Directed by
Joey Travolta |
Writing Credits (in alphabetical order)
Scott Carr | ... | (additional dialogue) |
Jim Esposito | ... | (screenplay) |
James Ford | ... | (screenplay) |
Marc Glassman | ... | (robot dialogue) |
Gary LoConti | ... | (screenplay) |
Gary LoConti | ... | (story) |
Ron Ruzicka | ... | (robot dialogue) (as Ron Rusicka) |
Paul G. Volk | ... | (robot dialogue) |
Cast (in credits order) complete, awaiting verification
Produced by
Kelli Konop | ... | line producer |
Frank Leonetti | ... | associate producer |
Gary LoConti | ... | producer (as Gary M. Loconti) / producer |
Joseph Merhi | ... | executive producer |
David E. Ornston | ... | producer |
Richard Pepin | ... | executive producer (as Rick Pepin) |
Richard Salvatore | ... | producer |
George Shamieh | ... | executive producer |
Jack Tucker | ... | co-producer |
Music by
John Gonzalez |
Cinematography by
Frank Reiber |
Editing by
Jack Tucker |
Casting By
Tracy Lilienfield |
Production Design by
Wayne Beswick | ||
Nava | ||
Joe Lemmon | ... | (uncredited) |
Art Direction by
Joe Lemmon |
Set Decoration by
Nava |
Costume Design by
Lexi Nikitas |
Makeup Department
Teri Groves | ... | key makeup |
Lea Nettles | ... | additional makeup |
Production Management
Kelli Konop | ... | unit production manager (as Kelly Konop) |
Second Unit Director or Assistant Director
Don Blackburn | ... | second assistant director |
Steven J. Corzan | ... | first assistant director (as Steve Corzan) |
Gary LoConti | ... | second unit director |
Karen Rohr | ... | second second assistant director |
Jeffrey E. Poehlmann | ... | second assistant director (uncredited) |
Art Department
Susan Guralnik | ... | assistant propmaster |
Karla B. Holland | ... | decorator |
Gary LoConti | ... | set designer |
Talon McKenna | ... | construction coordinator |
Lynn Underwood | ... | propmaster |
Sound Department
Sergio Bandera | ... | additional sound (as Sergio Banderas) |
Vanessa Bates | ... | studio executive |
John Bogosian | ... | background editor |
Kary Chapman | ... | production sound coordinator |
Smith Craig | ... | re-recording mixer |
Bob Fisher | ... | boom operator |
Gary S. Gerlich | ... | sound effects editor |
Marc Glassman | ... | additional sound effects / mixer: re-mastering |
Jeremy Grody | ... | mixer: re-mastering |
Elliot Korentz | ... | sound effects editor |
Gary LoConti | ... | adr director |
Greg Mauer | ... | foley recordist |
Coleman Metts | ... | production sound mixer |
Alan L. Nineberg | ... | dialogue & adr editor |
Rick Owens | ... | foley artist |
Fred Rivas | ... | ultra stereo consultant |
Michael Ruiz | ... | assistant engineer (as Mike Ruiz) |
Ron Ruzicka | ... | additional sound effects |
Jonathan Wales | ... | sound effects editor |
Special Effects by
Edgar Arelano | ... | minatures: gaffer |
Larry Arpin | ... | creatures constructor and sculptor / rotoscope lead artist |
John Eppolito | ... | supervisor: Ultramatrix |
Greg Hendrickson | ... | pyrotechnics (as Gregg Hendrickson) |
Derek Hewitt | ... | special effects assistant |
Sean Hewitt | ... | special effects assistant |
Glenn Hoyan | ... | special effects assistant |
Richard Morales | ... | minatures: camera assistant |
Mike O'Malley | ... | storyboard artist |
Willy Paguntalan | ... | lead model builder (as Will Paguntalan) |
Eric Scott | ... | miniature photography |
Marshal Stewart | ... | screen effects |
Joseph Vesie | ... | special effects technician (as Joe Vesie) |
Visual Effects by
Lars Arpensky | ... | optical lineup |
Larry Arpin | ... | lead composite artist / stop motion photography |
Kevin Bahn | ... | cgi: trainee |
Mary K. Byrne | ... | lead composite artist |
Karen M. Crawford | ... | composite artist |
Casey Cresenzo | ... | animation artist: 3D |
Phil Cresenzo | ... | animation supervisor: 3D |
Stan Elrich | ... | typesetting |
Mark Hanau | ... | cgi art director |
Mark Hannah | ... | senior animator: 3D |
David L. Hewitt | ... | optical effects supervisor (as David Hewitt) |
Dana Kilgore | ... | gaffer: special effects |
Gary LoConti | ... | digital supervisor / optical effects producer / visual effects producer / visual effects supervisor |
George E. Mather | ... | additional plate photographer (as George Mather) |
John Monceau | ... | scanning supervisor |
John Garin Monceau | ... | scanning assistant |
Abby Pielet | ... | production coordinator |
Frank Reiber | ... | visual effects photography (as Frank Rieber) |
Gabe Roberts | ... | composite artist: 3D animation |
Markus Rothkranz | ... | matte paintings |
Jeff Wiant | ... | additional plate photographer |
Tom Wood | ... | project coordinator |
Stunts
Dorenda Moore | ... | stunt woman |
Gary J. Wayton | ... | stunt coordinator |
Dan Bell | ... | stunt coordinator (uncredited) |
Camera and Electrical Department
Roman W. Bennett | ... | best boy |
J.L. Fisher | ... | dolly provider |
Max Gerson | ... | grip / rigging grip |
Bryan Godwin | ... | additional photography (as Brian Godwin) |
David Irwin | ... | best boy rigging electric |
Frank Johnson | ... | additional photography |
Vladamir Melnik | ... | electrician |
Justin Mitchell | ... | rigging electric / swing |
David Nielsen | ... | rigging grip |
David Nielson | ... | best boy grip |
Hector Rivera | ... | rigging gaffer |
Marcel Schoettel | ... | electrician |
Eric Scott | ... | green screen photography |
James A. Seale | ... | key grip |
Robert Snyder | ... | rigging electric: and swing (as Bob Snyder) |
Roderick Spencer | ... | gaffer (as Rod Spencer) |
William Stroum | ... | publicity stills (as Bill Strome) |
Clayton Tripp | ... | first assistant camera |
Joseph Vesie | ... | third assistant camera |
John Wagner | ... | second assistant camera |
Editorial Department
Sean Buck | ... | assistant editor |
Doug Ledin | ... | color timer |
Brahim Maksoud | ... | assistant editor |
Paula McDaniel | ... | post coordinator (as Paula Haden) |
Sean McKinley | ... | assistant editor |
Shannon D. Moore | ... | assistant editor |
Issam Tahan | ... | post-production logistics |
Mario Von Korff | ... | assistant editor |
Chris Weber | ... | negative cutter |
Gary Weber | ... | negative cutter |
Music Department
Alexandra Patsavas | ... | music supervisor (as Alexandria Patsavas) |
Script and Continuity Department
Paula Hunziker | ... | script supervisor (as Paula Dussman) |
Kristine Kelley | ... | additional script supervisor |
Transportation Department
Roger Roberge II | ... | driver (as Roger Roberge) |
Additional Crew
Scott Carr | ... | production assistant |
Chris Jacobs | ... | studio manager |
Rochelle Knoll | ... | production assistant |
Gary LoConti | ... | adr director / digital supervisor |
Ken Lombard | ... | production assistant |
John Murphy | ... | production assistant |
Cynthia Nordness | ... | wrangler |
Michael Rubin | ... | legal services |
Jim Sprague | ... | studio coordinator |
Alice Unger | ... | studio teacher |
Truman Van Dyke | ... | insurance |
Lonnie Ramati | ... | production business affairs (uncredited) |
Thanks
Mark Carol | ... | special thanks (as Dr. Mark Carol) |
Heather Daimes | ... | special thanks |
Howie Hubberman | ... | special thanks |
Carol Konop | ... | special thanks |
Elenore LoConti | ... | special thanks |
Nick LoConti | ... | special thanks |
George E. Mather | ... | in loving memory: the force was in you (as George Mather) |
Barbara Maultsby | ... | special thanks |
Hubert Ornston | ... | special thanks |
Lillian Ornston | ... | special thanks |
Mark Pearlman | ... | special thanks |
Angela Rivera | ... | special thanks |
Geri Salvatore | ... | special thanks |
Steve Salvatore | ... | special thanks |
Mercy Santos | ... | special thanks |
Pete Seldin | ... | special thanks |
Steve Shorkey | ... | special thanks |
Irvine Starke | ... | special thanks |
Virginia Starke | ... | special thanks |
Sharon Starr | ... | special thanks |