Directed by
| Mike Figgis | ||
Writing Credits
| Heathcote Williams | ... | (adaptation) |
| Mike Figgis | ... | (story) |
| John Webster | ... | (play) (uncredited) |
Cast (in credits order) complete, awaiting verification
Produced by
| Andrea Calderwood | ... | executive producer |
| Mike Figgis | ... | producer |
| Annie Stewart | ... | producer |
| Lesley Stewart | ... | co-producer |
| Ernst Etchie Stroh | ... | producer (as Etchie Stroh) |
Music by
| Mike Figgis | ||
| Anthony Marinelli | ||
Cinematography by
| Patrick Alexander Stewart | ... | director of photography (as Patrick Stewart) |
Casting By
| Celestia Fox | ||
Production Design by
| Franco Fumagalli | ||
Set Decoration by
| Susanna Codognato | ||
Costume Design by
| Catherine Buyse Dian | ||
Production Management
| Andrea Borella | ... | production supervisor |
| Rosa Romero | ... | production manager |
| Emma Zee | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Paola Barbaglia | ... | second assistant director |
| Susie Liggat | ... | first assistant director |
| Giorgia Marangoni | ... | second assistant director |
Art Department
| Daniele Carrer | ... | property master (as Daniele Carreer) |
| Alberto Tomasini | ... | stand-by props |
| Alessandro Toso | ... | assistant property master |
| Antonio Viola | ... | art department production assistant |
Sound Department
| Ronald Bailey | ... | sound consultant |
| Paul Carr | ... | adr and foley mixer |
| Felicity Cottrell | ... | foley artist |
| James Feltham | ... | dubbing mixer / supervising sound editor |
| Paul Golding | ... | location sound supervisor |
| Nigel Heath | ... | dubbing mixer / supervising sound editor |
| Michael Mandalis | ... | sound editor |
| Ruth Sullivan | ... | foley artist |
| Richard Taylor | ... | sound IT support |
| Mark Tucker | ... | location sound supervisor |
| James Seddon | ... | dolby consultant (uncredited) |
Visual Effects by
| Helle Absalonsen | ... | production coordinator: Digital Film Lab |
| Vicci Allen | ... | production coordinator: Digital Film Lab |
| Steen Lyders Hansen | ... | inferno operator |
| Sam Smith | ... | inferno operator: Digital Film Lab. |
Camera and Electrical Department
| Martha Aldridge | ... | camera assistant |
| Lucy Bristow | ... | camera operator |
| Mike Figgis | ... | camera operator / digital camera rig designer |
| Reuben Garrett | ... | gaffer |
| Cath Le Couteur | ... | camera assistant |
| James O'Keeffe | ... | camera operator (as Jim O'Keefe) |
| Edgar Pablos | ... | camera assistant |
| Ben Wilson | ... | digital camera rig designer |
| Flavia Vitali | ... | still photographer (uncredited) |
Casting Department
| Alex Johnson | ... | assistant to casting director |
Costume and Wardrobe Department
| Beatrice Giannini | ... | wardrobe assistant |
Editorial Department
| Clive Ashenden | ... | assistant to avid editor: 4MC |
| Adam Barton | ... | editor: avid |
| Chris Beeton | ... | colorist: Pepper Ltd. |
| Ian Differ | ... | digital post-production: Digital Film Lab. |
| Jaime Estrada Torres | ... | assembly editor (as Jaime Estrada-Torres) |
| Steve Harrow | ... | post-production consultant: Steeple Post Production Service |
| Shane Warden | ... | on-line editor (uncredited) |
Location Management
| Nicola Rosada | ... | location manager |
Music Department
| David Carpenter | ... | musician: bass |
| Lenny Castro | ... | musician: percussion (as Leonard Castro) |
| Vinnie Colaiuta | ... | musician: drums |
| Mark Curry | ... | music recordist-mixer |
| Arlen Figgis | ... | additional music mixer |
| Mike Figgis | ... | musician: guitar, trumpet and keyboards |
| Louise Hammar | ... | music supervisor |
| Anthony Marinelli | ... | musician: keyboards |
| Brice Martin | ... | musician: flute |
| Robert Sheppard | ... | musician: flute |
| Mark Tucker | ... | music recordist-mixer |
| Anthony Marinelli | ... | music producer (uncredited) |
Additional Crew
| Stefania Antonini | ... | production coordinator: Italy |
| Lesley Broderick | ... | production accountant |
| Carmela Compagnone | ... | payroll clerk |
| Eric D'Souza | ... | data transfer: Digital Film Lab. |
| Michele De Leo | ... | cashier |
| Jude Figgis | ... | cast liaison |
| Louis Figgis | ... | assistant: Ms. Stewart / technical coordinator |
| Louisa Garnier | ... | assistant: Mr. Figgis |
| Martin Haines | ... | legal services: Davenport Lyons |
| Jethro Harris | ... | operations manager |
| Nigel Horn | ... | laboratory contact: Soho Images |
| Tibor Kuo | ... | supervisor: DV |
| Giacomo Montanari | ... | office production assistant |
| Kevin O'Shea | ... | insurance services: AON/Albert G. Ruben |
| Nik Panic | ... | technical assistant |
| Helen Phelps | ... | business manager: Pepper Ltd. |
| Andreas Rostock | ... | data re-recording: Digital Film Lab. |
| Susan Schrader | ... | assistant accountant |
| Jacqueline Thorogood | ... | production coordinator: UK |
| Giorgio Tregnaghi | ... | production accountant |
| Shane Warden | ... | title designer: Pepper Ltd. |
| Sylvester Weekes | ... | supervisor: DV |
| David Wilder | ... | completion bond services: Film Finances |
| Marco Zanon | ... | set production assistant (as Marco 'Bobo' Zanon) |
| Lillian Awa | ... | production assistant (uncredited) |
Thanks
| Harriet Cruickshank | ... | special thanks |
| Mark Foligno | ... | special thanks: Sony UK |
| George Hayum | ... | special thanks |
| Danny Huston | ... | special thanks |
| John Smith | ... | special thanks: The Whitehouse, London |
| Bart Walker | ... | special thanks |
