Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
A brilliant pianist, a Polish Jew, witnesses the restrictions Nazis place on Jews in the Polish capital, from restricted access to the building of the Warsaw ghetto. As his family is rounded up to be shipped off to the Nazi labor camps, he escapes deportation and eludes capture by living in the ruins of Warsaw. Written by
Adrien Brody and Marcia Gay Harden are the only actors to win an Oscar without being awarded for the same performance in none of its predecessor awards (Critics Choice Awards, Golden Globe, SAG and BAFTA). Harden was not even nominated for those awards for her performance in Pollock (2000). See more »
When Szpilman crosses the bridge, an extra in glasses passes him twice. See more »
I can remember when this film came out I was adamantly against seeing it. I had my preconceived notions that it would be some other heroic Jewish Holocaust film where good triumphs over evil and in between we would see some brutal atrocities committed by the Germans to add some flavour.
How wrong I was.
This is one of the best films I have ever seen and what it did to me I cannot describe in words. But in a nutshell, it moved me, made me cry, made me feel like I was in the Polish ghetto in 1940, and ultimately made me kiss the sidewalks as I walked out of the theater and thanked God that I live in the free society that I do.
Roman Polanski has proved that he is a great director with films like Chinatown and Rosemary's Baby but this is his crowning achievement. I think the fact that this won the awards that it did at this years Oscars goes a long way to validate the brilliance of this film. I believe that the Oscar's are rigged for the most part and films and actresses and such win based more on their pedigree or business associations than anything else, so when it won best actor and director and adapted screenplay this year, it tells you that it should have won best picture but the Weinsteins seem to have a spell over everyone, hence a charlatan like Chicago takes top prize. Sorry for the digression here but when you compare a "film" like Chicago to a masterpiece like The Pianist, there really is one clear cut winner. They handed out the statue to the wrong movie.
The Pianist follows up and coming piano player Wlad Spielzman from his days as a local hero to a prisoner of war to his time in the ghettos, surviving only by the kindness of strangers. I think many people have touched on this before but what makes this film so amazing and well crafted is because Spielzman is a man that we can all relate to. He is not a hero, he is not a rebel and he is not a kamikaze type that wants and lusts after revenge. He is a simple man that is doing everything in his power to stay alive. He is a desperate man and fears for his life and wants to stay as low as he can. Only from the succor he receives from others does he manage to live and breathe and eat and hide. And this is how I related to him. If put in his position, how would I react? Exactly the way he did. This is a man that had everything taken from him. His livelihood, his family, his freedom and almost his life. There is no time for heroics here. Adrien Brody embodies the spirit of Spielzman and his win at this years Oscars was one of the happiest moments I have had watching the festivities. His speech was even better but that is a topic for another time.
Ultimately it is his gift of music that perhaps saves his life and the final scene that he has with the German soldier is one of the most emotionally galvanizing scenes I've witnessed. With very little dialogue, it is in the eyes, the face, the mouth and the sounds that chime throughout their tiny space that tell you all you need to know. I think it is this scene that won Brody his Oscar. This is one of the all time great performances.
I think Polanski spoke from the heart here. He has taken a palette of memories and amalgamated them with what he has read and given us one of the best films of our generation and any other. I think The Pianist will go down as one of the best films of this century and when all is said and done, Chicago will be forgotten the way Ordinary People was forgotten and when people talk about the film The Pianist, they will do so with reverence and respect. This is a cinematic masterpiece.
10 out of 10
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