| Photos (see all 52 | slideshow) | Videos (see all 15 NEW) |
| Jim Carrey | ... | Joel Barish | |
| Kate Winslet | ... | Clementine Kruczynski | |
| Gerry Robert Byrne | ... | Train Conductor | |
| Elijah Wood | ... | Patrick | |
| Thomas Jay Ryan | ... | Frank | |
| Mark Ruffalo | ... | Stan | |
| Jane Adams | ... | Carrie | |
| David Cross | ... | Rob | |
| Kirsten Dunst | ... | Mary | |
| Tom Wilkinson | ... | Dr. Howard Mierzwiak | |
| Ryan Whitney | ... | Young Joel | |
| Debbon Ayer | ... | Joel's Mother | |
| Amir Ali Said | ... | Young Bully | |
| Brian Price | ... | Young Bully | |
| Paulie Litt | ... | Young Bully | |
| Josh Flitter | ... | Young Bully | |
| Lola Daehler | ... | Young Clementine | |
| Deirdre O'Connell | ... | Hollis | |
| rest of cast listed alphabetically: | |||
| Lauren Adler | ... | Rollerblader (uncredited) | |
Directed by | |||
| Michel Gondry | |||
Writing credits(WGA) | ||
| Charlie Kaufman | (story) & | |
| Michel Gondry | (story) & | |
| Pierre Bismuth | (story) | |
| Charlie Kaufman | (screenplay) | |
Produced by | |||
| Georges Bermann | .... | executive producer | |
| Anthony Bregman | .... | producer | |
| David L. Bushell | .... | executive producer (as David Bushell) | |
| Linda Fields | .... | associate producer (as Linda Fields Hill) | |
| Steve Golin | .... | producer | |
| Michael Jackman | .... | associate producer (as Michael A. Jackman) | |
| Charlie Kaufman | .... | executive producer | |
| Glenn Williamson | .... | executive producer | |
Original Music by | |||
| Jon Brion | |||
Cinematography by | |||
| Ellen Kuras | |||
Film Editing by | |||
| Valdís Óskarsdóttir | (as Valdis Oskarsdottir) | ||
Casting by | |||
| Jeanne McCarthy | |||
Production Design by | |||
| Dan Leigh | |||
Art Direction by | |||
| David Stein | |||
Set Decoration by | |||
| Ron von Blomberg | |||
Costume Design by | |||
| Melissa Toth | |||
Makeup Department | |||
| Michelle Johnson | .... | key hair stylist (as D. Michelle Johnson) | |
| Peter Owen | .... | wig maker | |
| Kyra Panchenko | .... | key makeup artist | |
| Francesca Paris | .... | hair stylist: Mr. Carrey | |
| Noriko Watanabe | .... | hair stylist: Ms. Winslet | |
| Noriko Watanabe | .... | makeup artist: Ms. Winslet | |
| Allen Weisinger | .... | makeup artist: Mr. Carrey | |
| Rose Chatterton | .... | hair stylist (uncredited) | |
| Nicki Ledermann | .... | additional makeup artist (uncredited) | |
| Evelyne Noraz | .... | additional key makeup artist (uncredited) | |
Production Management | |||
| Ray Angelic | .... | assistant unit production manager | |
| David L. Bushell | .... | unit production manager (as David Bushell) | |
| Michael Jackman | .... | post-production supervisor (as Michael A. Jackman) | |
| Jeff Roth | .... | executive in charge of post-production | |
Second Unit Director or Assistant Director | |||
| Scott Ferguson | .... | second assistant director | |
| Michael Hausman | .... | first assistant director | |
| Peter Thorell | .... | second second assistant director | |
| Noelle Stehman | .... | additional second assistant director (uncredited) | |
| Adam T. Weisinger | .... | additional second assistant director (uncredited) | |
Art Department | |||
| Liz Bonaventura | .... | scenic artist (as Elizabeth Bonaventura) | |
| James Boniece | .... | key construction grip | |
| Garp Brown | .... | scenic artist (as Garf Brown) | |
| Brian Buteau | .... | set dresser | |
| Ruth Deleon | .... | on-set dresser (as Ruth A. DeLeon) | |
| Paul George Divone | .... | shop craftsman | |
| James Donahue | .... | scenic artist | |
| Natalie N. Dorset | .... | assistant set decorator | |
| David Scott Gagnon | .... | set dresser (as D. Scott Gagnon) | |
| Emily Gaunt | .... | scenic artist | |
| Jonathan Graham | .... | key construction grip | |
| Roman Greller | .... | set dresser | |
| Anne Beiser Haywood | .... | charge scenic artist | |
| Brent Haywood | .... | construction coordinator | |
| James Hoff | .... | camera scenic artist (as Hollis James Hoff) | |
| Miguel Jimenez | .... | key construction electric | |
| Roberto Jiménez | .... | key construction electric (as Roberto Jiminez) | |
| Hinju Kim | .... | assistant art director | |
| Zbigniew 'Ziggy' Kouros | .... | key construction grip (as Zbigniew Kouros) | |
| Julius Kozlowski | .... | scenic artist | |
| Gordon Krause | .... | key shop craftsman | |
| Kevin Ladson | .... | property master | |
| Mark Lane-Davies | .... | scenic artist | |
| Michael Leather | .... | leadperson (as Mike Leather) | |
| Addy McClelland | .... | art department coordinator | |
| Mike Melchiove | .... | shop craftsman | |
| Nick Miller | .... | construction coordinator (as Nicholas R. Miller) | |
| Ronald Miller | .... | shop craftsman | |
| Scott P. Murphy | .... | assistant art director | |
| Morgan Pitts | .... | props | |
| Paul Proch | .... | creator: Joel's Sketchbook | |
| Sean Robinson | .... | key shop craftsman | |
| John Roche | .... | set dresser | |
| Sam Z. Rogers | .... | shop scenic | |
| R. Vincent Smith | .... | assistant property master | |
| Patricia Sprott | .... | scenic foreman | |
| Robert Vaccariello | .... | foreman shop craftsman (as Robert A. Vaccariello) | |
| Andrew M. Velechenko | .... | shop craftsman (as Andrew M. Velenchenko) | |
| Eric Bryant | .... | art department assistant (uncredited) | |
| Jeffrey Rollins | .... | set dresser (uncredited) | |
| Ray Tintori | .... | art department intern (uncredited) | |
Special Effects by | |||
| Mark Bero | .... | special effects | |
| Brent Ekstrand | .... | lead animator | |
| Drew Jiritano | .... | special effects coordinator | |
| Thomas Viviano | .... | special effects (as Thomas L. Viviano) | |
Visual Effects by | |||
| Tricia Barrett | .... | digital compositor: Custom Film Effects | |
| Ryan Beadle | .... | digital I/O: Custom Film Effects | |
| Steve Caldwell | .... | digital compositor: Custom Film Effects | |
| Mark Dornfeld | .... | visual effects supervisor: Custom Film Effects | |
| Michael Eaves | .... | digital color timer: efilm (as Mike Eaves) | |
| Michele Ferrone | .... | producer: visual effects, Custom Film Effects | |
| Martin Garner | .... | computer graphics supervisor | |
| Adam Gass | .... | digital editorial: Custom Film Effects | |
| R.J. Harbour | .... | digital compositor: Custom Film Effects | |
| Shaina Holmes | .... | digital compositor: Custom Film Effects | |
| Ara Khanikian | .... | Flame artist: Buzz Image Group | |
| Ara Khanikian | .... | Inferno artist: Buzz Image Group | |
| Alexandre Lafortune | .... | 3d animator: Buzz Image Group | |
| Alexandre Lafortune | .... | digital effects artist | |
| Melanie La Rue | .... | visual effects coordinator: Buzz Image Group (as Mélanie Larue) | |
| Pierre-Simon Lebrun-Chaput | .... | matte painter: Buzz Image Group | |
| Stéphane Loiselle | .... | visual effects coordinator: Buzz Image Group | |
| François Lord | .... | 3d animator: Buzz Image Group | |
| Francois Metivier | .... | senior Inferno artist: Buzz Image Group (as François Métivier) | |
| Lori C. Miller | .... | digital compositor: Custom Film Effects (as Lori Miller) | |
| Louis Morin | .... | visual effects supervisor: Buzz Image Group | |
| Martin Pelletier | .... | 3d animator: Buzz Image Group | |
| Laurie Powers | .... | digital supervisor: Custom Film Effects | |
| Glenn Silver | .... | 3d animator: Buzz Image Group | |
| David Smithson | .... | data wrangler: Custom Film Effects | |
| Mary C. Snyder | .... | digital compositor: Custom Film Effects (as Mary C. Hoffer) | |
| Gabriel Tremblay-Beauvais | .... | 3d animator: Buzz Image Group (as Gabriel Tremblay) | |
| Robin Tremblay | .... | lead matte painter: Buzz Image Group | |
| Amani Williams | .... | digital compositor: Custom Film Effects | |
| Derek Bird | .... | digital compositor (uncredited) | |
| Dennis Dorney | .... | digital lineup (uncredited) | |
| Pam Kray | .... | 16mm projectionist (uncredited) | |
| Kevin Lin | .... | digital cleanup artist (uncredited) | |
| Thomas Mathai | .... | data manager (uncredited) | |
| Mark Sawicki | .... | effects photography (uncredited) | |
Stunts | |||
| Danny Aiello III | .... | stunts | |
| Bill Anagnos | .... | stunts (as Billy Anagnos) | |
| E.J. Evans | .... | stunts | |
| John R. Favre | .... | stunts (as John Favre) | |
| Stephanie Finochio | .... | stunts | |
| Cort Hessler | .... | stunt driver (as Cort Hessler III) | |
| Artie Malesci | .... | stunts | |
| Pee Wee Piemonte | .... | stunts | |
| Stephen A. Pope | .... | stunts (as Stephen Pope) | |
| Michael Russo | .... | stunts (as Mike Russo) | |
| Brian Smyj | .... | stunt coordinator | |
Casting Department | |||
| Blythe Cappello | .... | casting: Los Angeles | |
| Linda R. Chen | .... | casting assistant: New York (as Linda Chen) | |
| Natasha Cuba | .... | casting associate | |
| Sage Lehman | .... | casting assistant: New York | |
| Kristian Sorge | .... | extras casting assistant | |
| John Srednicki | .... | casting assistant: Los Angeles | |
| Grant Wilfley | .... | extras casting | |
Costume and Wardrobe Department | |||
| Hilary Basing | .... | production assistant: costume department (intern) | |
| Cara Czekanski | .... | additional costumer | |
| Lisa R. Frucht | .... | wardrobe supervisor (as Lisa Frucht) | |
| Jill Kliber | .... | assistant costume designer | |
| Colleen Morris | .... | tailor | |
| David Page | .... | costumer: Mr. Carrey | |
| Laura Steinman | .... | costume dyer/distresser | |
| Deirdre N. Williams | .... | wardrobe supervisor | |
Editorial Department | |||
| Kenny Becker | .... | deluxe color timer | |
| Angela Beresford | .... | post-production assistant | |
| James Haygood | .... | additional editor | |
| David A. Smith | .... | assistant editor | |
| Jeffrey M. Werner | .... | additional editor | |
| Katrina Whalen | .... | post-production assistant | |
| Paul Zucker | .... | additional editor | |
| Jack Lewars | .... | assistant color timer: Efilm (uncredited) | |
| Martha Pike | .... | digital intermediate editor (uncredited) | |
| Jeff Schweikart | .... | post-production assistant (uncredited) | |
Music Department | |||
| Steve Bartek | .... | orchestrator | |
| Christine Bergren | .... | music legal and clearance | |
| Tom Biller | .... | music recordist | |
| Dana Bourke | .... | additional music engineer | |
| Jon Brion | .... | conductor | |
| Jon Brion | .... | music producer | |
| Tass Filipos | .... | music editor (as Anastassios Filipos) | |
| Peter Gordon | .... | orchestrator | |
| Jason Gossman | .... | additional music engineer | |
| Chris Holmes | .... | additional music engineer | |
| Kathy Nelson | .... | music guru | |
| Jen Pray | .... | music consultant (as Jennifer Pray) | |
| Robert Puff | .... | music preparation | |
| Steven Rhodes | .... | additional music engineer | |
| Reed Ruddy | .... | additional music engineer | |
| Edgardo Simone | .... | orchestrator | |
| Patrick Spain | .... | additional music engineer | |
| Nick Vidar | .... | music programmer | |
| Greg Hamilton | .... | additional music preparer (uncredited) | |
| Nick Vidar | .... | music editor (uncredited) | |
Other crew | |||
| Stefanie Azpiazu | .... | assistant: Mr. Bregman | |
| Nicholas R. Bell | .... | production assistant (as Nick Bell) | |
| Fred Berger | .... | intern | |
| Dotan Bonen | .... | security: Mr. Carrey | |
| Christian Brockey | .... | assistant production coordinator | |
| Bobb Bruno | .... | assistant: Jon Brion | |
| Brian Cantaldi | .... | first assistant accountant | |
| David Catalano | .... | production assistant | |
| Linda R. Chen | .... | intern (as Linda Chen) | |
| Ben Conable | .... | production assistant (as Benjamin Conable) | |
| Mary Cybulski | .... | script supervisor | |
| Robert Darwell | .... | attorney | |
| Liesl Davis | .... | intern (as Liesel Elain Davis) | |
| Philip DeRise | .... | production secretary | |
| Stephanie DeTiege | .... | assistant: Mr. Carrey | |
| Kat Donahue | .... | location assistant | |
| Maureen Duffy | .... | completion guarantor | |
| Tracy Ershow | .... | production assistant | |
| Kathleen Fellegara | .... | on-set medic (as Kathy Fellegara) | |
| Rich Fellegara | .... | on-set medic | |
| Frances Fiore | .... | unit publicist | |
| Noah Fox | .... | production assistant | |
| Andrew Goodman | .... | production assistant | |
| Kristy Hamer | .... | accounting assistant | |
| Amro Hamzawi | .... | assistant: Mr. Gondry | |
| Susan Hegarty | .... | dialect coach: Ms. Winslet | |
| Arthur Hur | .... | assistant: Michel Gondry | |
| Lindsey Jaffin | .... | office production assistant | |
| Cynthia Kao | .... | production assistant | |
| Kate Karbowniczek | .... | production assistant | |
| Erica Kay | .... | production coordinator | |
| Matthew G. King | .... | production assistant | |
| David Koch | .... | production assistant | |
| Sage Lehman | .... | intern | |
| Chris Marsh | .... | assistant location manager (as Christopher Marsh) | |
| Patrick McDonald | .... | key set production assistant | |
| Hillary Meyer | .... | payroll accountant (as Hillary R. Meyer) | |
| Valerie Nolan | .... | intern | |
| Alison Norod | .... | production assistant | |
| Oona Overholtzer | .... | assistant: Mr. Kaufman | |
| Derek Pastures | .... | parking coordinator | |
| Currie Person | .... | location assistant | |
| Michal Podell | .... | attorney | |
| Ruth Pollock | .... | assistant: Ms. Winslet (as Ruth Pollack) | |
| Chris Prapha | .... | assistant: Mr. Golin | |
| Gary S. Rake | .... | production assistant | |
| Adrian Scartascini | .... | assistant: Mr. Gondry | |
| Jeff Schlesinger | .... | assistant: Mr. Bushell | |
| Paula Schmit | .... | completion guarantor | |
| Eugy Septimo | .... | intern | |
| Talley Singer | .... | second assistant: Mr. Carrey (as Taylor Singer) | |
| Debbie Stampfle | .... | production assistant | |
| Greg Trattner | .... | completion guarantor (as Gregory Trattner) | |
| Daniel Tresca | .... | location assistant (as Dan Tresca) | |
| Gayle Vangrofsky | .... | location manager | |
| Andy Wheeler | .... | production accountant | |
| Alex Zoppa | .... | intern | |
| Andrew Zoppa | .... | intern | |
| Zach Zoppa | .... | intern | |
| Dylan Gallagher | .... | photo double: Jim Carrey (uncredited) | |
| Amber Gristak | .... | stand-in: Kate Winslet (uncredited) | |
| Kristen Marie Holly | .... | stand-in: Kirsten Dunst (uncredited) | |
| Matthew Makar | .... | production assistant (uncredited) | |
| Cyril Merle | .... | assistant: Michel Gondry (uncredited) | |
| Tony Muro | .... | publicist (uncredited) | |
| Jimmy Price | .... | location scout (uncredited) | |
| Jennifer Skyler | .... | stand-in: Kate Winslet (uncredited) | |
| Jeremiah Zazueta | .... | production assistant (uncredited) | |
Thanks | |||
| Mario Badescu | .... | thanks | |
| Karen Baird | .... | special thanks | |
| Ted Baker | .... | thanks | |
| Heidi Bivens | .... | special thanks | |
| Gerry Robert Byrne | .... | special thanks | |
| Anne Carey | .... | special thanks | |
| Kevin Dillon | .... | special thanks | |
| Paul Dorf | .... | thanks | |
| Cyril Drabinsky | .... | special thanks | |
| John Fluevog | .... | thanks | |
| Julie Fong | .... | special thanks | |
| Paul Frank | .... | thanks | |
| Dr. Hauschka | .... | thanks | |
| Ted Hope | .... | special thanks | |
| Betsey Johnson | .... | thanks | |
| Will Keenan | .... | special thanks | |
| Laura Kightlinger | .... | special thanks | |
| Drew Kunin | .... | special thanks | |
| J.F. Lazartigue | .... | thanks | |
| Steve Madden | .... | thanks | |
| Laura Madrigano | .... | thanks | |
| Nicole Miller | .... | thanks | |
| Susan E. Morse | .... | special thanks (as Susan Morse) | |
| Thomas Pink | .... | thanks | |
| Ellen Pompeo | .... | special thanks | |
| Victor Rasuk | .... | special thanks | |
| Amy Rosen | .... | special thanks | |
| Leon Silverman | .... | special thanks | |
| Doctor Gwenn Smith | .... | thanks: Long Island Jewish Medical Center | |
| John Srednicki | .... | special thanks | |
| Diana Victor | .... | special thanks | |
| Karen Walker | .... | thanks | |
| The Zacks | .... | special thanks | |
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Joel (Jim Carrey) is a rather milquetoast man who meets up with free spirit Clementine (Kate Winslet), and they become romantically involved. However, they endure a messy breakup and Clementine goes to a business called Lacuna, Inc., where she has all of her memories of Joel erased. Not wanting to be left out, Joel also goes to have his memory erased. However, soon after it begins, Joel realizes that he wants to keep the memory of Clementine, so he tries to reverse the process.
Well, if you're familiar with Kaufman's work, then you know what your getting yourself into. This is just as weird if not weirder then his previous work (maybe even John Malkovich). Anyways, I knew what I was getting myself into, but 90% of the movie I was saying to myself "What the f*ck", but in a good way. It opens with Joel calling in sick for work and going on a different train and meeting Clementine, they hit it off, now this is about 15 minutes into the movie, then out of nowhere come the credits for the opening. I will admit, I thought it would be different, but I'm glad that it is the way it is, the movie is 80% of the time in Joel's head.
If you think you know Carrey, think again. This movie is his best performance, better than Majestic, Truman show and all of his comedic roles (which is what I love him for). Just looking at his face from the second we see him, we feel his pain, then like that, we feel his joy, embarrassment, hate. Just awesome acting on his part, and Winslet was great as well. Everybody, Wood, Dunsts, and so on, just add to the emotion on the screen. I can see at least one Oscar nomination for acting(hope).
But if I were to bet any money on any Oscar nominations it would obviously be the writing, what a mess, but beautifully constructed. You think to yourself, if that scene really necessary but everything is so out of it, that you think later on that it does, that's beautiful, crazy, give me whatever he's smoking kind of writing. Charlie Kaufman's writing is always clever, but this time he's one-upped himself by making something simultaneously bizarre and emotionally engaging. It seemed like his earlier movies were clever for the sake of cleverness, but 'Eternal Sunshine' manages to dazzle you with it's originality and it's poignancy. The fact that this movie was able to wrap such profound loss, emotional tenderness, and hope in such a self-consciously stylized package illustrates the incredible talent of the people behind it.
Michel Gondry's use of vibrant coloring and quick camera movement give the film a very involving first hand feeling. The constant use of the handy cam is very all involving for the viewer, and I suppose that this is exactly what is needed in such a personal movie. His work on the dream sequences is incredible as well.
I really liked Passoins of Christ, but this movie blows it out of the water, this is so far my number one of 2004 and it will take a lot to knock it down. One fault with it, would have to be the last minute of the film, the fade to white and the same scene playing over and over did nothing for the film, except take away from it.