Directed by
| LeVar Burton | ||
Writing Credits (WGA)
| John Strege | ... | (book) |
| Takashi Bufford | ... | (teleplay) (as Takashi A. Bufford) |
Cast (in credits order)
Produced by
| Jerry Goldman | ... | producer |
| Ken Mok | ... | executive producer |
| Dawn Olmstead | ... | executive producer |
Music by
| Camara Kambon | ||
Cinematography by
| Frank Byers | ||
Editing by
| Tom Walls | ||
Casting By
| Ellie Kanner | ||
Production Design by
| Bruce Buehner | ||
Art Direction by
| John B. Josselyn | ||
Set Decoration by
| Donald Elmblad | ||
Makeup Department
| Heidi Grotsky | ... | makeup assistant |
| Jeff Lewis | ... | key makeup artist |
| Cindy Miguens | ... | makeup artist |
Production Management
| Lisa Cochran-Neilan | ... | unit production manager |
Second Unit Director or Assistant Director
| Rick Johnson | ... | first assistant director |
| Donald Sparks | ... | second assistant director |
Art Department
| Bill Brownell | ... | graphics |
| Peter Clines | ... | assistant property master |
| George Karnoff | ... | leadman |
| Rudolfo Lerma | ... | set dresser |
| Charles Monroe | ... | on-set dresser |
| Leah K. Nellman | ... | assistant props |
| Diego Sanchez | ... | set dresser |
| Yvette Taylor | ... | set dresser |
Sound Department
| Tim Chilton | ... | foley artist |
| Bob Costanza | ... | supervising sound editor |
| David C. Eichhorn | ... | sound editor |
| Tommy Goodwin | ... | foley mixer |
| Peter Halbert | ... | sound |
| George E. Marshall Jr. | ... | boom operator |
| Rocky Reilly | ... | sound utility |
Special Effects by
| Boyd Lacosse | ... | special effects foreman |
Visual Effects by
| Tom Mahoney | ... | visual effects supervisor |
Camera and Electrical Department
| Tyler Allison | ... | assistant camera |
| Michael Ambrose | ... | lighting technician |
| Jim Babb | ... | lighting technician |
| Mike Bellantoni | ... | grip |
| Bill Brao | ... | camera operator |
| Daniel Coscina | ... | first camera assistant |
| JT Diaz | ... | grip |
| Christopher Gosch | ... | director of photography: second unit |
| Seth Greenwald | ... | key grip |
| Leyla Monique Guzman | ... | camera loader |
| Grg Magidow | ... | assistant camera (as Greg Magidow) |
| Eric Mutz | ... | grip |
| William A. Purcell | ... | pre-rigging grip |
| Rell Putt | ... | grip |
| Monica Schad | ... | focus puller: second unit (as Monica Carey) |
| Demian Scott Vaughs | ... | A Cam Dolly Grip |
| Danny Vincent | ... | grip |
| John Zumpano | ... | chief lighting technician |
Casting Department
| Jill L. Uyeda | ... | casting associate |
Costume and Wardrobe Department
| Mem MacAfee | ... | set costumer (as Mem Macafee) |
Editorial Department
| J.R. Benson | ... | colorist: digital color correction |
| Matthew Colonna | ... | assistant editor |
| Scott Levitta | ... | vice president: post-production |
Location Management
| Mario Ramirez | ... | location manager |
Music Department
| Deanna Colon | ... | Songwriter & Singer "Please Stay" (as Deanna DellaCioppa) |
| Paul Frederick | ... | composer: additional music |
| Chris McGeary | ... | music editor |
Script and Continuity Department
| Diane Weiss | ... | script supervisor |
Transportation Department
| Scott Anderson | ... | driver |
Additional Crew
| Niki Boyle | ... | stand-in |
| Kym Carranza | ... | assistant to producer |
| Michael Patrick Ford | ... | production assistant (as Michael Ford) |
| Heather Kritzer | ... | production coordinator |
| Suzy Strawn Scott | ... | studio teacher (as Suzy Strawn) |
| Bill Thomas | ... | production assistant |
| Wilfred Wong | ... | title designer |
| Ralph Berge | ... | production executive (uncredited) |
