A woman becomes very curious about one of her psychiatrist husband's inmates, a man who was found guilty in the murder and disfigurement of his former wife.
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In the 50's, the psychiatrist Max Raphael is hired to work as superintendent of an asylum in the outskirts of London, and he moves with his wife Stella Raphael and their son Charlie. Stella has a passionless marriage and is ignored by Max; her boredom changes when her son befriends the handsome inmate Edgar Stark, an sculptor that in a crisis of jealousy had killed and disfigured his wife, and that is treated by Dr. Peter Cleave, an ambitious psychiatrist that aspired Max's position. During the afternoons, Stella has a hot adulterous affair with Edgar until the day he escapes and their affair is discovered. Stella has to take a decision between her family and her wild passion for Edgar. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Paramount Pictures secured film rights to the book in 1997, the original plan was to bring Stephen King and Jonathan Demme on board as, respectively, screenwriter and director See more »
Quotes
Max Raphael:
I want you to understand what's going to happen next. The shock will wear off, and it will be replaced by a devastating grief. In time, you will come to terms with what you have done and you'll just be very, very sad. And that sadness will stay with you for the rest of your life.
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In the 50's, the psychiatrist Max Raphael (Hugh Bonneville) is hired to work as superintendent of an asylum in the outskirts of London, and he moves with his wife Stella Raphael (Natasha Richardson) and their son Charlie (Gus Lewis). Stella has a passionless marriage and is ignored by Max; her boredom changes when her son befriends the handsome inmate Edgar Stark (Marton Csokas), an sculptor that in a crisis of jealousy had killed and disfigured his wife, and that is treated by Dr. Peter Cleave (Ian McKellen), an ambitious psychiatrist that aspired Max's position. During the afternoons, Stella has a hot adulterous affair with Edgar until the day he escapes and their affair is discovered. Stella has to take a decision between her family and her wild passion for Edgar.
"Asylum" is a sort of combination of "Madame Bovary" with "La Ragazza di Trieste", telling the wild and tragic passion of an ignored and bored woman and her descent into a hell life with a madman. The narrative is sexually tense, and the still sexy Natasha Richardson has a fantastic performance in the role of a woman that becomes obsessed by her destructive desire. Her chemistry with Marton Csokas is amazing, combining tension, madness and eroticism in a stylish cinematography. My vote is seven.
Title (Brazil): "Paixão Sem Limites" ("Passion Without Limits")
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In the 50's, the psychiatrist Max Raphael (Hugh Bonneville) is hired to work as superintendent of an asylum in the outskirts of London, and he moves with his wife Stella Raphael (Natasha Richardson) and their son Charlie (Gus Lewis). Stella has a passionless marriage and is ignored by Max; her boredom changes when her son befriends the handsome inmate Edgar Stark (Marton Csokas), an sculptor that in a crisis of jealousy had killed and disfigured his wife, and that is treated by Dr. Peter Cleave (Ian McKellen), an ambitious psychiatrist that aspired Max's position. During the afternoons, Stella has a hot adulterous affair with Edgar until the day he escapes and their affair is discovered. Stella has to take a decision between her family and her wild passion for Edgar.
"Asylum" is a sort of combination of "Madame Bovary" with "La Ragazza di Trieste", telling the wild and tragic passion of an ignored and bored woman and her descent into a hell life with a madman. The narrative is sexually tense, and the still sexy Natasha Richardson has a fantastic performance in the role of a woman that becomes obsessed by her destructive desire. Her chemistry with Marton Csokas is amazing, combining tension, madness and eroticism in a stylish cinematography. My vote is seven.
Title (Brazil): "Paixão Sem Limites" ("Passion Without Limits")