Directed by
Mike Donahue |
Writing Credits (in alphabetical order)
Vincent J. Roth |
Cast
Produced by
Mike Donahue | ... | co-producer |
Hagen O'Brien | ... | associate producer |
Ray Quiroga | ... | producer |
Vincent J. Roth | ... | executive producer |
Victor Stone | ... | co-producer |
Tom Tangen | ... | producer |
Music by
Ken Fix |
Cinematography by
Matt McFarland | ... | director of photography |
Editing by
Peter Gahan |
Art Direction by
Erica Doering | ||
Erica Doerner |
Costume Design by
Vincent J. Roth |
Makeup Department
Harry Cassidy | ... | makeup artist |
Production Management
Adam Simon | ... | production manager |
Second Unit Director or Assistant Director
Elizabeth da Costa | ... | assistant director |
Daniel Spisak | ... | second assistant director |
Dustin Voigt | ... | first assistant director |
Art Department
Erica Doerner | ... | set designer |
Victor Stone | ... | props |
Adam C. Woods | ... | carpenter |
Sound Department
Shana Barry | ... | boom operator |
Matt Lemcke | ... | sound effects editor |
Dessie Markovsky | ... | sound designer |
Emile Razpopov | ... | sound designer |
Xavier Sol | ... | re-recording mixer |
Eugene E. Thompson | ... | sound |
Camera and Electrical Department
Beverly Bacon | ... | still photographer |
Taylor Black | ... | electrician / grip |
Jayson Crothers | ... | additional camera operator |
Nicholas Davis | ... | grip |
Chip Ingram | ... | key grip |
Diego Mariscal | ... | grip |
Melvina Rapozo | ... | first assistant camera (as Melvina M. Rapoza) |
L. Andrew Sigler | ... | best boy grip |
Sarah St Clair Renard | ... | second assistant camera |
Adam Tash | ... | gaffer |
Editorial Department
Mato | ... | color timer |
Tom Trainor | ... | assistant editor |
Music Department
Ted Perlman | ... | music producer |
Additional Crew
Joe Anderson | ... | web designer |
Ralph Langer | ... | electronic press kit / video documentarian |