An undercover state cop who has infiltrated an Irish gang and a mole in the police force working for the same mob race to track down and identify each other before being exposed to the enemy, after both sides realize their outfit has a rat.
Mathilda, a 12-year-old girl, who is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
Wladyaw Szpilman is an aspiring Polish pianist whose entire family are Jews. Shipped off to concentration camps bound for death, Wladysaw's musical renown intervenes and an influential friend in the Jewish police pulls him away from the boarding line. His fortune, however, is exchanged for his division from the remainder of the family. Living in fear and survival guilt, he encounters many near-death experiences and must rely on the courage of others to stay alive. Enthralled by the pianist's ability, one such model was Nazi Captain Wilm Hosenfeld who fed and kept his existence a secret. The Second World War eventually broke down and The Pianist's main character would become a successful musician. Written by
When Wladyslaw Szpilman crawls past the woman who was shot in the back and died kneeling in front of the hospital (before she reached the staircase), she has moved forward visibly (and is now in front of the stairs). See more »
terrific movie, if relentlessly gritty and realistic
I remember seeing "Schindler's list" about ten years ago, and I remember how weird I felt for being almost completely unmoved by it. Although it showed the horrors of holocaust quite realistically, somehow it all seemed just a bit too fake and exaggerated. Characters were a bit off (I still can't decide who was more over the top, Schindler or Goeth), fake sentimentalism was all over the place, . While it was a work of art and an important reminder of true events that shouldn't be forgotten, on emotional level it just somehow failed to deliver.
Enter "The Pianist". With no Spielberg around to put his trademark sappy material, we finally have a movie that shows the true horror and tragedy of Jewish people in World War II. The story is told through the eyes of one man - Wladislaw Szpielman, Jewish pianist who works in a radio station in Warsaw during the German occupation of Poland. Together with him we watch his world getting torn apart, witness his family being taken away, his existence being reduced to bare essentials. Brody gives a subtle yet spectacular performance, his best work yet. And never once are we reminded that we are watching a movie. Everything is shown from Szpielman's point of view, and it is all very gritty and realistic. While Spielberg's rendition of German atrocities always had a slightly staged feel to augment their dramatic purpose, here they are so true to life there impact is much greater - you watch and are being reminded in horror that this things actually happened.
While being very hard to watch sometimes, this is a movie that "Schindler's List" was supposed to be. This movie doesn't judge anybody, or tries to explain anything - it shows historical events as a reflection of one man's fate, making a powerful testimony that stays with you long after the beautiful last shot and the end credits are over.
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