IMDb RATING
5.4/10
4.2K
YOUR RATING
When letters written to God start getting results, and replies, people everywhere are amazed. The post office, however, is annoyed.When letters written to God start getting results, and replies, people everywhere are amazed. The post office, however, is annoyed.When letters written to God start getting results, and replies, people everywhere are amazed. The post office, however, is annoyed.
- Awards
- 1 nomination
Felix Pire
- Ramon
- (as Felix A. Pire)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaGarry Marshall first met Greg Kinnear when he guested on Later (1994). He was impressed by Kinnear's charisma, but did not know if he was an actor. Kinnear's performance in Sabrina (1995) finally convinced Marshall of his skill as an actor, and he earned his first lead role.
- GoofsWhen Tom first reads Marguerite's letter to God, it's says she lives in apartment 2-F at the Normandie Arms. But then when Tom addresses the envelope to Marguerite, he addresses it to apartment 22-F. When Tom arrives at the Normandie Arms to get his money back, Marguerite is speaking to the other renters, she says she lives in 2-A.
- Quotes
Bodacious TV Anchor: ...this may be the first time that a serial killer has used poison cereal to kill his victims...
- SoundtracksStraighten Up and Fly Right
Written by Nat 'King' Cole (as Nat King Cole) & Irving Mills
Performed by Lyle Lovett
Produced by Lyle Lovett & Billy Williams
Lyle Lovett performs courtesy of Curb/MCA Records
Featured review
Starts awfully, then improves measurably
"Dear God" is the rare example of a movie that starts abysmally but slowly gains its stride. Most films these days are the opposite. They grab you right off, then run out of steam. To be fair, "Dear God" never fully grabs you or has much steam. But it gets to the point where it becomes worth watching, eliciting several pleased chuckles, while still falling far short of out-and-out funny.
Greg Kinnear plays a two-bit hustler whose honest face and convincing stories allow him to con working joes out of their money. He has a gambling debt to repay to Junior, an overweight thug who teaches him a lesson or two about horses and stables at a disastrous visit to the track. Kinnear's Tom Turner is arrested while trying to scam two undercover cops disguised as foreign sight-seers, and in a ridiculous plot convenience, is sentenced to find a paying job for one year. Most criminals should be so lucky. But of course, Turner has that honest face.
Anyway, he ends up at the post office, where he's assigned to a dead letter office filled with whacko postal cast-offs, played with sufficient nuttiness by Laurie Metcalf, Jon Seda and Tim Conway, among others. Conway's character once memorized the entire layout of the city of L.A., but was demoted when he lost it and bit a dog. Metcalf plays a former lawyer who needed a "less stressful" job. You get the idea.
Through a series of accidents, this motley crew begins answering letters to God, and, through their limited means, they begin making minor miracles happen throughout L.A. The press picks up on it, which draws the attention of the U.S. Postmaster General (played with his usual rabid energy by the director, Garry Marshall), and brings heat on the do-gooder crew, whose activities are technically illegal. (Opening the mail is a federal offense). Meanwhile, Kinnear's Turner remains on the run from the gangsters and tries to woo a single mother played by the adorable Maria Pitillo, whose character has no function in this film other than as a weak romantic interest.
Extraordinarily lame-brained from the get-go, "Dear God" actually gets on course, as the relative uniqueness of its storyline manifests itself in some sweet, quiet moments, and as the ensemble group of veteran actors really begins to relish their roles. Metcalf is always funny, although she's a little over the top here, and Kinnear is notable for his ability to play a likeable everyman. Conway has a very-funny apology scene with a dog and is otherwise likeable in his eccentricity.
The movie ultimately only reaches the level of so-so -- but I guess the fact that I felt compelled to write about it means that it made some impact on me, and that I can marginally recommend it. 5 out 10.
Greg Kinnear plays a two-bit hustler whose honest face and convincing stories allow him to con working joes out of their money. He has a gambling debt to repay to Junior, an overweight thug who teaches him a lesson or two about horses and stables at a disastrous visit to the track. Kinnear's Tom Turner is arrested while trying to scam two undercover cops disguised as foreign sight-seers, and in a ridiculous plot convenience, is sentenced to find a paying job for one year. Most criminals should be so lucky. But of course, Turner has that honest face.
Anyway, he ends up at the post office, where he's assigned to a dead letter office filled with whacko postal cast-offs, played with sufficient nuttiness by Laurie Metcalf, Jon Seda and Tim Conway, among others. Conway's character once memorized the entire layout of the city of L.A., but was demoted when he lost it and bit a dog. Metcalf plays a former lawyer who needed a "less stressful" job. You get the idea.
Through a series of accidents, this motley crew begins answering letters to God, and, through their limited means, they begin making minor miracles happen throughout L.A. The press picks up on it, which draws the attention of the U.S. Postmaster General (played with his usual rabid energy by the director, Garry Marshall), and brings heat on the do-gooder crew, whose activities are technically illegal. (Opening the mail is a federal offense). Meanwhile, Kinnear's Turner remains on the run from the gangsters and tries to woo a single mother played by the adorable Maria Pitillo, whose character has no function in this film other than as a weak romantic interest.
Extraordinarily lame-brained from the get-go, "Dear God" actually gets on course, as the relative uniqueness of its storyline manifests itself in some sweet, quiet moments, and as the ensemble group of veteran actors really begins to relish their roles. Metcalf is always funny, although she's a little over the top here, and Kinnear is notable for his ability to play a likeable everyman. Conway has a very-funny apology scene with a dog and is otherwise likeable in his eccentricity.
The movie ultimately only reaches the level of so-so -- but I guess the fact that I felt compelled to write about it means that it made some impact on me, and that I can marginally recommend it. 5 out 10.
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- Vance-11
- Jan 27, 2000
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Details
Box office
- Budget
- $22,000,000 (estimated)
- Gross US & Canada
- $7,138,523
- Opening weekend US & Canada
- $3,213,045
- Nov 3, 1996
- Gross worldwide
- $7,138,523
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