Finbar and Danny are close childhood friends who live in a depressing neighbourhood in an Irish town. Finbar gets the chance to play soccer in an international soccer team abroad but can't ... See full summary »
Jonathan Rhys Meyers,
The family of Raymond, his wife Val and her brother Billy live in working-class London district. Also in their family is Val and Billy's mother Janet and grandmother Kath. Billy is a drug ... See full summary »
This is a story of a man (Walker), suffering from dwarfism, who writes an autobiographical account of his life. In flashbacks, we see how he was conceived to a woman (Parillaud) at the end ... See full summary »
When a Midwest town learns that a corrupt railroad baron has captured the deeds to their homesteads without their knowledge, a group of young ranchers join forces to take back what is ... See full summary »
Bertolt Brecht lives! Maggie Hadleigh-West walks crowded urban streets carrying a video camera and microphone, trailed by one or two women also with cameras. Whenever a man harasses her, ... See full summary »
After failing school, 18 year old Irish leaves his small town of Kerry to find work. In London, he finds a job at an oil refinery and befriends a crude Scottish worker, but soon starts ... See full summary »
Trapped in her own doll-like existence, Faith dreams that one day she can be a real mother to her daughter Nell she abandoned seven years ago. But time has run out. Her sister Eris can no ... See full summary »
Tom (Freddie Cunliffe), an alienated 15 year old boy, finds the that opportunity for close observation of his father, after their move from London to rural Devon and the birth of a new baby, reveals a world run through with darkness and pain. Tom is unable to reconcile the life he's known what he sees with his own eyes, and blames his 18 year old sister, Jessie (Lara Belmont). Both Tom and Jessie struggle to find some path to truth and sanity as the human forces around them work in polarity with their isolation to either assist them, or destroy them. Written by
John Sacksteder <firstname.lastname@example.org>
At a public screening of this movie during the 1999 Toronto International Film Festival, one viewer was so upset and devastated that he rose to his feet and shouted that he couldn't take any more, then headed for the exit, intending to pull the fire alarm. Director Tim Roth, who was in attendance, intercepted him at the door, and it took 20 minutes of intense conversation to calm the man down. See more »
im Roth's directorial debut is an absolutely stunning piece of work. Roth, as well as the actors and crew involved in the making of this film, should be commended -- not only for their art, but for bringing such an important subject as this into the light in such a sensitive way. Everything about the film -- the look, the use of music, the adaptation (by Alexander Stuart, from his novel), Roth's direction, and the incredible work of the actors, is first-rate. Especially notable is the work by Lara Belmont and Freddie Cunliffe, the young actors who portray the brother and sister in the film -- I would have never guessed from their performances that this was their first time out.
Many viewers have been caught off-guard by this film -- it's easily one of the most gut-wrenching I've ever seen. One woman I've talked with saw it at the Sundance Festival, without knowing anything about it beforehand, and was totally devastated by it -- but moved to such an extent that she went back to her community determined to do something positive to help survivors.
A film that can touch people on such a deep level should be more widely seen -- especially when it deals with a subject as important as this one.
11 of 21 people found this review helpful.
Was this review helpful to you?