Gallivant (1996) Poster

(1996)

User Reviews

Review this title
3 Reviews
Sort by:
Filter by Rating:
7/10
A rambling gambol around the coast of Blighty
HenryHextonEsq16 May 2010
Warning: Spoilers
This is somewhat in the shadow of Patrick Keiller and his "Robinson in Space" in particular, but nevertheless this is an enjoyably curious travelogue around the coast of Blighty.

Epiphany is reached on Holy Island, an intensely cinematic environ: as used by Roman Polanski in his macabre curio, "Cul de Sac" (1966). Northern friendliness exemplified by Middlesbrough citizens. Perennial nostalgia and love of performance is found on the remote North Cumbrian coast. A Julian Cope-esquire exploration of paganism in the Cornish wilds - all the sadder for the realisation that the locals are now even more priced out of their area by rampant second-home ownership.

There are a few quite sharp and profound moments, certainly - but perhaps it lacks a central thesis like that of "Robinson in Space" with its Defoe influenced itinerary. Kotting's experimental shorts on the DVD are well worth a look. "Gallivant" is ultimately an enjoyably oddball journey, perhaps most memorable for what it discloses about extreme youth and age - the personae of Kotting's 7 year old daughter, Eden, and his 85 year old grandmother, Gladys. Neither is likely to live much longer and the journey takes on an elegiac feel; the film mutates into a travel narrative about making something of limited time and resources: about companionship within an unusual family trio.
7 out of 7 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
Interesting travelogue
Penfold-1323 September 1999
Director Andrew Kotting, his 90 year old grandmother, and his 9 year old daughter (who has cerebral palsy or something like it) take a trip around the coast of Great Britain.

As a story, it's not dramatic: all it does is to give some vague hint of a narrative thread to what is basically a cinematic essay.

It is beautiful to look at, at times, even though it was shot on 8mm. It shows little which would be familiar to, or visited by, a tourist.

There is a constant sense of the past being lost; some footage from an earlier period is intercut, but many of the interviews with the very real people the crew meets on their travels also reminisce.

This is an engaging piece of a reflective, contemplative nature.
17 out of 21 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
One of the most moving films I've seen
PeterMcGill11 February 2012
The previous reviewers have said most of what I feel about this film, but I'd like to emphasise the touching nature of the relationship between Eden, disabled by Joubert's syndrome, and her "big gran", 85 year-old Gladys, and their relationship with the changing landscape of a vanishing Britain. Like Powell & Pressburger with "A Canterbury Tale" Andrew Kotting presents us with a mystical vision of pilgrims searching for "blessings". Perhaps the lollipop lady motif, Eden dressed as the Virgin Mary or Kotting in a monk's garb are not entirely whimsical? Suggestion: the BFI should have a Kotting season, and include his recent film with a grown-up 23 year-old Eden, "Louyre: This our Still Life".
5 out of 5 found this helpful. Was this review helpful? Sign in to vote.
Permalink

See also

Awards | FAQ | User Ratings | External Reviews | Metacritic Reviews


Recently Viewed