Luther (2003)

User Rating:

6.9/10   

Director:

Eric Till

Writers (WGA):

Camille Thomasson (written by) and
Bart Gavigan (written by)

Release Date:

30 lokakuu 2003 (Germany)

Genre:

Biography | Drama | History

Tagline:

Rebel. Genius. Liberator.

Plot:

During the early 16th Century idealistic German monk Martin Luther, disgusted by the materialism in the church, begins the dialogue that will lead to the Protestant Reformation.

Plot Keywords:

Prince | Monk | Priest | Martin Luther | Cardinal

Awards:

4 wins & 1 nomination

Cast

Joseph Fiennes	...	Martin Luther
Alfred Molina	...	John Tetzel
Jonathan Firth	...	Girolamo Aleander
Claire Cox	...	Katharina von Bora
Peter Ustinov	...	Frederick the Wise (as Sir Peter Ustinov)
Bruno Ganz	...	Johann von Staupitz
Uwe Ochsenknecht	...	Pope Leo X
Mathieu Carrière	...	Cardinal Cajetan
Benjamin Sadler	...	Spalatin
Jochen Horst	...	Professor Carlstadt
Torben Liebrecht	...	Charles V
Maria Simon	...	Hanna
Lars Rudolph	...	Melanchthon
Marco Hofschneider	...	Ulrick
Christopher Buchholz	...	von der Eck

MPAA:

Rated PG-13 for disturbing images of violence.

Runtime:

123 min

Country:

Germany

Language:

English | Latin

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Philippines:PG-13 | Sweden:11 | South Korea:12 | Argentina:13 | Australia:M | Brazil:14 | Finland:K-11 | Germany:12 | Netherlands:12 | Norway:11 | Singapore:PG | Switzerland:12 (canton of the Grisons) | UK:12A | USA:PG-13

Filming Locations:

Bavaria Studios, Munich, Bavaria, Germany

Company:

Eikon Film

Trivia:

There are many instances when actual quotes are used by the characters. This includes Friar Tetzel's "Coin in the coffer rings a soul from Purgatory springs" as well as Luther's "Here I Stand" speech.

Goofs:

Continuity: The film takes place over the course of three decades. However, none of the characters show any signs of aging, including Luther and the youthful German emperor.

Quotes:

Georg Spalatin: Do not bite the hand that feeds you, Martin. Our prince pays for your chair in this university. His relics pay for your chair.
Martin Luther: And he who pays the piper calls the tune.

Movie Connections:

Version of Martin Luther (1983/II) (TV)

An Oscar for Sir Ustinov (Feinnes too)

I just came from the St. Louis premier (in conjunction with the 14th annual Theological Symposium at Concordia Seminary) and am very impressed with the film. Not only is it entertaining, but it follows the history of Luther's early years of ministry quite faithfully. Sure, some things were fictionalized to get us from one scene to another, but the facts of the reformation movement, and the realities of life in the 16th century are brought to great realism on the screen.

The performances of Fiennes, and Ustinov were particularly strong, but I think viewers will fall in love with Ustinov's portrayal of Prince Friedrich, the Wise. He's like the cuddly grandpa you always wished you had (or maybe you did have) who didn't care what people thought of them, said and did what they pleased, and no one gave them any crap for it. I truly think it is Oscar calibre work. I think you will too.

Firth as Aleandro was convincing as the Roman Bureaucrat determined to get ahead by keeping the peace between Leo and Charles. Ganz plays a great pastor to Luther - throughout his life - one that we should all be so lucky to have looking after our spiritual well being.

Hofschneider, as the eager to learn and willing to "suffer all for the Gospel" assistant (Ulrick) to Luther made it very easy for the viewer to feel a connection to him. His loyalty was genuine, and not self serving. A true man of the cloth.

Although not on screen long, Clair Cox does a nice job showing just how strong a woman Katie was. Is it any wonder that she went on to run a rather successful business apart from Martin's influence?

For sure this is a courageous movie about a stalwart leader of Church, state, and society to whom western civilization owes a great debt. While the 1950's version of Luther may be more complete in some respects, it is not nearly as accesable to today's viewers who are used to big budget, visually stimulating, and fast paced movies