IMDb > Beyond the Call (1996) (TV)

Beyond the Call (1996) (TV) More at IMDbPro »


Overview

User Rating:
6.0/10   73 votes
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Down 17% in popularity this week. See why on IMDbPro.
Director:
Tony Bill
Writer (WGA):
Doug Magee (written by)
Contact:
View company contact information for Beyond the Call on IMDbPro.
Release Date:
23 kesäkuu 1996 (USA) more
Genre:
Drama more
Plot:
Russell Gates is a Vietnam vet on death row for killing a policeman. His childhood sweetheart, Pam O'Brien... more | add synopsis
User Comments:
Performances Outshine Mediocre Script more (3 total)

Cast

  (Cast overview, first billed only)

Sissy Spacek ... Pam O'Brien

David Strathairn ... Russell Cates

Arliss Howard ... Keith O'Brien
Janet Wright ... Fran

Lindsay Murrell ... Rebecca
Leslie Carlson ... Dan (as Les Carlson)
Ken James ... Mel
Christina Collins ... Ruth
Andrew Sardella ... Mark
Wayne Downer ... Policeman #2
Diane D'Aquila ... Angela
Christine Reeves ... Cop's Wife

Rufus Crawford ... Thibodeaux

Desmond Campbell ... Guard #1
John Pearson ... Guard #2
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Additional Details

MPAA:
Rated R for strong language and some violence.
Runtime:
101 min
Country:
USA
Language:
English
Color:
Color
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Ultra Stereo
Certification:
UK:15 | Australia:M | USA:R
Filming Locations:
Toronto, Ontario, Canada

FAQ

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0 out of 2 people found the following comment useful.
Performances Outshine Mediocre Script, 13 helmikuu 2001
5/10
Author: baker-9 from United States

"Beyond The Call" is a good example of how strong, committed actors can get mileage out of a script that is both hackneyed and occasionally unbelievable.

Sissy Spacek and the terrific David Strathairn are both in top form as a psychologically damaged Vietnam veteran on death row for the killing of a policeman, and the woman who tries to get him to plea for clemency and finds out that there's more to the "killing" than meets the eye.

Arliss Howard is also fine as her increasingly jealous husband, a Vietnam vet himself who has put much emotional energy keeping his war-related emotions under control, and feels nothing but contempt for a fellow vet who becomes a convicted criminal because he can't do the same. Yet this husband isn't quite the same by the time the film is over.

Despite these performances, the script is generally predictable and many of the scenes between Spacek and Strathairn would be mawkish in lesser hands. But these two are so attuned to each other as performers that you are moved nonetheless. The once big false note is a scene between Strathairn and Howard that may be necessary to bring about the desired changes in Howard's character, but it's completely unbelievable.

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