Finbar and Danny are close childhood friends who live in a depressing neighbourhood in an Irish town. Finbar gets the chance to play soccer in an international soccer team abroad but can't ... See full summary »
Jonathan Rhys Meyers,
The family of Raymond, his wife Val and her brother Billy live in working-class London district. Also in their family is Val and Billy's mother Janet and grandmother Kath. Billy is a drug ... See full summary »
Bertolt Brecht lives! Maggie Hadleigh-West walks crowded urban streets carrying a video camera and microphone, trailed by one or two women also with cameras. Whenever a man harasses her, ... See full summary »
This is a story of a man (Walker), suffering from dwarfism, who writes an autobiographical account of his life. In flashbacks, we see how he was conceived to a woman (Parillaud) at the end ... See full summary »
Romantic drama set in rural Ireland of the 1930s. The story begins when 19-year-old Elizabeth has a brief fling with an actor and falls pregnant. Community pressure forces her to marry a ... See full summary »
Elisabeth Dermot Walsh,
After failing school, 18 year old Irish leaves his small town of Kerry to find work. In London, he finds a job at an oil refinery and befriends a crude Scottish worker, but soon starts ... See full summary »
Trapped in her own doll-like existence, Faith dreams that one day she can be a real mother to her daughter Nell she abandoned seven years ago. But time has run out. Her sister Eris can no ... See full summary »
Tom (Freddie Cunliffe), an alienated 15 year old boy, finds the that opportunity for close observation of his father, after their move from London to rural Devon and the birth of a new baby, reveals a world run through with darkness and pain. Tom is unable to reconcile the life he's known what he sees with his own eyes, and blames his 18 year old sister, Jessie (Lara Belmont). Both Tom and Jessie struggle to find some path to truth and sanity as the human forces around them work in polarity with their isolation to either assist them, or destroy them. Written by
John Sacksteder <email@example.com>
Alexander Stuart: "Once my son was diagnosed with cancer, I had this huge amount of pain and anger about how this could happen to the child I loved so much. And I definitely directed that into The War Zone. I wrote it differently than anything I've written. I would rush back to the house while he was in chemotherapy and just write for two hours. I almost felt as if I were channeling it." See more »
This is hard medicine -- definitely NFE (not for everyone)
The 1998 Danish Dogma film "The Celebration" (Festen) is another hard medicine movie, intense drama about family strives and incest. The Danish film shows the intensity through dialogs and character reactions. Tim Roth's film cuts to the chase and shows the vivid horror of the actual act. Tim does not skirt around the subject. He takes the subject right on and tackles it directly and really shakes up the viewers. It's raw emotions -- nothing sentimental. The actors are in their natural appearances with not much make-up: Tilda Swinton you see her with the pregnant creased skin-folds of a tummy inelegance; the two teenagers (Lara Belmont as Jessie, Freddie Cunliffe as Tom) in their casual demeanor/slouching poses; Ray Winstone as the seemingly unsuspicious father who looks like any man of the house, full of himself and chatting incessantly (in a way, an indication of certain insecurity and self-doubt?).
We don't get to see the predator's face much. Director Tim Roth wants the focus on the heinous act vs. personal faces, which could be anybody who has had such traumatic experience at home. Home is where the trust and warmth of a family together should be. Through Tim's delivery, we see the coldness and frustration the two teenagers face, esp. Tom the son, who discovered the wrongful act accidentally and felt confused and unable to talk to anyone about it -- his sister, the victim, just as confused and unable to talk about it. The different levels of fear that each member of the family has A poignant film, with explicit scenes sensitively choreographed, demands viewers attention to the tough subject at hand. We can't turn away -- the inevitable merciless truth presented in our face on the screen. It's a bold attempt. This film calls for attention to the subject of incest and its traumatic consequences beyond imagination. Roth succeeded.
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