The retelling of France's iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and to the end of her reign as queen and ultimately the fall of Versailles.
After she had written the script, Sofia Coppola was heartbroken to discover that another company was already producing an adaptation of the book themselves. However, they were not happy with their script, so she showed them hers and they ended up using it instead. See more »
When Trip is introducing himself to the movie, he talks about the first time he met Lux. He says he met her for the first time when he walked into the wrong history class. But when they show him walking into class, the door says Language Arts. See more »
What lingered after them was not life, but the most trivial list of mundane facts: a clock ticking on a wall, a room dim at noon, and the outrageousness of a human being thinking only of herself.
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Ce Matin La
Written by Jean-Benoît Dunckel (as Jean Benoit Dunckel), Nicolas Godin (as Nicholoas Godin) and Patrick Woodcock (as P. Woodcock)
Performed by Air (French Band)
Courtesy of Astralwerks Records
Under Exclusive License from Source Records
Published by Revolvair, S.R.L.
Administered by MCA Music Ltd and Music Corporation of America See more »
Tragic, Morbid and Disturbing Theme Explored with Extreme Sensibility
In 1974, in Michigan, the lives of a group of teenage boys are affected by the suicide of five girls from the Lisbon family. Cecilia (13) (Hanna Hall), Lux (14) (Kirsten Dunst), Bonnie (15) (Chelse Swain), Mary (16) (A.J. Cook) and Therese (17) (Leslie Hayman) move with their Mathematics teacher father Mr. Lisbon (James Wood) and their possessive housewife mother Mrs. Lisbon (Kathleen Turner) to a calm suburb house. Their beauties attract the attention of a group of boys that meet in the house on the other side to watch the girls. When Cecilia commits suicide, the girls stay at home for a period, returning to school later. When the handsome football player Trip Fontaine (Josh Hartnett) seduces Lux and spends the night outside with her, Mrs. Lisbon locks the girls at home, leading them to commit massive suicide.
The first time I saw this movie was on 15 October 2001, and I was impressed with the magnificent debut of Sofia Coppola as a director. Yesterday I saw "The Suicide Virgins" again and I keep my first impression. Sofia Coppola uses the opposite style of her sensationalist father, and explores with extreme sensibility this tragic, morbid and disturbing theme, the suicide of teenagers. The behavior of the American society is subtly criticized, through the condemned action of the press and the lack of attitude from the neighbors and school community, since these agents see and comment the abnormal behavior of the Lisbon family and take no attitude to help the girls. The nostalgic music score, with classics from the 70s, is another plus. With regard to the charismatic team of actors and actresses, their performances are simply stunning. Five years later, it calls the attention the modifications mainly in Josh Hartnett, who I believe was participating of his first important movie: he was a practically unknown teenager, and now is a famous adult actor. Kathleen Turner, from the sexy and gorgeous Matty Walker/Mary Ann Russell of "Body Heat" (1981) to this awful Mrs. Lisbon, is also impressive. "The Suicide Virgins" is a movie that deserves to be watched many times. My vote is eight.
Title (Brazil): "As Virgens Suicidas" ("The Suicide Virgins")
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