Otto and Ana are kids when they meet each other. Their names are palindromes. They meet by chance, people are related by chance. A story of circular lives, with circular names, and a ... See full summary »
Hallam's talent for spying on people reveals his darkest fears-and his most peculiar desires. Driven to expose the true cause of his mother's death, he instead finds himself searching the rooftops of the city for love.
Max is on his way to Tokyo. He lives in Paris and likes to flirt but has decided to get married. By chance, he seems to have seen Lisa, his greatest love, in a cafe. Max forgets everything,... See full summary »
Set in the south of the United States just after the Civil War, Laurel Sommersby is just managing to work the farm without her husband Jack, believed killed in the Civil War. By all ... See full summary »
Fledgling writer Briony Tallis, as a 13-year-old, irrevocably changes the course of several lives when she accuses her older sister's lover of a crime he did not commit. Based on the British romance novel by Ian McEwan.
The Lisbon's house number is 2037, after Cecilia's death the 7 is no longer upright, as there is now only 6 members of the household. See more »
To show the Lisbon house's gradual dilapidation, the 7 on the house number above the door is sideways as if it was missing a nail. In a later shot that is meant to demonstrate the passage of time, the 7 is upright again. See more »
A Dream Goes on Forever
Written by Todd Rundgren
Performed by Todd Rundgren
Courtesy of Bearsville Records
By Arrangement with Rhino Entertainment Company and Warner Special Products
Published by Warner/Tamberlane Publishing Corp. o/b/o Itself, Fiction Music Inc., Humanoids Music and Screen Gems Music Inc. See more »
Sofia Coppola's film is an adaptation of Jeffrey Eugenides excellent novel of the same name. It is a beautiful, visually stunning movie, but it fails to capture the book's spirit.
The Virgin Suicides presents itself as a story about five mysterious Lisbon sisters. It all starts when the youngest one, Cecilia, tries to commit suicide, but, unsurprisingly, tragic events don't stop there. In essence, this is a coming of age story for the group of boys, who watch the Lisbon sisters and fantasize about them long after they're gone. It's also the story about the death of suburbia in the 70s.
The cast is very good, if a little surprising. Kathleen Turner and James Woods are excellent as the parents. Kirsten Dunst might not seem as the perfect person to play the most rebellious of the sisters, Lux, but she is quite good in capturing the character's spirit. Josh Hartnett as the school hearth throb Trip Fontaine, proves to poses an acting talent in one of his earliest roles. Too bad some of his later work was forgettable (or embarrassing). But bringing Trip Fontaine to life was not an easy task, given the importance of the character and the fact the screen time was limited, and he pulls that off with ease.
Copolla does her best to keep all the important dialogues and scenes from the book. Great attention is given even to the little details only people who've read the novel will notice: the bracelets, brown-and white saddle shoes, Trip Fontaine's necklace. Directors and screenwriters rarely do that these days, and it's a big plus.
However, the film never manages to be more than just average, if stunningly beautiful. It somehow includes all the details, but completely misses the atmosphere and spirit of the novel. It's probably because of Copolla's choice to focus on the sisters themselves and not the boys; this way, much of the mystery about them is gone, and it was one of the driving forces in the book.
But a film doesn't need to be a great adaptation of the book to be good. However, The Virgin Suicides is never fully able to exist on its own; there are many scenes and situations that seem confusing if you're unfamiliar with the book. So at the same time it fails to capture the novel's spirit, while being too dependent on the novel to fully stand on its own.
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