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The Chronicles of Riddick (2004)
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Overview
User Rating:
Release Date:
11 kesäkuu 2004 (USA) moreTagline:
All the power in the universe can't change destiny morePlot:
5 years after Pitch Black, the wanted criminal Riddick arrives on a planet called Helion Prime, and finds himself up against an invading empire called the Necromongers, an army that plans to convert or kill all humans in the universe. full summary | add synopsisAwards:
3 nominations moreUser Comments:
A matter of taste more (617 total)Cast
(Cast overview, first billed only)| Vin Diesel | ... | Riddick | |
| Colm Feore | ... | Lord Marshal | |
| Thandie Newton | ... | Dame Vaako | |
| Judi Dench | ... | Aereon | |
| Karl Urban | ... | Vaako | |
| Alexa Davalos | ... | Kyra | |
| Linus Roache | ... | Purifier | |
| Yorick van Wageningen | ... | The Guv | |
| Nick Chinlund | ... | Toombs | |
| Keith David | ... | Imam | |
| Mark Gibbon | ... | Irgun | |
| Roger R. Cross | ... | Toal | |
| Terry Chen | ... | Merc Pilot | |
| Christina Cox | ... | Eve Logan | |
| Nigel Vonas | ... | Merc |
Additional Details
Also Known As:
Pitch Black 2 (USA) (working title)Pitch Black 2: Chronicles of Riddick (USA) (working title)
Riddick (USA) (working title)
The Chronicles of Riddick: The Director's Cut (USA) (director's cut)
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MPAA:
Rated PG-13 for intense sequences of violent action and some language. (edited for re-rating)Parents Guide:
Add content advisory for parentsRuntime:
119 min | USA:134 min (director's cut)Country:
USALanguage:
EnglishColor:
ColorAspect Ratio:
2.35 : 1 moreCertification:
Hong Kong:IIA | Switzerland:16 (canton of Zurich) | Malaysia:18SG | New Zealand:M (director's cut) | South Korea:12 | Canada:13+ (Quebec) | Canada:14 (Nova Scotia) | Canada:14A (Manitoba) (original rating) | Canada:14A (Alberta/British Columbia/Ontario) | Canada:18A (Manitoba) (director's cut) | New Zealand:R13 (original rating) | Germany:16 (director's cut) | Argentina:13 | Australia:M | Chile:14 | Finland:K-15 | Germany:12 | Netherlands:12 | Norway:15 | Peru:14 | Philippines:PG-13 | Portugal:M/12 | Singapore:PG | Sweden:11 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | UK:15 | USA:PG-13 (edited for re-rating) (certificate #39510) | USA:R (original rating) | USA:Unrated (director's cut)Fun Stuff
Trivia:
The fighting style used by Riddick is a messy variation of the martial art Kali. Kali is characterized by straightforward, powerful attacks, and often is used with blunt weapons like a staff or two pieces of bamboo (called Kali sticks). moreGoofs:
Continuity: When the criminals are running through the clouds of falling ash, they get it all over their clothes and their hair, then an instant later, all the ashes are gone. moreQuotes:
[first lines]Aereon: They are an army unlike any other... crusading across the stars toward a place called UnderVerse, their promised land - a constellation of dark new worlds. Necromongers, they're called. And if they cannot convert you, they will kill you. Leading them, the Lord Marshal. He alone has made a pilgrimage to the gates of the UnderVerse...
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Movie Connections:
Referenced in "Saturday Night Live: David Spade/Jack Johnson (#30.14)" (2005) moreSoundtrack:
Getting Away With Murder moreFAQ
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Just had fun watching TCOR and am pretty happy about it. Good action, great visual stuff. A worthy successor to Pitch Black, though the two films are hardly related. Vin Diesel does a good and convincing job at playing an action antihero. As usual, Judy Dench adds to the film, even though her role is small here. The story is pure pulp SF and is short and predictable but is refreshingly dark and (mostly) unsentimental. It actually also has some interesting bits and nice side stories as a (smallish) bonus. Bits and pieces have been copied from Dune, without the film being a Dune copy. Compared to Dune, TCOR has more action and fewer Lynch oddities & boring bits. In my book, both films are good, about equally so.
Reading some of the other reviews, it seems that people are fairly polarized in their opinions of this film. Like most pulp science fiction, it takes a different sort of suspension of belief from that which makes usual films work. However, the action makes it a fair bit easier, and I found it a lot more engrossing and convincing than any of the five (ridiculous but entertaining) Star Wars films, the uniformly unwatchable Star Trek stuff, or, for that matter, most blockbusting light entertainments. But that is just me. If you hate Dune, exaggerated action scenes, or (minor) plot inconsistencies, then you probably won't like this film. Otherwise, chances are good that you will.