Tom White (2004) Poster

(2004)

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8/10
Risky business
tomsview5 January 2014
"Tom White" is an edgy movie that goes in directions you don't expect. Although it is an Australian film, what happens to Tom White could take place in any modern city.

Tom, played by Colin Friels, is an architect with a wife and two children who has a typical suburban lifestyle - comfortable, but predictable. He feels trapped, and after problems at work, has a breakdown. He abandons family and job and enters another realm altogether, that of a homeless person, his life then becomes anything but comfortable and predictable.

The director of "Tom White", Alkinos Tsilimidos, said in an interview, "I think without risk, life can be pretty boring, so I approach making my films with risk. If it was safe territory, I mean, how boring would it be to turn up to work and know you're in safe territory?"

"Tom White" is not safe territory.

Tom is a flawed character; that he retains our sympathy is a credit to Colin Friels' screen chemistry. The experiences Tom has on the streets are risky - physically and morally. He is mugged, and for a while, he shares a house, and eventually a bed with a young gay man, although he isn't gay.

He moves onto an affair with a woman who works in a fairground played by Loene Carmen, the memorable star of "The Year My Voice Broke." She is trying to break from the drug scene but the affair ends brutally as do many of Tom's encounters on the streets.

Tom is invited into the world of derelict buildings and Salvation Army refuges when he joins up with Malcolm, something of a street philosopher played by Bill Hunter. Finally, Tom encounters a boy from a dysfunctional home; a relationship that could easily be misunderstood. However, he protects the boy and begins to realise how much he has let down his own family.

The scene where he meets his wife again is powerful, but unpredictable like everything else in the movie. Rachael Blake as Helen White communicates a lot with just a look; she is quite brilliant. In the end, although Tom has been affected by all the characters he met, we doubt that he has found the answers he sought because he hardly knew the questions to ask.

The film has a similar theme to "Kiss the Sky" starring William Petersen. Although that movie has a different setting, the main character abandons family and job to seek something within himself that he can hardly explain. Both films end on an ambiguous note.

"Tom White" received many awards and Colin Friels was justly praised for his role as Tom. Although some segments play better than others, it is a challenging and compelling movie.
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7/10
Thought-provoking but enjoyable
johnfos15 June 2005
This is a thought-provoking Australian film about the subject of untreated mental illness and the total isolation from family and friends which can follow. It shows how those who suffer from mental health problems may try to cope with the situation themselves rather than seek medical attention. It's a dark and brooding film, which explores the twists and turns of life on the street, and shows us how difficult such a life can be. The movie avoids sentimentality and leaves the viewer to ponder where untreated depression and related mental health issues may ultimately lead.

Colin Freils provides a wonderful character study in his role as Tom. Unfortunately, though, some of the support acting is decidedly lacklustre. Nice camera work throughout.

'Tom White' contrasts strongly with several other well-known films dealing with mental illness: 'A Beautiful mind' was a glossy big-budget production with a positive message, and 'One Flew over the Cuckoo's Nest' focused on an institutional setting.
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8/10
A reasonable depiction of homelessness by choice
ratso3330 August 2013
There is a small percentage of homeless people who drop out of society completely by choice. This fact never seems real to those of us who have stable families, jobs and routines. Most often these people have an abiding antipathy for the values which society proclaims as worthwhile. Tom White is one of these people. This film is perhaps a little overly optimistic in its depiction of White's fate. I expect that bean counters would have had some role here. The plot is bleak enough without being too realistic. What the film does do is remind us of what a treasure we have in Colin Friels. I can't imagine too many actors who could have played such an anti-social part, but still made us care about what happens to him. Homelessness is an issue most Australians never have to face, and do not understand. I laud the producers of this film for this attempt to remove the lid on such an important issue.
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6/10
Tour-de-force performance
keith-28323 January 2005
'Tom White' is by no means an easy film or, strictly speaking, an enjoyable one. But you come away thinking about the issues it raises, digging as it does into layers of emotional truth and 'life in the margins' (albeit, admittedly, somewhat romanticized).

Tom (a superb performance by Colin Friels) is a man who designs home for a living and then chooses to make himself homeless. Outwardly, he has all the signs of a comfortable, successful life - new home, loving family, successful if stressed career. But his shaking hands show something different - especially when it soon becomes clear that not everything is as it appears at work. Male middle aged 'crisis' is a huge issue in Australia at the moment, and the cause of many unexpected suicides. Tom White chooses a different path and cuts all bonds with his up to now normal life. He has chosen the margins, where those he meets, in spite of their position, have enormous self-dignity - the rent-boy, the ex-junkie, the gentlemanly tramp, the 14 year-old graffiti artist. Tom goes on a journey of his own and plumbs the depths of society, yet he overcomes and discovers his own dignity and understanding of who he is.

As mentioned, it can be somewhat romanticized, and there is little in the way of the real squalor of homelessness, but nevertheless the film presents food for thought in an attempt to present a broader understanding of those who are or chose to live on the fringes rather than endure life without any real meaning.
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10/10
Deeply thoughtful, carefully paced...
youngspirit14 August 2004
I saw "Tom White" at its world premiere on Saturday July 31st, 2004; here in Melbourne.

"Tom White" tells the story of an ordinary guy whose life goes off the rails. When things fall apart at work, something snaps, and Tom sets out, leaving his home and family behind. What follows is almost a series of vignettes detailing Tom's run-ins with other people on the 'fringes of society', people in a world hidden in his city that he never really knew about.

I found this movie deeply thoughtful. Stepping away from the more lighthearted Australian comedy, this movie is a very thoughtful character study, looking into something for which most people have the capacity, but never really have the courage. Tom runs away from home, from his professional life in a desk job, and in doing so begins a new life, with a clean slate. He is no longer judged by his past, but by the person he is in that moment.

I watched this movie (set here in Melbourne) and found myself looking at landmarks I know in a totally different way when I passed them the next time: a day, a week later. This kind of film doesn't let go straight away, it has you thinking for quite awhile afterward too.

Recommended for audiences willing to take a chance with the relaxed pace and simply let the film wash over them. For me, the evaluation came at a later time: in the theatre I was swept away by the intriguing photography and the great performances by everyone, particularly Colin Friels (Tom White), Loene Carmen (Christine) and Jarryd Jinks (Jet). Dan Spielman and Bill Hunter gave stand-out performances also.

Three and a half from Five Stars.
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9/10
Gritty realism
pgordon-126 August 2004
"Tom White" has been given only a very limited release in Australia, and this coupled with its unrelenting grimness means it may not achieve the critical

success it deserves.

It's a very fine film, perhaps the best and most substantial Australian film for some time. It's refreshing to find an Australian film that's not cutely folksy or condescending to its characters, subject matter or audience.

The script falters occasionally but is generally tight and convincing. The

photography is stunningly beautiful. Direction and acting are also outstanding and deserve to collect several AFI Awards. Besides Friels' stunning starring role, Hunter and Blake merit special mention . Several other small roles offer varying delights in a film that's both episodic yet well structured in its depiction of the picaresque descent from middle class respectability of the eponymous hero.
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4/10
It's films like Tom White that make filmgoing seem a chore - yet there's something intriguing behind its heavy-handedness
colettesplace22 December 2004
In Tom White, the title character (played by Colin Friels) "drops out" of society after a work crisis and becomes homeless. He drifts through Melbourne meeting a rent boy (Dan Spielman), an ex-junkie (Loene Carmen), a tramp (Bill Hunter) and a young graffiti artist (Jarryd Jinks).

Scripted by Australian playwright Daniel Keane, Tom White continues to explore the societal dissociation that Keane covers in his stage works. Like them, too, it suffers from heavy-handedness, resulting in impassioned performances from hollow characters.

Additionally, Keane's interest in medieval miracle plays – where every character is symbolic – clashes with director Alkinos Tsilimidos and cinematographer Toby Oliver's naturalistic film-making. Tom White is harshly lit and like Praise (1998), confronts the ugliness in Australian society. At the same time we don't know what motivates these people, and the dialogue is unrealistic. It's an uneasy mix.

Colin Friels turns in a strong performance, as does Rachel Blake as his wife. But many of the other characters are overly stagey. Tom White is at its most interesting towards the end, when Tom is interacting with the young graffiti artist, but is overall an interesting failure. **/***** stars.
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8/10
A film about the Australia they don't show you on tourist shows
burnthebeautiful25 February 2005
As an Australian currently living in Sweden, I enjoy the rare chance of getting to watch something Australian. Even if the movie itself turns out to be awful, seeing Australian brand food in the meal eating scenes and hearing real Australian accents and slang words is a novelty. But more importantly, with movies like Tom White, having lived in Australia makes me appreciate the dark humour and sarcasm that a lot of people miss. A perfect example of this is the scene with Tom and a homeless man (The homeless man's name has slipped my mind).

Homeless man: What's a man when he's dead? Tom: He's ****ing dead.

These sort of comments delivered in a deadpan way are typical of Australian humour, and also of Australian straight forward, honest attitudes. Unfortunately a lot of viewers from 'overseas' won't realize these sorts of one liners and overly negative comments are meant to be funny.

All this aside, Tom White is a great movie. It's essentially divided into parts. Each part of the movie focuses on the friendship between Tom and whoever he's currently living with. The friendships last about 20 minutes of screen time each, once the friendships end for various reasons, the film becomes about the next person Tom befriends. Because of this, watching Tom White is a bit like watching 4-5 different short films, with each friendship being its own film. All of the characters are interesting, including the minor characters, like the homeless aboriginal guy with a long grey beard and carrot top shaped hair.

If you have any romantic fantasies about living in Australia, let me tell you that this movie is a fairly accurate portrayal of Australian life and Australian people. You don't spend all day at the beach, seeing kangaroos is a novelty that gets old fast. The Australia in Tom White is the real Australia. The characters in the movie is what real Australians are like. Australians are like the people in this movie, not Steve Irwin. Living in Australia is like they live in the beginning of the film, it's not spending all day surfing.
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4/10
Another Aussie movie directed by someone who should stick to TV.
lindfilm-130 October 2006
'Tom White' is another example of an Aussie movie trying hard with a serious human story, but applying the worst of Television techniques. The reliably good principal actors did their best against a patchy script that intended to express a tragic human story but fell into the usual pitfalls of uncinematic scriptwriters and directors. There was little subtext. The characters tended to state the obvious. There was no convincing back-story to propel the central character onto his tragic path. The depth of field was generally bland, with considerable dead areas (common in TV studio shoots), and the framing was mainly executed in wide shots and mid shots. In Cinema, the choice of camera angles, and camera movements is a subtle and effective language in itself. Cinematography is intended to be a wonderful ally to both the screenplay and the emotional presence of the actors. Cinematography isn't simply a matter of recording what happens in front of the lens. Colin Friels was prepasred to give his all. He deserved to have been in a better film. Or was it the typical case in Australia of lack of funds, creating an impossibly stringent shooting schedule, depriving the director of the time to shoot it the way the director really wanted?
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2/10
Umm.. I might have watched a different movie?
ross_mabbutt5 July 2007
I'm sorry, I agree Colin Friels is a brilliant actor...BUT... this movie stinks! The worst part about it is the endless parade of totally unbelievable characters. The way this movie was written, directed and acted, I didn't buy for a second it could actually happen.

This middle-aged bloke all of a sudden having a nervous breakdown and stumbling across a rent-boy in a pub toilet, taking him home, making him breakfast, going to a boozey party and then ending up in the sack with him...going to the carnival and casually picking up the junkie chick with the heart of gold who's running the slug-gun game.... being stopped from smashing the pimp's dog by Bill Hunter quoting the classics who later reprises his triumphant role from 'Priscilla, queen of the desert' by hitting on him...etc, etc, etc..

It was just too much! How this ever got funding is beyond me... it was just so fake & disingenuous I thought...
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wrought with expectation, and delivered.
tjnewie27 November 2004
saw this film not knowing what to expect and was surprised. I like that it made me think and i also like that i was still thinking 2 days later. I did question at the end of the film whether or not it had given me sufficient closure, given the context of the film, but i have revaluated that thought. I think this was an awesome film, and i would recommend it to anyone. Colin friels did an awesome job ( i love his work, for something different from this film check out a good man in africa, an oldie but a goodie). Rachel blake also did a good job of fitting into a role that was hard to distinguish and the secondary homeless people were also played in a believable and hard hitting way.
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