless times before they saw it (or if they are, the first time). The first time you're surprised, the second time you look for the clues or other ambiguity, and then the third time you laugh you head off. The fourth time... I'll leave to you.

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