I have wanted to see this since its broadcast in 1967. It was shown on Christmas Eve and I was at a family gathering so I didn't get to see it. The production is very cartoonish and the camera work isn't the best, but this is a sensational cast and their having fun with it. Ray Middleton is Joe, and Fran Allyson (without Kulka and Ollie) is his wife. Phil Silvers is slick and funny as Applegate, with a young Linda Lavin as Rocky, Jim Backus as the team's coach and Bob Dishy as one of the players. Lee Remick is smashing as Lola, and she gives it her all. Fresh from Mame, Jerry Lanning plays young Joe and there are moments of pure joy. As far as the television musicals of the 1960s go, this is a treat! I've recently discovered that YouTube has a number of them, such as Cole Porter's Aladdin, featuring Cyril Ritchard and Sal Mineo; the Armstrong Circle productions of Brigadoon with Robert Goulet and Kismet with Jose Ferrer and Anna Maria Alberghetti, as well as the Merrill-Styne Dangerous Christmas of Red Riding Hood starring Liza Minnelli. These are shows that should be rediscovered to understand how television benefitted Broadway back then!
7 Reviews
Close to the original.
cdthedj12 September 2003
Saw this movie back in '67. Would love to have a copy on VHS. Phil Silvers was a great devil. This was as close to the original as you can imagine. Lee Remick was a great Lola. They should bring this back to TV and allow today's generation to see them at their best. Joe Garragiola had a cameo in this. He introduces the movie and remarks how the Yankees fans weren't being heard of lately. Back in '67 the Yankees were a struggling ball club and weren't the power house that they are today.
Cheap But Entertaining
richard-crystal20 July 2006
This was (sadly) my very first exposure to this classic musical and one of the cheapest productions of any show I have ever seen. Even the baseball players and the fans were cardboard! Though not a major fan of Phil Silvers, he was delicious as Mr. Applegate and Lee Remick's Lola melted the TV screen. The musical numbers were mostly shot as colorful still life (remember this was the psychedelic 60s!). Linda Lavin, pre-"Alice" , is Gloria the tough female reporter. Fran Allison (of Kukla, Fran & Ollie fame) is mediocre as Joe's suffering wife. I have never seen a soundtrack for this production most likely because it wasn't in the budget! I sincerely doubt it's even available on DVD or VHS but almost 30 years later it would really be fun to watch if only for old-times sake!
Delightful low-budget musical
F Gwynplaine MacIntyre9 April 2002
The 1967 TV production of the Broadway musical "Damn Yankees!" is not as well-known as the 1958 Warner Brothers film version. But the TV version has some merits which the movie version lacks: it's an excellent alternative version of the same story, told on a much smaller budget.
One of the best songs in the Broadway show "Damn Yankees" was "The Game", a slam-bang up-tempo number for male trio, with hilarious lyrics. For some reason, this song was left out of the film version (except as background music during the opening credits and montages). The TV version of "Damn Yankees!" restores this hilarious song "The Game", and it's a highlight of the show.
Lacking the glitz of the movie version, the TV version of "Damn Yankees!" makes a virtue of its low budget. Only three members of the Washington Senators baseball team are played by live actors: the rest of the team are "played" by plywood cut-outs painted to look like baseball players. This sounds like a dumb idea, but it's actually handled well ... especially during the victory scene in the locker room, when one of the flesh-and-blood athletes shares a handshake and some shaving cream with one of his plywood team-mates.
Throughout this TV show, there are clever ways of distracting us from the low budget. During the famous song "Heart", when the three ballplayers sing the line "It's nice to be a genius, of course", we see cut-outs of their heads moving back and forth in front of crude animation of some meshing gears. When they sing "Keep that old horse before the cart", we see some silent-film stock footage of a horse rearing up in front of a cart.
The lead role of Mr. Applegate (alias the Devil) is played here by Phil Silvers, and he's at the top of his form in a performance that owes nothing to Ray Walston's portrayal of this role in the film version. Phil Silvers gives his own unique interpretation of the Devil. Try to imagine Sergeant Bilko as Lucifer, and that's what you'll see here. Hilarious! Fran Allison (of "Kukla, Fran and Ollie") gives an excellent performance as Meg Boyd, and it's a pleasure to see her interacting with humans instead of puppets. During the scene in the baseball commissioner's office, there's supposed to be a crowd of reporters ... but the production budget can't afford a crowd of actors, so Fran Allison speaks directly to the camera and she reacts as if she's speaking to a hostile crowd of reporters. She handles an awkward role extremely well. Linda Lavin (making her TV debut) is superb in her role as Gloria the sportswriter. She does splendid work in her big number ("Shoeless Joe from Hannibal, Mo.") and her "Shifty McCoy" scene with Phil Silvers is the funniest in the whole show.
There are some minuses here, notably Lee Remick's limp performance as Lola the temptress. Lola is supposed to start out unsympathetic, then become heroic as she risks the Devil's wrath in order to save Joe Hardy's soul. This is how Gwen Verdon played the role (on Broadway and in the film), but Remick wants to have our sympathy from the beginning. She's awful. Ray Middleton is badly cast as Joe Boyd, the ageing man who sells his soul for one last chance to recapture his youth. Even when this role is played well, it's hard for us to sympathise with Boyd: he abandons his wife for selfish reasons, and gives her no explanation. Middleton spent most of his career playing villains, and his basic coldness makes Joe Boyd even more unsympathetic than usual.
Jerry Lanning plays Joe Hardy, the younger "improved" version of Joe Boyd. Lanning sings very well, but he lacks the physique for this role. Joe Hardy is meant to be a physical paragon, literally superhuman. Lanning can't compare to Tab Hunter, who played Joe Hardy in the movie version. Tab Hunter (with his gimmicky name) always looked just too good to be true, which turned out to be an asset when he played super-athlete Joe Hardy in the movie "Damn Yankees!". Lanning is too "normal" for this superman role.
The TV version of "Damn Yankees!", with its plodding camera-work, can't match Bob Fosse's brilliant staging of the dance numbers in the film version, but it tries to come up with imaginative visual substitutes. During the song "Two Lost Souls", while Lanning and Lee Remick do an uninteresting dance, weird splotches of multi-coloured ink are superimposed on the screen in slow motion. This isn't as interesting as a Bob Fosse dance number, but it's an honest attempt to do something original and different.
The 1958 "Damn Yankees!" was the first movie musical with a racially integrated chorus line; unfortunately, this great idea wasn't repeated in the TV remake. But the movie version also suffers from the presence of Jean Stapleton doing her annoying "dingbat" routine. Stapleton is completely absent from this TV remake, which is one of the reasons why you'll enjoy it. The TV version of "Damn Yankees!" tries very hard, and much of it succeeds. Some of it is even better than the 1958 film version. I strongly recommend this TV special as an alternative to the enjoyable film version; each has its own flaws, and each has its merits. And I enjoyed hearing "The Game", with its hilarious lyrics. Why was this song left out of the movie?
One of the best songs in the Broadway show "Damn Yankees" was "The Game", a slam-bang up-tempo number for male trio, with hilarious lyrics. For some reason, this song was left out of the film version (except as background music during the opening credits and montages). The TV version of "Damn Yankees!" restores this hilarious song "The Game", and it's a highlight of the show.
Lacking the glitz of the movie version, the TV version of "Damn Yankees!" makes a virtue of its low budget. Only three members of the Washington Senators baseball team are played by live actors: the rest of the team are "played" by plywood cut-outs painted to look like baseball players. This sounds like a dumb idea, but it's actually handled well ... especially during the victory scene in the locker room, when one of the flesh-and-blood athletes shares a handshake and some shaving cream with one of his plywood team-mates.
Throughout this TV show, there are clever ways of distracting us from the low budget. During the famous song "Heart", when the three ballplayers sing the line "It's nice to be a genius, of course", we see cut-outs of their heads moving back and forth in front of crude animation of some meshing gears. When they sing "Keep that old horse before the cart", we see some silent-film stock footage of a horse rearing up in front of a cart.
The lead role of Mr. Applegate (alias the Devil) is played here by Phil Silvers, and he's at the top of his form in a performance that owes nothing to Ray Walston's portrayal of this role in the film version. Phil Silvers gives his own unique interpretation of the Devil. Try to imagine Sergeant Bilko as Lucifer, and that's what you'll see here. Hilarious! Fran Allison (of "Kukla, Fran and Ollie") gives an excellent performance as Meg Boyd, and it's a pleasure to see her interacting with humans instead of puppets. During the scene in the baseball commissioner's office, there's supposed to be a crowd of reporters ... but the production budget can't afford a crowd of actors, so Fran Allison speaks directly to the camera and she reacts as if she's speaking to a hostile crowd of reporters. She handles an awkward role extremely well. Linda Lavin (making her TV debut) is superb in her role as Gloria the sportswriter. She does splendid work in her big number ("Shoeless Joe from Hannibal, Mo.") and her "Shifty McCoy" scene with Phil Silvers is the funniest in the whole show.
There are some minuses here, notably Lee Remick's limp performance as Lola the temptress. Lola is supposed to start out unsympathetic, then become heroic as she risks the Devil's wrath in order to save Joe Hardy's soul. This is how Gwen Verdon played the role (on Broadway and in the film), but Remick wants to have our sympathy from the beginning. She's awful. Ray Middleton is badly cast as Joe Boyd, the ageing man who sells his soul for one last chance to recapture his youth. Even when this role is played well, it's hard for us to sympathise with Boyd: he abandons his wife for selfish reasons, and gives her no explanation. Middleton spent most of his career playing villains, and his basic coldness makes Joe Boyd even more unsympathetic than usual.
Jerry Lanning plays Joe Hardy, the younger "improved" version of Joe Boyd. Lanning sings very well, but he lacks the physique for this role. Joe Hardy is meant to be a physical paragon, literally superhuman. Lanning can't compare to Tab Hunter, who played Joe Hardy in the movie version. Tab Hunter (with his gimmicky name) always looked just too good to be true, which turned out to be an asset when he played super-athlete Joe Hardy in the movie "Damn Yankees!". Lanning is too "normal" for this superman role.
The TV version of "Damn Yankees!", with its plodding camera-work, can't match Bob Fosse's brilliant staging of the dance numbers in the film version, but it tries to come up with imaginative visual substitutes. During the song "Two Lost Souls", while Lanning and Lee Remick do an uninteresting dance, weird splotches of multi-coloured ink are superimposed on the screen in slow motion. This isn't as interesting as a Bob Fosse dance number, but it's an honest attempt to do something original and different.
The 1958 "Damn Yankees!" was the first movie musical with a racially integrated chorus line; unfortunately, this great idea wasn't repeated in the TV remake. But the movie version also suffers from the presence of Jean Stapleton doing her annoying "dingbat" routine. Stapleton is completely absent from this TV remake, which is one of the reasons why you'll enjoy it. The TV version of "Damn Yankees!" tries very hard, and much of it succeeds. Some of it is even better than the 1958 film version. I strongly recommend this TV special as an alternative to the enjoyable film version; each has its own flaws, and each has its merits. And I enjoyed hearing "The Game", with its hilarious lyrics. Why was this song left out of the movie?
Oh, those psychedelic 60s. . .
bekayess9 November 2004
The production values of this TV musical are just too strange for words. If you've seen it, you know what I mean.
But Lee Remick is fun and sexy as Lola, and she sings quite well (if you've heard her in FOLLIES or ANYONE CAN WHISTLE, I'm sure you'll agree). Jerry Lanning, likewise (and he has a nice sexy bare chest, esp. for a 1960s leading man). Phil Silvers, though, bores me as the Devil, while Jim Backus makes the most of his role as the coach. And Linda Lavin shines as Gloria. Fran Allison (of Kukla, Fran and... ) unfortunately misses the mark as Joe's wife.
This is a 60's rarity that has to be seen to be believed--but don't look for it on DVD anytime soon...
But Lee Remick is fun and sexy as Lola, and she sings quite well (if you've heard her in FOLLIES or ANYONE CAN WHISTLE, I'm sure you'll agree). Jerry Lanning, likewise (and he has a nice sexy bare chest, esp. for a 1960s leading man). Phil Silvers, though, bores me as the Devil, while Jim Backus makes the most of his role as the coach. And Linda Lavin shines as Gloria. Fran Allison (of Kukla, Fran and... ) unfortunately misses the mark as Joe's wife.
This is a 60's rarity that has to be seen to be believed--but don't look for it on DVD anytime soon...
Laughing at it, not with it.
mark.waltz13 October 2016
Warning: Spoilers
I've seen many '60's musical specials in my time, so I knew I would not be getting the benefits of a movie musical spectacle. But this adaption of the smash 1955 Broadway musical, so beautifully transferred to the screen in 1958, is a strange vision of the show that makes the twilight zone seem like reality.
The obvious problem is to minimize the musical numbers by pulling away from them for 60's style commercial animation and stock footage from obviously silent movies. I didn't mind the sets of painted cardboard that looked like comic strips, but there's an obvious insecurity in the show selling itself.
The draw is Phil Silvers as Mr. Applegate who turns aging Ray Middletom into young Jerry Lanning, then coming from a hit on Broadway with "Mame". Certain shots of him close up are not flattering, while the young Linda Lavin looks like she's got a fly glued on her head in the oddly filmed "Shoeless Joe" production number. The big baseball anthem, "Heart", is ruined by pulling away, and Lee Remick, so good on the original cast album of "Anyone Can Whistle", is badly recorded. Silvers scores with "Those Were the Good Old Days", but even "Whatever Lola Wants" is badly staged. In fact, the whole thing just reminded me of a mash-load of 60's movie credits combined with bad 60's commercials.
As this was a staple of summer stock and community theater, reviving it for TV was acceptable. However, with the movie so fresh in people's minds, TV producers make this look very amateurish, even if audiences were used to cheap sets. The animation just takes it below even community theater standards. It's not the Yankees here who be damned!
The obvious problem is to minimize the musical numbers by pulling away from them for 60's style commercial animation and stock footage from obviously silent movies. I didn't mind the sets of painted cardboard that looked like comic strips, but there's an obvious insecurity in the show selling itself.
The draw is Phil Silvers as Mr. Applegate who turns aging Ray Middletom into young Jerry Lanning, then coming from a hit on Broadway with "Mame". Certain shots of him close up are not flattering, while the young Linda Lavin looks like she's got a fly glued on her head in the oddly filmed "Shoeless Joe" production number. The big baseball anthem, "Heart", is ruined by pulling away, and Lee Remick, so good on the original cast album of "Anyone Can Whistle", is badly recorded. Silvers scores with "Those Were the Good Old Days", but even "Whatever Lola Wants" is badly staged. In fact, the whole thing just reminded me of a mash-load of 60's movie credits combined with bad 60's commercials.
As this was a staple of summer stock and community theater, reviving it for TV was acceptable. However, with the movie so fresh in people's minds, TV producers make this look very amateurish, even if audiences were used to cheap sets. The animation just takes it below even community theater standards. It's not the Yankees here who be damned!
Dreadful version of classic show
pmullinsj-116 March 2010
This came up on a discussion board of Sondheim which then digressed into discussion of Lee Remick. She's one of my favourite actresses, but couldn't save this. I remember I was so in love with all musicals back in the 60s that I even watched the TV ones, which are mostly bad. There was a second 'Cinderella' with Lesley Anne Warren' which was pretty good, and Sondheim's 'Evening Primrose' is nice twilight zone work, but there was an 'Alice in Wonderland' with Judy Rolin that was pretty bad, but nothing came close to this, one of the most awful things I ever saw. All that animation is what I remember, it was visually just hideous. and I was even a child at the time, and couldn't stand it.
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