(1986)

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8/10
Lovers lane just ain't for parking
Woodyanders10 November 2017
Warning: Spoilers
A group of female friends swap stories about the various sexual adventures they had as young women at a local hangout known as Lovers Lane.

Writer/director Duck Dumont maintains a pleasant tone through and relates the enjoyable erotic vignettes at a snappy pace. Foxy brunette Tracey Adams makes for an appealing lead. The other principal female cast members are really hot and attractive: Tasty blonde Barbara Dare, slinky minx Stacey Donovan, and pretty Alexis Grace. Billy Dee contributes an amusing turn as drawling good ol' boy Dave while Joey Silvera does his usual solid work as nice guy Martin. The sex scenes are quite arousing and energetic, with the sequence in which Dare takes on two bikers rating as a definite scorching highlight. A lesbian make-out session between Dare and Adams likewise proves to be seriously steamy. Guido's sparkling cinematography gives the movie an attractive bright look and boasts a few neat overhead camera shots. The bouncy score by the Frecote Brothers keeps things bubbling along. Recommended viewing for 80's porn fans.
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Relentlessly pleasant porn
lor_23 June 2022
While most porn tries to be edgy, misogynistic or at least graphically "in your face", here's a movie from the era when theatrical porn was being replaced by VHS releases that's none of the above.

Instead, it's an amiable exercise in nostalgia, not unlike the tone of mainstream movies like "American Graffiti". It's extremely well-made by writer-director Duck Dumont, but perhaps inevitably, suffers from blandness. I can't imagine why a porn fan would want to see content, albeit explictly XXX, that is better done in a softcore drive-in movie (I'm thinking of hundreds of 1970s features released by such labels as Crown Pictures Intl. And New World.

Superstars Tracey Adams and Barbara Dare star, and even get a fine lesbian scene together. All the sex-scenes are upbeat, and even a potentially negative character, the cop with flashlight who frequently is interrupting the young lovers making out in convertibles or pickup trucks parked on Lovers Lane in rosy flashbacks, turns out to be a good guy.

The exterior scenes of sex are all staged in the studio, with highly professional lighting.
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