Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
A brilliant pianist, a Polish Jew, witnesses the restrictions Nazis place on Jews in the Polish capital, from restricted access to the building of the Warsaw ghetto. As his family is rounded up to be shipped off to the Nazi labor camps, he escapes deportation and eludes capture by living in the ruins of Warsaw. Written by
Proceeds from the Amsterdam, Netherlands premiere were donated to the Anne Frank House. See more »
Near the end of the movie, Szpilman leaves the house where he has been hiding for a while. Warsaw is completely destroyed, and all buildings are in shambles, but all the streetlight poles are perfectly straight. See more »
last weekend, I saw Roman Polanski's The Pianist and what a movie. The grizzly reality feeling of the movie shell-shocked me in the first place but later on I recognized the pure feeling of the film: The horror what war does with innocent people truly is. the main story isn't about a war hero, but about people who don't want to die in this madness. Every aspect of the film is really done for an reason and in his place and you don't feel this as entertainment.
the music is what hit me the most. the classical tunes had such an enormous impact on me and portrayed the feelings of the main role of the pianist. The fact that there are no hero's in a war movie is for me more than a welcome benefit. No war in the world should have hero's who can't die. Everybody in this movie can die, every second of it. The scary moments are real scary.
bottom line: ten times as realistic as the also brilliant Schindler's list. and twenty times better than Saving private Ryan for the lack of hero's and there is no patriotism at all.
ten out of ten, best movie of 2002
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