Derek Jarman is remembered as an innovative film-maker and artist but his stage work is key to his career – even his own residence was a performance
Derek Jarman wandered into theatre, as he did into much of his creative life. The stage design department at the Slade School of Art in 1963 was casually structured, and, for the era, an uncloseted zone of gaiety. He'd previously slapped a distemper brush on scenes for Lorca's Blood Wedding and other plays put on by fellow students at King's College, London. He had not seen much theatre, as movies – even concerts – came cheaper; the first production that really excited him was Peter Brook's short and gory staging of Antonin Artaud's Spurt of Blood in the RSC's 1964 Theatre of Cruelty season.
Jarman put a lot of effort into his design course, outlining a surreal play, The Billboard Promised Land (a mashup of The Wizard of Oz...
Derek Jarman wandered into theatre, as he did into much of his creative life. The stage design department at the Slade School of Art in 1963 was casually structured, and, for the era, an uncloseted zone of gaiety. He'd previously slapped a distemper brush on scenes for Lorca's Blood Wedding and other plays put on by fellow students at King's College, London. He had not seen much theatre, as movies – even concerts – came cheaper; the first production that really excited him was Peter Brook's short and gory staging of Antonin Artaud's Spurt of Blood in the RSC's 1964 Theatre of Cruelty season.
Jarman put a lot of effort into his design course, outlining a surreal play, The Billboard Promised Land (a mashup of The Wizard of Oz...
- 3/9/2014
- by Veronica Horwell
- The Guardian - Film News
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